Still can't get over Corona's sound
- KVRAF
- 7795 posts since 20 Jul, 2004 from Clearwater
Have you considered not using it then?Raddler1 wrote:Seriously? Imo it sounds like digital garbage.
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- KVRAF
- 7795 posts since 20 Jul, 2004 from Clearwater
The earlier versions of Discovery / Pro were not that close to the Nords, but have you demoed the latest versions recently? I'd say they compare nicely now. I actually prefer the sound of Discovery to Corona.LimboLoves wrote:I haven't demo'd Corona yet. Mostly due to the companies beliefs that Discovery Pro is equal to or better than the nord leads. Blasphemy I say. Good company to buy from though.
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- KVRist
- 480 posts since 17 Mar, 2012 from Montreal
Granted I have only used the demo, but I just wasn't very impressed. I found that it has nice sound sculpting abilities, but I could get past the digital sound. Just my opinion.djanthonyw wrote:Have you considered not using it then?Raddler1 wrote:Seriously? Imo it sounds like digital garbage.
Last edited by Raddler1 on Thu Aug 07, 2014 3:59 am, edited 1 time in total.
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- KVRian
- 835 posts since 28 Apr, 2014 from Texas
I like the digital sound of the different bit modes in Corona just like I like the digital sound of Bazille's FM stuff. I don't think Corona is trying to be Diva, instead it falls somewhere in between analog and digital, imo.
A strange coincidence, both Corona and Bazille have massive low ends
A strange coincidence, both Corona and Bazille have massive low ends
SW: Cubase 9.5 | Komplete 11 | Omnisphere 2 | Perfect Storm 2.5 | Soundtoys 5
HW: Steinberg UR28M | Focal Alpha 50 | Fender Jazz Bass | Alesis VI25
HW: Steinberg UR28M | Focal Alpha 50 | Fender Jazz Bass | Alesis VI25
- KVRAF
- 2425 posts since 9 Mar, 2004 from Ann Arbor, Michigan, USA
Just thought I'd mention I have a set of 70 patches available for Corona:
http://xenossoundworks.com/corona.html
After spending more time with it, I'd say Corona's strength is definitely in hard and digital sounds, but softer, smoother material with a unique digital quality is possible via subtler settings and good use of the lowpass filters. This synth seems to have been marketed toward the mainstream EDM crowd, yet its character lends itself better (just my opinion) to either the hard side of EDM or other styles (Industrial, Dubstep, Trap, etc). Personally, I would buy Sylenth if you're looking for big supersaw patches and huge chord stabs, and let Corona fill the spaces that Sylenth can't.
http://xenossoundworks.com/corona.html
After spending more time with it, I'd say Corona's strength is definitely in hard and digital sounds, but softer, smoother material with a unique digital quality is possible via subtler settings and good use of the lowpass filters. This synth seems to have been marketed toward the mainstream EDM crowd, yet its character lends itself better (just my opinion) to either the hard side of EDM or other styles (Industrial, Dubstep, Trap, etc). Personally, I would buy Sylenth if you're looking for big supersaw patches and huge chord stabs, and let Corona fill the spaces that Sylenth can't.
VST PRESETS ---> http://xenossoundworks.com
Bazille, NI Massive, Z3ta, PPG Wave, TAL-J8, RePro, Diva, Spire and more
Bazille, NI Massive, Z3ta, PPG Wave, TAL-J8, RePro, Diva, Spire and more
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- KVRian
- 835 posts since 28 Apr, 2014 from Texas
Yeah, the "rough and dirty" part of corona seems to come from the higher end frequencies a bit more heavily than lower end using most of the bit modes. You are right about the low pass filters being the key to smoother sounds, I spend quite a bit of time playing around with the different low pass filters and shapes while sculpting a new patch. Don't forget the zero delay feedback filter mode, it works wonders for less subtle patches I find.
One fairly interesting thing about Corona is the phaser filters. I mean, from what I can tell it basically just behaves like a phaser for the most part not actually filtering any sound, but you can use it to make up for the lack of a built in phaser. Zero delay feedback phasers
. Another thing, the chorus effect can be made to sound like a flanger. I havn't been able to tune in the delay enough to sound like a reverb yet for most patches. So far the lack of a full FX rack isn't bothering me too much.
One fairly interesting thing about Corona is the phaser filters. I mean, from what I can tell it basically just behaves like a phaser for the most part not actually filtering any sound, but you can use it to make up for the lack of a built in phaser. Zero delay feedback phasers
SW: Cubase 9.5 | Komplete 11 | Omnisphere 2 | Perfect Storm 2.5 | Soundtoys 5
HW: Steinberg UR28M | Focal Alpha 50 | Fender Jazz Bass | Alesis VI25
HW: Steinberg UR28M | Focal Alpha 50 | Fender Jazz Bass | Alesis VI25
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silversurfer91 silversurfer91 https://www.kvraudio.com/forum/memberlist.php?mode=viewprofile&u=334591
- KVRer
- 15 posts since 20 Jul, 2014
Corona is dirty stank nastiness at its best! Gui is a little messy, however.
- KVRAF
- 5913 posts since 17 Aug, 2004 from Berlin, Germany
IMO some of the worst sounding digital synth. Not to mention that the GUI looks very amateurish.
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- KVRAF
- 3959 posts since 10 Sep, 2010 from A shit hole (Ireland).
The gui is not the best, but it's class for bass. Its low end is huge, cool arp too!
Lots of different filters that most synths don't have.
Lots of different filters that most synths don't have.
I will take the Lord's name in vain, whenever I want. Hail Satan! And his little goblins too. 
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Echoes in the Attic Echoes in the Attic https://www.kvraudio.com/forum/memberlist.php?mode=viewprofile&u=180417
- KVRAF
- Topic Starter
- 12066 posts since 12 May, 2008
I know we all have different tastes and stuff but I can't see how this could be seen as "bad" sounding:4damind wrote:IMO some of the worst sounding digital synth. Not to mention that the GUI looks very amateurish.
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Armadillosound Armadillosound https://www.kvraudio.com/forum/memberlist.php?mode=viewprofile&u=311380
- KVRian
- 796 posts since 28 Aug, 2013
Corona certainly sounds nice. I already have Discovery Pro, this seems to have it's own character though. Not keen on the GUI though. Discovery Pro has different sizes which is nice, would be great if Corona had the same. A bit more colour would be good too. It is very plain at the moment.
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fluffy_little_something fluffy_little_something https://www.kvraudio.com/forum/memberlist.php?mode=viewprofile&u=281847
- Banned
- 12880 posts since 5 Jun, 2012
The Corona gui seems much more colorful than the Discovery Pro oneArmadillosound wrote:Corona certainly sounds nice. I already have Discovery Pro, this seems to have it's own character though. Not keen on the GUI though. Discovery Pro has different sizes which is nice, would be great if Corona had the same. A bit more colour would be good too. It is very plain at the moment.
But it is not the most ergonomic one out there...
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fluffy_little_something fluffy_little_something https://www.kvraudio.com/forum/memberlist.php?mode=viewprofile&u=281847
- Banned
- 12880 posts since 5 Jun, 2012
How come that on the second video although the gui seems live (the limiter led's are moving), the knobs are not updated when a new patch is loaded?Echoes in the Attic wrote:I know we all have different tastes and stuff but I can't see how this could be seen as "bad" sounding:4damind wrote:IMO some of the worst sounding digital synth. Not to mention that the GUI looks very amateurish.
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Anyway, I like the sound quality (not so much most patches), it sounds juicy, alive, and well-balanced.
- KVRian
- 1472 posts since 4 Apr, 2011 from Rio de Janeiro - Brazil
