Still can't get over Corona's sound
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Echoes in the Attic Echoes in the Attic https://www.kvraudio.com/forum/memberlist.php?mode=viewprofile&u=180417
- KVRAF
- 12066 posts since 12 May, 2008
This synth deserves way more attention honestly. I just feel like it's in another league from pretty much every other VA. When it comes to classic emulation, Diva rules. But for overall sound quality and not trying to emulate anything in particular, I think Corona beats everything out there. It always has such presence and huge punch. Crisp top end and crazy bottom. It can be smooth like classic analog or nasty and dirty along the lines of Massive. It seems to bridge the digital and analog worlds nicely. And the tones you can get out of the fancy cross-modulation is pretty wild.
There are plenty of synths that pleasantly surprise me if I haven't used them in a while, with their own unique character, but Corona really blows me away with just how BIG it sounds.
The one big let down for me is that the modulation amounts aren't automatable. This is such a massive bummer for me that it prevents me from using it a lot despite it's great sound. I wish the mod sources and target menus were exposed to the host like many synths do, but I think it's a bit crazy that the amounts aren't exposed. I can't think of many synth that don't expose these, unless they are a drag and drop system like Massive or DCAM with the rings around the target parameters.
If the developer is listening - Your synth is amazing. Please finish it by exposing modulation amounts (and if possible the source and target menus).
cheers
There are plenty of synths that pleasantly surprise me if I haven't used them in a while, with their own unique character, but Corona really blows me away with just how BIG it sounds.
The one big let down for me is that the modulation amounts aren't automatable. This is such a massive bummer for me that it prevents me from using it a lot despite it's great sound. I wish the mod sources and target menus were exposed to the host like many synths do, but I think it's a bit crazy that the amounts aren't exposed. I can't think of many synth that don't expose these, unless they are a drag and drop system like Massive or DCAM with the rings around the target parameters.
If the developer is listening - Your synth is amazing. Please finish it by exposing modulation amounts (and if possible the source and target menus).
cheers
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- KVRist
- 430 posts since 1 May, 2012
To be honest, I think the gui can be a turn off for some. I know the screen shots never got my attention. But after trying the demo, I fell in love with the sound, which is what led me to buy it. I agree that it's a total beast, that low end is unreal.
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- KVRian
- 1452 posts since 9 Feb, 2007 from San Ramon, California
I think it is an is an unhyped, low profile little gem... that is not so little.
I own a license but am guilty of underuse, probably because I own too many instrument licenses.
I own a license but am guilty of underuse, probably because I own too many instrument licenses.
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Gribs
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- KVRist
- 249 posts since 2 Oct, 2012
Corona is amazing. The oscillator combine algorithms, distortion models, and wide selection of waveforms are awesome.
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- KVRist
- 440 posts since 22 Feb, 2014
I haven't demo'd Corona yet. Mostly due to the companies beliefs that Discovery Pro is equal to or better than the nord leads. Blasphemy I say. Good company to buy from though.
- KVRAF
- 18510 posts since 26 Jun, 2006 from San Francisco Bay Area
Well, as far as I can tell, he nailed the NL2x filter, added wavetables and "padsynth" oscs and managed to eliminate the aliasing the NL2x is known for. I don't think the unison sounds as good though. So... I don't fault him for being proud of his software.LimboLoves wrote:I haven't demo'd Corona yet. Mostly due to the companies beliefs that Discovery Pro is equal to or better than the nord leads. Blasphemy I say. Good company to buy from though.
Zerocrossing Media
4th Law of Robotics: When turning evil, display a red indicator light. ~[ ●_● ]~
4th Law of Robotics: When turning evil, display a red indicator light. ~[ ●_● ]~
- KVRAF
- 12522 posts since 21 Mar, 2008 from Hannover, Germany
edit
Last edited by Ingonator on Mon Jul 14, 2014 8:32 am, edited 1 time in total.
Ingo Weidner
Win 10 Home 64-bit / mobile i7-7700HQ 2.8 GHz / 16GB RAM //
Live 10 Suite / Cubase Pro 9.5 / Pro Tools Ultimate 2021 // NI Komplete Kontrol S61 Mk1
Win 10 Home 64-bit / mobile i7-7700HQ 2.8 GHz / 16GB RAM //
Live 10 Suite / Cubase Pro 9.5 / Pro Tools Ultimate 2021 // NI Komplete Kontrol S61 Mk1
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Echoes in the Attic Echoes in the Attic https://www.kvraudio.com/forum/memberlist.php?mode=viewprofile&u=180417
- KVRAF
- Topic Starter
- 12066 posts since 12 May, 2008
I can see why some might overlook it because the GUI somehow looks a bit cheap perhaps. But it's quite functional and a nice layout. Only issue I have with the GUI is that you can't tell what sample is loaded because there isn't enough space to display that. I barely use the samples anyways. So much is possible with the regular oscs and cross mod.
Worth noting too that it's got one of the best arps out there as well, if not the best.
Corona begs to be played live. Please give us automation of the modulation parameters for hardware mapping!
Worth noting too that it's got one of the best arps out there as well, if not the best.
Corona begs to be played live. Please give us automation of the modulation parameters for hardware mapping!
Last edited by Echoes in the Attic on Sun Jul 13, 2014 9:27 pm, edited 1 time in total.
- KVRAF
- 5223 posts since 20 Jul, 2010
I'd like to see some subtle colour-coding throughout the modules on the front panel. Either pastel or very desaturated primary and secondary colours. Layout-wise, I think it's brilliant, everything is where you'd expect it to be and you can see what's going on in a patch. It's just that everything is too samey. It's nice to make some knobs stand out with different sizes and/or colours - especially important ones like cutoff and sustain level.
The sound of Corona is very nice. One of the best non-VA filter sections around. Corona reminds me of Diva's alternate reality twin. The filters have a very solid, physical presence. You can get a wide range of sounds with them (yes, there are two). The oscillators are famously mad and can get awesome bit-funked morphing waveforms if you experiment with it.
Another thing about Corona is that is has a lot of excellent, subtle features that let you go that extra mile in customising your sound, without them getting in the way. For example, you can put the amp stage before the filter for a subtly different sound, you have various portamento algorythms that differ only in nuance, the arp has a lot of cool "gimmick" features IIRC, etc.
Also, 6db resonant filter. That's always a plus
The sound of Corona is very nice. One of the best non-VA filter sections around. Corona reminds me of Diva's alternate reality twin. The filters have a very solid, physical presence. You can get a wide range of sounds with them (yes, there are two). The oscillators are famously mad and can get awesome bit-funked morphing waveforms if you experiment with it.
Another thing about Corona is that is has a lot of excellent, subtle features that let you go that extra mile in customising your sound, without them getting in the way. For example, you can put the amp stage before the filter for a subtly different sound, you have various portamento algorythms that differ only in nuance, the arp has a lot of cool "gimmick" features IIRC, etc.
Also, 6db resonant filter. That's always a plus
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- KVRAF
- 2425 posts since 9 Mar, 2004 from Ann Arbor, Michigan, USA
It's definitely praiseworthy. Not a fan of the GUI, either, but the sound and functionality are solid. He has some unique ideas in the oscillator section, which alone are worth the price. Not just a dance/EDM synth, either. I've gotten some killer hip hop, trap and dubstep noises out of it. Corona has a very modern, current sound.
VST PRESETS ---> http://xenossoundworks.com
Bazille, NI Massive, Z3ta, PPG Wave, TAL-J8, RePro, Diva, Spire and more
Bazille, NI Massive, Z3ta, PPG Wave, TAL-J8, RePro, Diva, Spire and more
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- KVRAF
- 3959 posts since 10 Sep, 2010 from A shit hole (Ireland).
I like this synth a lot. Admittedly I'm late to discoDSP's software. I just picked Corona up in the summer sale. There's loads going on under the hood, much more then appears initially.
Beefy sound too!
Discovery Pro is also excellent (I've had that for quite a while).
Discovery Pro is also excellent (I've had that for quite a while).
I will take the Lord's name in vain, whenever I want. Hail Satan! And his little goblins too. 
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- KVRian
- 835 posts since 28 Apr, 2014 from Texas
Just picked up Corona on a 35% sale. There really is a huge amount of flexibility with all the oscillator modes and tweaking you can do. On top of that, it sounds fantastic. Not to forget the most consumer friendly licensing policy. Oh yeah, fantastic Arpeggiator as well! What is not to like?
EDIT:
Whil I am indifferent about the color of the UI, I find the UI itself to be extremely usable. Has visual parameters on the knobs in the same way Omnisphere does for modulation.
EDIT2:
It has a dark theme!

EDIT3:
Not sure if its just Reaper, but I can't right click "MIDI Learn". I have to manually go into reapers automation menu for the track and do it from there. Not a huge deal, its the only thing I havn't liked so far. The sound is simply massive and full of character
EDIT:
Whil I am indifferent about the color of the UI, I find the UI itself to be extremely usable. Has visual parameters on the knobs in the same way Omnisphere does for modulation.
EDIT2:
It has a dark theme!

EDIT3:
Not sure if its just Reaper, but I can't right click "MIDI Learn". I have to manually go into reapers automation menu for the track and do it from there. Not a huge deal, its the only thing I havn't liked so far. The sound is simply massive and full of character
SW: Cubase 9.5 | Komplete 11 | Omnisphere 2 | Perfect Storm 2.5 | Soundtoys 5
HW: Steinberg UR28M | Focal Alpha 50 | Fender Jazz Bass | Alesis VI25
HW: Steinberg UR28M | Focal Alpha 50 | Fender Jazz Bass | Alesis VI25
