If a recording is described as having good "dynamic range" what does that mean? Is it a requirement for music in general? How do I find out if I've got it?
What does "Dynamic range" mean?
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Karbon L. Forms Karbon L. Forms https://www.kvraudio.com/forum/memberlist.php?mode=viewprofile&u=29033
- KVRian
- 1412 posts since 10 Jun, 2004 from Inverness, Scotland
I'ma newby to all technology musicalitys.
If a recording is described as having good "dynamic range" what does that mean? Is it a requirement for music in general? How do I find out if I've got it?

If a recording is described as having good "dynamic range" what does that mean? Is it a requirement for music in general? How do I find out if I've got it?
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"Hell is other People" J.P.Sartre
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"Hell is other People" J.P.Sartre
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- KVRAF
- 2139 posts since 15 Jul, 2003 from ex-NJ, PA
It's just the range in volume or "dynamics." Compressing too much can reduce the dynamic range, etc.
- Beware the Quoth
- 35434 posts since 4 Sep, 2001 from R'lyeh Oceanic Amusement Park and Funfair
Dynamic Range - the difference between the loudest bit and the quietest bit...
An idiot on Set Theory:
"In some cases there is an object called red that contains everything that is red. In much the same way a pot is a plate."
"In some cases there is an object called red that contains everything that is red. In much the same way a pot is a plate."
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Karbon L. Forms Karbon L. Forms https://www.kvraudio.com/forum/memberlist.php?mode=viewprofile&u=29033
- KVRian
- Topic Starter
- 1412 posts since 10 Jun, 2004 from Inverness, Scotland
So can you have too much then? Do you use those spectral wotsits to find it if you can't hear it?
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"Hell is other People" J.P.Sartre
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"Hell is other People" J.P.Sartre
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- KVRAF
- 2139 posts since 15 Jul, 2003 from ex-NJ, PA
I think alot of people will agree, most of the pop stuff is very "loud," and there's no dynamics in the song, vs. classical music which there are definite "soft" passages and "loud" passages.Karbon L. Forms wrote:So can you have too much then? Do you use those spectral wotsits to find it if you can't hear it?
- addled muppet weed
- 111283 posts since 26 Jan, 2003 from through the looking glass
if you cant hear the difference then dont worry about it
its basically like whispering to shouting i guess
but in musical forms
i can probably explain it best using cake tho im good with cake analogies
and if your that new youll need to know one thing
portamento is the button that makes it go all wibbly
its basically like whispering to shouting i guess
but in musical forms
i can probably explain it best using cake tho im good with cake analogies
and if your that new youll need to know one thing
portamento is the button that makes it go all wibbly
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- KVRAF
- 2139 posts since 15 Jul, 2003 from ex-NJ, PA
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- KVRian
- 1349 posts since 12 Jan, 2003 from Paris
Interesting web site about dynamics and loudness :
http://www.loudnessrace.net/
http://www.loudnessrace.net/
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Karbon L. Forms Karbon L. Forms https://www.kvraudio.com/forum/memberlist.php?mode=viewprofile&u=29033
- KVRian
- Topic Starter
- 1412 posts since 10 Jun, 2004 from Inverness, Scotland
So it's concerned with mixing levels mostly? One loud track and one quiet track both playing shite will have dynamic range but that's no good on it's own right? That's a bloody stupid question and just by writing it I've answered it. Sorry!
So it's a simple thing. I thought it maybe had some esoteric meaning.
So how would you describe the dynamic range of my track? It's just plain loud in my book!
So it's a simple thing. I thought it maybe had some esoteric meaning.
So how would you describe the dynamic range of my track? It's just plain loud in my book!
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"Hell is other People" J.P.Sartre
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"Hell is other People" J.P.Sartre
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- KVRAF
- 2139 posts since 15 Jul, 2003 from ex-NJ, PA
Not necessarily mixing levels, but but "soft" and "loud" passages throughout the song. Not having the song at 1 continuous level.Karbon L. Forms wrote:So it's concerned with mixing levels mostly?
- KVRAF
- 3266 posts since 22 Sep, 2003 from under the sun
typically, the compressor (the well named) will be used to reduce (compress) the dynamic range of a part.
let's say you are working on a vocal recording. the singer is not always shouting at a constant volume.
if you want to give the vox part a large and cosy place in the mix, you'll need to reduce the dynamic range of his/her performance.
however, never do it if you are into classical music !
let's say you are working on a vocal recording. the singer is not always shouting at a constant volume.
if you want to give the vox part a large and cosy place in the mix, you'll need to reduce the dynamic range of his/her performance.
however, never do it if you are into classical music !
- KVRian
- 1024 posts since 8 Mar, 2004 from Network 23
Dynamic Range: It gets stuff out of the fridge and cooks it for you. It has a vast list of recipes preloaded in its RAM. It slices, it dices, it...wha? oh, you were talking about muuuuuuuusic...never mind!

We shall see orchestral machines with a thousand new sounds, with thousands of new euphonies, as opposed to the present day's simple sounds of strings, brass, and woodwinds. -- George Antheil, circa 1925 ---