One-Synth-Challenge: General discussion thread
- Banned
- 5089 posts since 12 Jun, 2001 from Wusik Dot Com
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- KVRAF
- 2725 posts since 19 Dec, 2010 from North America
- KVRist
- 415 posts since 28 Nov, 2013 from Germany
Hi all,
there is a free online course on music production by the Berklee College of Music over at coursera. I thought that it might be of interest to some OSCers:
https://www.coursera.org/course/musicproduction
I have taken a course on DSP there recently and found it quite interesting. I guess I will join this one next.
there is a free online course on music production by the Berklee College of Music over at coursera. I thought that it might be of interest to some OSCers:
https://www.coursera.org/course/musicproduction
I have taken a course on DSP there recently and found it quite interesting. I guess I will join this one next.
Passed 303 posts. Next stop: 808.
- KVRian
- 532 posts since 18 Sep, 2013 from Mesa, AZ
I took that course when it was offered last year, it's pretty informative. I definitely recommend it. 
~ good luck ~
~ re~member to do good in a spirit of love, unity, compassion, and kindness ~
~ re~member to do good in a spirit of love, unity, compassion, and kindness ~
- KVRist
- 415 posts since 28 Nov, 2013 from Germany
Thanks for the recommendation SoundGoddess. I have already enrolled.SoundGoddess wrote:I took that course when it was offered last year, it's pretty informative. I definitely recommend it.
Passed 303 posts. Next stop: 808.
- KVRist
- 493 posts since 17 Dec, 2013 from The Netherlands
You can complete four courses in total on this subject, called the Modern Musician Capstone.
Next for me is Songwriting after which I'm planning to do the Capstone project to round things off. It is quite accessible stuff but useful.
Next for me is Songwriting after which I'm planning to do the Capstone project to round things off. It is quite accessible stuff but useful.
- KVRAF
- 22875 posts since 8 Oct, 2014
I took the songwriting course. Pat Pattison is an amazing instructor. It focuses mostly on lyrics, which were my biggest problem, and after taking it, the song I wrote for my final exam, I entered into the Great American Song Contest and made it to the finals.ThePresent wrote:You can complete four courses in total on this subject, called the Modern Musician Capstone.
Next for me is Songwriting after which I'm planning to do the Capstone project to round things off. It is quite accessible stuff but useful.
It definitely made a huge impact on my lyric writing.
I highly recommend it.
- KVRist
- 493 posts since 17 Dec, 2013 from The Netherlands
wagtunes wrote:I took the songwriting course. Pat Pattison is an amazing instructor. It focuses mostly on lyrics, which were my biggest problem, and after taking it, the song I wrote for my final exam, I entered into the Great American Song Contest and made it to the finals.ThePresent wrote:You can complete four courses in total on this subject, called the Modern Musician Capstone.
Next for me is Songwriting after which I'm planning to do the Capstone project to round things off. It is quite accessible stuff but useful.
It definitely made a huge impact on my lyric writing.
I highly recommend it.
- KVRAF
- 22875 posts since 8 Oct, 2014
Here it is, including my horrible singing voice. LOL.ThePresent wrote:wagtunes wrote:I took the songwriting course. Pat Pattison is an amazing instructor. It focuses mostly on lyrics, which were my biggest problem, and after taking it, the song I wrote for my final exam, I entered into the Great American Song Contest and made it to the finals.ThePresent wrote:You can complete four courses in total on this subject, called the Modern Musician Capstone.
Next for me is Songwriting after which I'm planning to do the Capstone project to round things off. It is quite accessible stuff but useful.
It definitely made a huge impact on my lyric writing.
I highly recommend it.great man, can you post the link of your song or pm?
https://soundcloud.com/steven-wagenheim ... -than-this
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- KVRAF
- 9144 posts since 7 Oct, 2005
Can we have another "One Synth Challenge" for Commercial synths runs in parallel with one for a free synth? So, let's say OSC1 for a free synth and OSC2 is for a commercial synth for one month 
I believe the additional Challenge is really great for knowing a specific commercial synth that we might have, synths like Diva, Massive ..etc? Most of us are using commercial DAWs after all, so it is not a pure free environment. It doesn't have to be restricted IMO.
I know not all can participate if the commercial synth doesn't have unrestricted demo for one month, but still it will bring the attention of those who are using it.
What the organizers think of this suggestion?
I believe the additional Challenge is really great for knowing a specific commercial synth that we might have, synths like Diva, Massive ..etc? Most of us are using commercial DAWs after all, so it is not a pure free environment. It doesn't have to be restricted IMO.
I know not all can participate if the commercial synth doesn't have unrestricted demo for one month, but still it will bring the attention of those who are using it.
What the organizers think of this suggestion?
Using: Cubase Pro 15, Reason 13, Tascam US-4x4HR, MODX6, DM12D, LaunchKey 49, Yamaha guitar(Pacifica 612v) and bass (BB234) and some virtual instruments and synths.
- KVRAF
- 22875 posts since 8 Oct, 2014
As long as it runs in parallel with and not in place of I don't see a problem with it. That way those of us who have the paid and free synth can choose which one they want to do or both if they think they have the time.EnGee wrote:Can we have another "One Synth Challenge" for Commercial synths runs in parallel with one for a free synth? So, let's say OSC1 for a free synth and OSC2 is for a commercial synth for one month
I believe the additional Challenge is really great for knowing a specific commercial synth that we might have, synths like Diva, Massive ..etc? Most of us are using commercial DAWs after all, so it is not a pure free environment. It doesn't have to be restricted IMO.
I know not all can participate if the commercial synth doesn't have unrestricted demo for one month, but still it will bring the attention of those who are using it.
What the organizers think of this suggestion?
I have so many synths that I'll probably never get to use for this otherwise. Actually, the Synthmaster challenge from last month was a pleasant surprise. I wasn't expecting it.
The only problem that I can see with this is that it could be an administrative nightmare trying to run two of these each month. I see how much work BJ puts into it and I don't know if he'll want to double his work load, and quite honestly, I can't blame him if he's not exactly jumping for joy at running two contests each month.
Anyway, it's not up to me but I have no problem with it.
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- KVRAF
- 2623 posts since 20 Oct, 2014
Hey,
what I would love to see is a one-liner included in the OSC voting tool to leave a private voting comment for the artist. For example there is a song I would vote 5, but I cannot since it sounds for me over compressed or maximized. If I wouldn't be the only one with this feeling, the artist could really benefit from such a information (that I don't like to post publicly) and check his/her mixing habits or monitor setup.
what I would love to see is a one-liner included in the OSC voting tool to leave a private voting comment for the artist. For example there is a song I would vote 5, but I cannot since it sounds for me over compressed or maximized. If I wouldn't be the only one with this feeling, the artist could really benefit from such a information (that I don't like to post publicly) and check his/her mixing habits or monitor setup.
- KVRist
- 197 posts since 31 Jul, 2014 from Central Europe
Oh, nice idea, for 5-3 points its optional to fill out, 2-1 it should be mandatory. I'm interested why some people rate low sometimes.Hanz Meyzer wrote:Hey,
what I would love to see is a one-liner included in the OSC voting tool to leave a private voting comment for the artist. For example there is a song I would vote 5, but I cannot since it sounds for me over compressed or maximized. If I wouldn't be the only one with this feeling, the artist could really benefit from such a information (that I don't like to post publicly) and check his/her mixing habits or monitor setup.
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- KVRAF
- 2725 posts since 19 Dec, 2010 from North America
Like anonymous comment? I've been thinking about this kind of thing for some time. Strange that soundcloud doesn't have private comments or anonymous!? But it's obvious they steered away from community building back in 2011.Hanz Meyzer wrote:Hey,
what I would love to see is a one-liner included in the OSC voting tool to leave a private voting comment for the artist. For example there is a song I would vote 5, but I cannot since it sounds for me over compressed or maximized. If I wouldn't be the only one with this feeling, the artist could really benefit from such a information (that I don't like to post publicly) and check his/her mixing habits or monitor setup.
BTW, the fact you can't reply to comments outside soundcloud (aka having to go into the SC page) ruins a lot of the fun. Would be cool to integrate his
One Synth Challenge: https://sites.google.com/site/kvrosc/about
- KVRist
- 493 posts since 17 Dec, 2013 from The Netherlands
Can this be of interest to us OSC fans, condemned to use free plugs? 
http://www.learndigitalaudio.com/blog/a ... emy-course
http://www.learndigitalaudio.com/blog/a ... emy-course

