Introducing new whole(as in whole note) genre Book Music

[pensaku]

https://soundcloud.com/jinjuyu/book-music
https://soundcloud.com/jinjuyu/book-music-2
https://soundcloud.com/jinjuyu/book-music-3

As you could hear, sounds "RED" and different.
Secret is not using any of Classical chord methods nor chord making nor harmonical methods.
Just put random notes and when you do it it sounds unharmonic or avant-garde like but it has two characteristics. Avant-garde AND harmonic. This should explain it all. Avant-garde plus harmonic.

With this, we could produce more sub genres and such... or maybe new whole genre.


More explanations.
It probably isn't a new thing I mean in our world it is devided if its schoenberg or mozart but this book music is both combined so probably this Book Music IS original. And it was later on devided into two.

So, if you devide this book music into ANOTHER two unlike mozart and schoenberg, like maybe mozzarella and possum, it should sounds different. Here is mozzarella and possum music.

Mozzarella Music
https://soundcloud.com/jinjuyu/mozzarella
Possum Music
https://soundcloud.com/jinjuyu/possum

And Possum music combined with Schoenberg
https://soundcloud.com/jinjuyu/possumberg

It's pretty hard to hear any difference at first glance because nobody is used to it but hint is the Color.
Music has color and we were inside white(mozart) and black(avant-garde) now we have Red(book music) Yellow(Mozzarella Music) Green(Possum Music) now Possumberg is greenish black. Something like that.

Just some salt and water to the musical culture...

C Major in Possum
https://soundcloud.com/jinjuyu/c-major- ... ssum-music


C Minor in Possum

[stanlea]

And what about rhythm ? Always the same binary stuff ?

[MadBrain]

And what about rhythm ? Always the same binary stuff ?

You say that like it's a problem

[stanlea]

And what about rhythm ? Always the same binary stuff ?

You say that like it's a problem

Yes, a little bit. Listening to the sounds, I hear the uncommon "harmonies", but still a common beat. In my view, working only on notes is incomplete, rhythm has also to be moved towards.

[MadBrain]

And what about rhythm ? Always the same binary stuff ?

You say that like it's a problem

Yes, a little bit. Listening to the sounds, I hear the uncommon "harmonies", but still a common beat. In my view, working only on notes is incomplete, rhythm has also to be moved towards.

Rhythm more than just time signature. Especially in Occidental music, which so often has the simplest meter (4/4) but makes up for it by doubling down on all sorts of syncopes - the classic example of this is Bossa Nova, but nowadays this permeates everything.

[stanlea]

Good point, but I was not talking time signature, but the contrast between a sophisticated Hz tweaking and a basic rhythm which -in my own and personal feeling - doesn't serves well the project.

[MadBrain]

Good point, but I was not talking time signature, but the contrast between a sophisticated Hz tweaking and a basic rhythm which -in my own and personal feeling - doesn't serves well the project.

I'm not sure I'd call it "sophisticated Hz tweaking". It feels to me like it's making the "Hz" dimension of music (frequency, harmony, melody) generally less important, rather than more.

[budweiser]

Here is mozzarella and possum music.

I don't get this food-processing music. Is the cat in charge of programming ?

[stanlea]

Good point, but I was not talking time signature, but the contrast between a sophisticated Hz tweaking and a basic rhythm which -in my own and personal feeling - doesn't serves well the project.

I'm not sure I'd call it "sophisticated Hz tweaking". It feels to me like it's making the "Hz" dimension of music (frequency, harmony, melody) generally less important, rather than more.

Right again, let's say "unusual" instead of sophisticated. On your part, do you think the exemples sound "false" ?

[MadBrain]

Good point, but I was not talking time signature, but the contrast between a sophisticated Hz tweaking and a basic rhythm which -in my own and personal feeling - doesn't serves well the project.

I'm not sure I'd call it "sophisticated Hz tweaking". It feels to me like it's making the "Hz" dimension of music (frequency, harmony, melody) generally less important, rather than more.

Right again, let's say "unusual" instead of sophisticated. On your part, do you think the exemples sound "false" ?

You mean in the sense of "sonner faux" in French? Well, I'll just say that they really don't appeal to me.

[pensaku]

And what about rhythm ? Always the same binary stuff ?

I have very good understand of rhythm too. Just don't know how to describe it nor it is needed we already have very good system of rhythm. I mean, even without knowledge we already produce different dimensional rhythm. Listen to all those jazz rock pops....

Rhythm obviously has same system like chords and melody and harmony just it already is as free as what I described about note system.

I have this wierd mental symptom that I only can produce the "EVEN BEATS" or whatever so all my music sounds like C Major-like rhythm but I have this gift that I can generate all kinds of harmonics... that's why I wrote this it is not needed for every composers but it is needed for those people who has symptoms like me so they cannot produce Mozart nor Schoenberg but some Possum.

Anyways I think everyone who replied got my message and understood it well so I'm satisfied...


EDIT:
heres a completed music form of possum music
https://soundcloud.com/jinjuyu/possum-music
Sounds like just regular music but it feels like you are listening to it the first time, not the contents but system. There are Mode like pentatonic and dorian, there are Chords in scale, now this Book Music and Possum And Mozzarella is bigger than Modes. I'm just saying what is already there not creating a new stuff. Why is it needed other than for the people who cannot create mozart system, it is needed because some music is more efficient to create in other system than this system just like some modes or chordals

And heres a final book music which context-switches quite a few systems. Like if mozart is 1 and schoenberg is 10 there are like 1.2, 3.4, 1.23, 1.1, 1.24, 1.85, 6.33 mixed and goes in and out and mixed pretty well and now it sounds like really something else.
https://soundcloud.com/jinjuyu/contextswitcher

I'm easterner by birth and learned westerner and I think this spot is where western and eastern music collides. In korean music there are only 5 notes(sol la do re mi) in one octave means it worries more about rhythm than melody and really korean music has only limited melody and sounds all the same. Now this new book music has all 12 notes in one octave but sounds like 5 notes korean music. Means, western music can be evolved and into become eastern music. That's all I know for now I'll update as I learn more.


So now, rhythm also has to be moved forward.
There must be a magical language.. we don't even have theory.
Notes start with frequencies. Beats are also frequencies. but tempo is always same in common music.
So, do you know what happens if you play different frequencies than Base frequency of rhythm if yes skip ahead if don't it becomes [BASS][REST][SNARE][REST] -> [BASS][BASS][SNARE][REST] something like that.

It's like two different frequent sine wave colliding in some point and only the colliding point is played in modern music.

So to be a rhythm become Book Music, not-so-much colliding point must be played. Now this is all I know about rhythms.