The demo allows one to save and recall presets, which is also unusual
Is there a way to increase the GUI size?
I switched to 64 Bit Live so I cannot test Sylenth atm... but you can change the shape of the mod envelope in Hive (via Mod Matrix) and change the character of the pluck.xamido wrote:For me i've always liked the mod envelope on sylenth, especially for pluck. I just don't get that kind of pluck with Hive.Urs wrote:Which envelope in Sylenth? The Amp envelopes have a different shape than the Mod envelopes.xamido wrote:
For me the envelope of Sylenth is its key feature, but Hive's envelope is not as snappy unfortunately. And the reverb, i much prefer Sylenth version.
Furthermore, which engine in Hive do you compare them too? They're different...
| LinksThe GUI could be larger but I agree. Why change the rest?fluffy_little_something wrote:Why would they make Sylenth2? It is almost perfect the way it is. I can imagine superficial improvements, such as a bigger GUI, but other than that? Why would they change anything? As they say, don't fix it if it ain't broken![]()
I prefer Sylenth's full double voice architecture per oscillator rather than one osc and a rather limited sub-osc.
Hehehe, I was expecting that view. But statistically, Hive does the same sounds with less parameters. In practice, the only audible difference between Hive's Subosc and Sylenth's second osc is the pan/width setting. But I hardly came across any preset that justifies the extra parameters. And even if, one can usually work around it without much lossfluffy_little_something wrote:
I prefer Sylenth's full double voice architecture per oscillator rather than one osc and a rather limited sub-osc.
The sub-oscillator is sharing also the Unison settings (Afaik) and this is IMO a improvement over Sylenth. With Sylenth you must program often the same stuff twice. For a typical sound with a bit more low-end you will use very often the second oscillator of the same part with the same settings as the first oscillator (except the lower octave).fluffy_little_something wrote:I prefer Sylenth's full double voice architecture per oscillator rather than one osc and a rather limited sub-osc. For me personally Hive is insufficient the way it is now. If they improve the architecture, maybe...
| LinksWhen it comes to GUI and workflow, I think Hive has improved on Sylenth in just about every way.4damind wrote:If it comes to an oscillator which needs a own filter for some kind of background movement, you must use with Sylenth another part. With Hive you have all this stuff on one page...
Not to mention this meta control in Sylenth for the filter which is IMO only a workaround to "link" the two filter of the different parts. This is a lot better designed with Hive, where you can link both filters but the second filter is more a "slave" of the first filter, it can still have independent values but follows the changes of the first filter - IMO a great design decision!
4damind wrote: if understand the statements from Lennard Digital correctly [...] Sylenth1 will get the long awaited support for 64 Bit on OSX early 2015
Hive is very nice but not even close (yet) to replacing Sylenth. It's quite easy to use Sylenth on MAC 64 bit - just get Cubase 8 32 or 64 bit, Vienna Ensemble PRO or 32 lives.izonin wrote:Hive is a replacement for Sylenth for those who can't use it - Mac 64-bit.audiosabre wrote:... But back to Sylenth, I'd take it over Hive. Sorry. Cool GUI though.
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