You owe it to yourself to spend some time with the demo. Mess around with the clip envelopes for a while and see if you don't find yourself reaching for the plastic.vurt wrote:i got a free lite version with my soundcard
never tried it tho![]()
is it worth it if im happy where i am?
does it record audio well?if at all
Have you been converted to Ableton Live ?
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- KVRAF
- 2875 posts since 28 Jan, 2004 from Da Nang, Vietnam
- addled muppet weed
- 111301 posts since 26 Jan, 2003 from through the looking glass
so thats a yes then?
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- KVRAF
- 2875 posts since 28 Jan, 2004 from Da Nang, Vietnam
Indeed.vurt wrote:so thats a yes then?
Tonight I've been messing around with running very long pad loops through the Spectral Relativity impulses. Instant Robert Rich! Too bad they don't do ambient shows in San Francisco anymore.
It's pretty damn cool how much you can do in Live just with samples. Now if they'd just hurry up and start the public Live 4 beta...
- KVRAF
- 9217 posts since 23 Jul, 2002 from Pequot Lakes, MN
You'd love it,Johnvurt wrote:i got a free lite version with my soundcard
never tried it tho![]()
is it worth it if im happy where i am?
does it record audio well?if at all
Yes it records audio.It also slices,dices and catches fish
It's one of those apps I tell myself I should spend more time with-it's amazingly flexible.While I'm used to using it as a ReWire slave,the fact that I can host VSTis in Live 4 makes it much more usable on a day to day basis.
Try the demo-I first tried Live when the first demo came out back in 2001-I hadn't had that much fun making music in years
ew
A spectral heretic...
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- KVRAF
- 2875 posts since 28 Jan, 2004 from Da Nang, Vietnam
To continue:
The thing that really sets Live apart from more conventional sequencers is the session view. Being able to just start throwing elements together in an improvisational way makes it possible to explore larger musical ideas much more quickly. This encourages experimentation and is also a lot more fun than banging in notes in Cubase or Sonar or Logic.
To really get the flavor of it try these things with the demo:
1. Just try tossing stuff around in the session view. Map clips to your keyboard or midi controller.
2. Mess around with sample offsets in the clip envelopes of percussion loops for easy & radical variations on rhythms.
3. Try unlinking the envelope clip from the parent clip to build entire phrases out of a short loop.
The Live training video at http://www.swavideo.com is pretty good and a cheap way to get an idea of what Live can do and to help figure out if it's worth $300 to you.
The thing that really sets Live apart from more conventional sequencers is the session view. Being able to just start throwing elements together in an improvisational way makes it possible to explore larger musical ideas much more quickly. This encourages experimentation and is also a lot more fun than banging in notes in Cubase or Sonar or Logic.
To really get the flavor of it try these things with the demo:
1. Just try tossing stuff around in the session view. Map clips to your keyboard or midi controller.
2. Mess around with sample offsets in the clip envelopes of percussion loops for easy & radical variations on rhythms.
3. Try unlinking the envelope clip from the parent clip to build entire phrases out of a short loop.
The Live training video at http://www.swavideo.com is pretty good and a cheap way to get an idea of what Live can do and to help figure out if it's worth $300 to you.
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- Banned
- 6127 posts since 1 Apr, 2004 from Et in Arcadia Ego
Yeah, I'm convrte-..........hold up..that's my own postsickle666 wrote:Office doors will be closing, but it won't be Ableton'sLostBoy wrote:I must confess, guilty as charged, Live 4 is one heck of a program.
The thing about it is that when you're for example performing live, you dont have to have anything else but a nice case of sample cd's which you can load to program and start creating a new track by mixing your old / new loops/samples. And doing this all almost without a pain, no tricky preparations or anything. Just drop the samples, arrange them and let Live rock your life.
I like the user interface. It's just so simple, I used to think that ACID was most simple but still extremely powerful program for loop based composing. After Live 3 came, I was converted.![]()
Lets just hope that Ableton will sell enough Lives to keep their office door opened.
Another convert here..I'd tell you what I'm learning but it's so easy to use I don't think I've had to learn anything at all
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- KVRAF
- 2875 posts since 28 Jan, 2004 from Da Nang, Vietnam
Just got the public beta 4. This thing is brilliant. The ability to drop in midi clips pushes it over the top. Cubase's days are numbered on my hard drive I suspect.
The only real negative is that it seems to be pretty unstable. Not unexpected for a beta version with so many new features, I guess.
Thanks to everybody that made such a fuss about this here. I probably wouldn't have looked into it otherwise. Making music is fun again.
The only real negative is that it seems to be pretty unstable. Not unexpected for a beta version with so many new features, I guess.
Thanks to everybody that made such a fuss about this here. I probably wouldn't have looked into it otherwise. Making music is fun again.
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- Skunk Mod
- 21249 posts since 10 Jun, 2004 from Pony Pasture
Hey, that sounds familar! I did exactly the same thing, about a week ago. Upgraded from the Delta Live that came with my FW410 sound card because the promise of similar power using MIDI and audio together was enough for me.kuniklo wrote:I'll confess - I picked up a copy of Live 3 to make sure I got in for the cheap upgrade to 4.
I missed getting into the Gang of Five Hundred, but now the beta's been thrown wide open to all Live owners, 1 through 3, possibly even including Delta. (Before opening it up, Ableton wanted to kill a nasty crash-inducing bug.) Check the website, grab your beta download, back up your important files (!!!), and play your little heart out. =^_^= It's looking pretty grand so far.kuniklo wrote:If Live 4's midi implementation compares at all to it's audio handling (don't know - missed the beta), it could very easily relegate Cubase to the bookshelf for me.
Meffy
[Edit: heh, I see you already did! didn't read the whole thread before replying...]
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- Banned
- 6127 posts since 1 Apr, 2004 from Et in Arcadia Ego
that's just great..& here I am stuck at fuckin work for the next ten hours..

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original flipper original flipper https://www.kvraudio.com/forum/memberlist.php?mode=viewprofile&u=8999
- KVRAF
- 2544 posts since 14 Sep, 2003 from Essex
Hi
Charly don't surf - Apocalypse NOW!
Get back to work!
Flipper.
Charly don't surf - Apocalypse NOW!
Get back to work!
Flipper.
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- Banned
- 6127 posts since 1 Apr, 2004 from Et in Arcadia Ego
"I love the smell of MIDI in the morning.."original flipper wrote:Hi
Charly don't surf - Apocalypse NOW!
Get back to work!
Flipper.
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- KVRAF
- 3508 posts since 27 Dec, 2002 from North East England
Someone said in a thread a while ago that Live was like Audiomulch with bells on. I can't see the resemblence myself apart from it supposedly having quite powerful automation. Can anyone elaborate, or have they got it wrong?
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original flipper original flipper https://www.kvraudio.com/forum/memberlist.php?mode=viewprofile&u=8999
- KVRAF
- 2544 posts since 14 Sep, 2003 from Essex
Hi
NEVER GET OUT THE BOAT.
Flipper.
NEVER GET OUT THE BOAT.
Flipper.
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- KVRist
- 346 posts since 26 Sep, 2009
I've wanted so so hard to get into this daw but its like with fl studio i tend to just end up making some sort of loop and cant do anything with it.kuniklo wrote: Fri Jul 09, 2004 5:22 am To continue:
The thing that really sets Live apart from more conventional sequencers is the session view. Being able to just start throwing elements together in an improvisational way makes it possible to explore larger musical ideas much more quickly. This encourages experimentation and is also a lot more fun than banging in notes in Cubase or Sonar or Logic.
To really get the flavor of it try these things with the demo:
1. Just try tossing stuff around in the session view. Map clips to your keyboard or midi controller.
2. Mess around with sample offsets in the clip envelopes of percussion loops for easy & radical variations on rhythms.
3. Try unlinking the envelope clip from the parent clip to build entire phrases out of a short loop.
The Live training video at http://www.swavideo.com is pretty good and a cheap way to get an idea of what Live can do and to help figure out if it's worth $300 to you.