KVR Audio

thecontrolcentre · Post by **thecontrolcentre** » Tue Feb 10, 2015 1:41 pm

Punk's not dead

Numanoid · Post by **Numanoid** » Tue Feb 10, 2015 1:42 pm

Daniel Miller stole Elton Johns backline

vurt · Post by **vurt** » Tue Feb 10, 2015 1:43 pm

between them poison, white snake and motley crue caused the hole in the ozone layer.

Mushy Mushy · Post by **Mushy Mushy** » Tue Feb 10, 2015 1:45 pm

vurt wrote:between them poison, white snake and motley crue caused the hole in the ozone layer.

My youth right there

whyterabbyt · Post by **whyterabbyt** » Tue Feb 10, 2015 1:45 pm

The more expensive a cable it is, the better it make your audio sound. Especially over ethernet

thecontrolcentre · Post by **thecontrolcentre** » Tue Feb 10, 2015 1:45 pm

vurt wrote:between them poison, white snake and motley crue caused the hole in the ozone layer.

I think that's actually true, no?

thecontrolcentre · Post by **thecontrolcentre** » Tue Feb 10, 2015 1:50 pm

Jimmy Page invented the blues ...

vurt · Post by **vurt** » Tue Feb 10, 2015 1:57 pm

kraftwerk are actually robots made of lego technics.

ghettosynth · Post by **ghettosynth** » Tue Feb 10, 2015 1:59 pm

szalonykp wrote:
foosnark wrote:Analog is better than digital because the bits are round, not square.
I laughed out loud when I read this and my whole family asked "What's so funny?". So I told them. Nobody laughed

That's because they're all digital, the squares.

Numanoid · Post by **Numanoid** » Tue Feb 10, 2015 2:00 pm

Roland D-50 got great filters

vurt · Post by **vurt** » Tue Feb 10, 2015 2:05 pm

kieth moon was made of cheese.

Dunbar · Post by **Dunbar** » Tue Feb 10, 2015 2:09 pm

Tremolos use the vocal chords of old people.

el-bo (formerly ebow) · Tue Feb 10, 2015 2:13 pm

FarleyCZ wrote:The drop is the most important part of any track. Any style not containing it is lame and old.

butt plugs

ghettosynth · Post by **ghettosynth** » Tue Feb 10, 2015 2:18 pm

Numanoid wrote:Roland D-50 got great filters

That's because they used a unique, even for the time, 13 bit CPU. While most other cpus at the time were either 8 bit or 16 bit, Roland used a CPU that featured a prime number of bits. The 13 bit processor was the best choice as it offered the best compromise between sound, power, and cost. The 17 bit processors were too expensive at that time, and the 11 and 7 bit processors just didn't offer enough power. Additionally, the 17 bit processors sounded "too clean." The filter math was done in the finite field Z_13 and that, my friends, is why it sounded so good. Neither Z_8 nor Z_16 form fields and so there are issues with residues and this leads to a buildup of grunge in the filter math. For Z_k to form a field, k must be prime. Roland exploited this well known mathematical fact to create one of the best sounding filters of all time.

Unfortunately, prime bit CPUs fell out of favor as they were just too expensive to produce as bit counts increased. The raw power offered by 32 bit and 64 bit CPUs meant that more features could be added at lower cost, and, with the advent of MP3s, it was clear that the consumer was willing to compromise sound quality in the interest of cost and availability. Like so many other quirky successes, e.g. the TB-303, the success was linked to a short window in time where technology aligned with the needs of the marketplace to create a superior product.

Sendy · Post by **Sendy** » Tue Feb 10, 2015 2:18 pm

Adding random and unrelated glitches and buffer effects to your 2-bus is an instant way to make modern music with next to no effort. The less you understand about the DSP processes involved, the more musical and modern your results will be. Ideally, you want to look for the randomizer, and hit that. Each time you randomize your glitches, your tune gets 27% more modern. Don't click it too many times, though - you might just time-travel.

Let's spread some musical misinformation