This was definitely possible back in the day. You can hear this on records such as the first Van Halen album. EVH's guitar is panned to one side, and a delayed plate reverb of the guitar is panned to the other side.Agility wrote: The mode where you can pan the reverb on your return and it will pan the reverb to just the location you pan it too... So you can have ONE instance of a reverb but have it panned in different locations(And I don't mean just the early reflections or one aspect of the reverb.. the whole reverb as if the reverb aux was panned to that location) on different sounds... Was this not possible back in the day??
Mind you, this wasn't a feature of the reverb itself. The reverb had two controls (decay, and a fixed highpass filter on the input). All the panning and such was done via the mixing desk.
This is what the mono-in, mono-out mode in ValhallaPlate is intended for. DAWs that have mono tracks, like Pro Tools and Logic, can have a true mono output, that then can be panned by a panner within the DAW.Even if not it's still a cool feature and I don't know why it's been omitted from the Valhalla verbs?
As far as incorporating this within the plugin, to me this seems like the sort of thing that is best handled by mixing techniques, rather than within the plugin itself. Things like panning, complex EQ, compression, etc., are well handled by the built in plugins within most DAWs, or by 3rd party plugins that specialize in this thing.
The goal of the Valhalla plugins is to only include those features that are necessary for the plugin itself. This is why the EQ sections are fairly simple. If you're running the plugin in a DAW, you have EQs. And panners, compressors, all that stuff. No need to clutter up the interface with redundant controls. Modularity leads to minimalism.
Sean Costello
