Varikus - I'm suggesting I'll make some interesting tutorials about keeping audio content fresh - Various ways of adopting analog mediums and ensuring the way in which audio is recieved at a mental level positive.
I'm suggesting that by various methodology; It's very possible to avoid the various inuendos and cliches commonly found in music. For instance, re-occuring sound (in their complete state) - Avoidance of sound ( even lo-fi sounding) being thin; But moreover - Good sound without many plugins other than chorus and equalizers. Even the avoidance of reverb by utilizing negative and positive sound.
If I was new, I would probably find such ideas exciting.
It should be interesting as I have taken various other methodologies through my singing studies and what sounds good. Especially the aspect of excitement. I have various ideas to propose which some may find useful.
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But to the other guys
The point of my theory never did surround the idea of tape - tape stretching - heat; feed - latency - gain and rate much less slip and tension - But what it does have to do with is "mimicing" these effects.
But there is one thing. If a magnetic tape does not "slip" then whyy was there an echo "during" because by todays definition that's what it is. transience - It's extra data causing a slur, a pre delay during - when there were no digital effects. Was it a computer that caused this effect? and analog plugin maybe ? maybe somehow people wished transience a blurring slurring effect of audio on tape to "appear" during audio being initiated - This is to suggest in anologue that transience was time travel ? would it not be? for there to be an echo of given audio during the beginning of it initiating?
Perhaps that had something to do with electric impedency and the pre-existing data causing a differentiated chorus - However muted.
keeping in mind the avoidance of the suggestion that as an electromagnetic medium, tape: it remained constant in its feed rate and did not expand or contract due to heat or cold.
And tapeheads did not stand on the other side of the room pulling the other side of the tape in the feed to ensure a proper take. Nor did they worry about the machine's eccentricities. But theoretically.
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Lol, but beyond the physical realities of a medium such as tape lol. I hope when you do read my tutorial - You'll like my ideas regarding randomization and the means in which the listener percieves the audio.
Which is the goal - Cause tape is gone - But frankly I will still refer to it, lol. And so will products like tesslamarkII - Which I swear by. Another interesting mode it has is called tube stage - Maybe nice for lo fi effects. Same with the 10k boost like luftikus has.
And what about reverbering by nusoft ? I have not heard much said or written about it. And yet - It's quite breakthrough; It seems to be made with a mathematical oscillation seemingly different than lfo. Quite minimal - And without the excessive feedback even by reducing the mix ratio via daw to say 3% - It's effect is clear - Is it infact made with distortion.
And what about the overpowering algorverb ? It's my findings and suggestions that people might indulge, Not my history lesson.
For a new user coming here - Such ideas are really great.
Comment as you like - it keeps my post hot. More people read it
But it sure would be nice to use a sampler without the realization that the melodies I create and velocity are not always enough to make them pop. So I will do what research I can.
there are phenomena that belong to tape, distortions and such, that can't be faked. So, I don't know analog has a bad rap. I do a number of things to dirty the thing up.