Two fresh patches from the upcoming set no. 67 in ambient drama action:
https://soundcloud.com/sampleconstruct/ ... bscription
Annual Subscription for Iris Presets
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Sampleconstruct Sampleconstruct https://www.kvraudio.com/forum/memberlist.php?mode=viewprofile&u=191286 - KVRAF
- Topic Starter
- 16732 posts since 12 Oct, 2008 from Here and there
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Sampleconstruct Sampleconstruct https://www.kvraudio.com/forum/memberlist.php?mode=viewprofile&u=191286
- KVRAF
- Topic Starter
- 16732 posts since 12 Oct, 2008 from Here and there
4 instances of Iris with fresh patches from set 67 in something rather epic, cinematic, ambient - some volume automation and a limiter, that's it:
https://soundcloud.com/sampleconstruct/ ... bscription
https://soundcloud.com/sampleconstruct/ ... bscription
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Sampleconstruct Sampleconstruct https://www.kvraudio.com/forum/memberlist.php?mode=viewprofile&u=191286
- KVRAF
- Topic Starter
- 16732 posts since 12 Oct, 2008 from Here and there
First, another demo for set 67:
https://soundcloud.com/sampleconstruct/ ... bscription
Second, release info set 67:
Iris subscription set 67, uploaded on March 8 - 2016 containing 9 presets (271.9 MB) including:
Chime Drones
Multi-sampled textural drone made with chimes and their resonances, 3 pitches were sample (C1/C3/C5), all 3 oscillators are running in non-retrigger mode. MW decreases LP cutoff and adds distortion/chorus FX, VEL also modulates filter cutoff. Add noise-shaped pitch modulation with Macro 1, control amount of delay FX with M2.
Flute Phrase Lead Split
Two long, time-stretched and spectralized flute phrases, S1/2 - mapped from C3 -C7 (C4 - C8 in Iris) layer the same sample highlighting different segments, S2 has a dedicated volume control (Macro 5), S3 plays the second phrase. All oscillators are running in non-retrigger mode. MW decreases LP filter cutoff and introduces screaming distortion. M1 adds a tad of vibrato to S1/2, please check the Macro page for FX controls.
Indigenous Wind
Flute phrase re-synthesized in Melodyne 4, S1 plays the first segment in Radius RT-mode, S2 the second part in sampling mode, it’s volume is assigned to MW. S3 adds a time-stretched breathing sound with a fixed pitch and LFO-controlled pitch modulation, control it’s volume with Macro 3, add noise-shaped pitch modulation to S1 with M4. Please check the Macro page for FX /filter controls.
March Mantra
Multi-sampled vocal texture, made by audio-morphing a Phonem sound from Phonemklatura with various other things. 3 pitches were sample (C1/C3/C5), all 3 oscillators are running in non-retrigger mode, the key-zones slightly overlap as you will see in the mapping editor. MW adds tempo-synced amplitude modulation, M2 (y) controls LP cutoff, with M2 dialed towards the bottom, a filter envelope can be introduced with M1 (x). M3-5 control amount of chorus/delay/reverb FX, M6 sets the release time.
Maya Morph Split
Strange spectral soundscape derived from audio-morphed and re-synthesized voices, all 3 oscillators use the same long sample, S2/3 layering the second part of it with inverted frequency selections and slow LFOs running at different speeds assigned to their amplitudes - overlapping split point is C3 (C4 in Iris). MW decreases LP cutoff and adds a tad of distortion, Macros 2 adds tempo-synced, square-shaped pitch modulation to S1, M1 controls amount of delay FX, M3 adds chorus FX, M4 alters chorus speed/depth.
Morphing Shades Split
Audio-morphed spectral soundscape, all 3 oscillators use the same long sample, S1/2 - mapped up to C3 (C4 in iris) - layering different parts of it with S2 running in Radius RT-mode and having a slow LFO applied to it’s volume, S3 mapped above C#3 (C#4 in Iris) playing the decaying end part of the sample. MW introduces tempo-synced amplitude modulation to S1/3, Macro 2 increases HP cutoff, M1 (x) adds tempo-synced, random filter modulation, please check the Macro page for FX controls.
Princess Drone Split
Friendly dronescape, both oscillators use the same long sample highlighting different parts from it, overlapping split point is C3 (C4 in Iris), both oscillators are running in non-retrigger mode. MW introduces tempo-synced amplitude modulation, please check the Macro page for FX/filter controls.
Tonal Swamp
A huge wash of tonal minority in S1 layered with a processed dark brass drone from Sonic Cinema in S2, split point C3 (C4 in Iris), both oscillators are running in non-retrigger mode. MW adds tempo-synced amplitude modulation, Macro 2 (y) decreases LP cutoff, M1 (x) adds slow filter modulation (monophonic LFO), please check the Macro page for FX controls.
Wondrous Face Split
Otherworldly texture made with ArcSyn, Kaleidoscope and B2, all 3 oscillators use the same long sample, S1/2 layering the first segment with S2 having a dedicated volume control (Macro 3), S3 playing the 2nd half backwards/forwards - split point: C3 (C4 in Iris), S1/3 are running in non-retrigger mode. MW decreases LP cutoff and introduces tempo-synced random filter modulation, M1 (x) adds tempo-synced amplitude modulation, please check the Macro page for FX controls.
542 Iris 1-patches including 12.33 Gigabyte of samples and 155 Iris 2-patches with 3.33 GB are now in the total collection.
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Third: new subscription scheme, starting from today
https://soundcloud.com/sampleconstruct/ ... bscription
Second, release info set 67:
Iris subscription set 67, uploaded on March 8 - 2016 containing 9 presets (271.9 MB) including:
Chime Drones
Multi-sampled textural drone made with chimes and their resonances, 3 pitches were sample (C1/C3/C5), all 3 oscillators are running in non-retrigger mode. MW decreases LP cutoff and adds distortion/chorus FX, VEL also modulates filter cutoff. Add noise-shaped pitch modulation with Macro 1, control amount of delay FX with M2.
Flute Phrase Lead Split
Two long, time-stretched and spectralized flute phrases, S1/2 - mapped from C3 -C7 (C4 - C8 in Iris) layer the same sample highlighting different segments, S2 has a dedicated volume control (Macro 5), S3 plays the second phrase. All oscillators are running in non-retrigger mode. MW decreases LP filter cutoff and introduces screaming distortion. M1 adds a tad of vibrato to S1/2, please check the Macro page for FX controls.
Indigenous Wind
Flute phrase re-synthesized in Melodyne 4, S1 plays the first segment in Radius RT-mode, S2 the second part in sampling mode, it’s volume is assigned to MW. S3 adds a time-stretched breathing sound with a fixed pitch and LFO-controlled pitch modulation, control it’s volume with Macro 3, add noise-shaped pitch modulation to S1 with M4. Please check the Macro page for FX /filter controls.
March Mantra
Multi-sampled vocal texture, made by audio-morphing a Phonem sound from Phonemklatura with various other things. 3 pitches were sample (C1/C3/C5), all 3 oscillators are running in non-retrigger mode, the key-zones slightly overlap as you will see in the mapping editor. MW adds tempo-synced amplitude modulation, M2 (y) controls LP cutoff, with M2 dialed towards the bottom, a filter envelope can be introduced with M1 (x). M3-5 control amount of chorus/delay/reverb FX, M6 sets the release time.
Maya Morph Split
Strange spectral soundscape derived from audio-morphed and re-synthesized voices, all 3 oscillators use the same long sample, S2/3 layering the second part of it with inverted frequency selections and slow LFOs running at different speeds assigned to their amplitudes - overlapping split point is C3 (C4 in Iris). MW decreases LP cutoff and adds a tad of distortion, Macros 2 adds tempo-synced, square-shaped pitch modulation to S1, M1 controls amount of delay FX, M3 adds chorus FX, M4 alters chorus speed/depth.
Morphing Shades Split
Audio-morphed spectral soundscape, all 3 oscillators use the same long sample, S1/2 - mapped up to C3 (C4 in iris) - layering different parts of it with S2 running in Radius RT-mode and having a slow LFO applied to it’s volume, S3 mapped above C#3 (C#4 in Iris) playing the decaying end part of the sample. MW introduces tempo-synced amplitude modulation to S1/3, Macro 2 increases HP cutoff, M1 (x) adds tempo-synced, random filter modulation, please check the Macro page for FX controls.
Princess Drone Split
Friendly dronescape, both oscillators use the same long sample highlighting different parts from it, overlapping split point is C3 (C4 in Iris), both oscillators are running in non-retrigger mode. MW introduces tempo-synced amplitude modulation, please check the Macro page for FX/filter controls.
Tonal Swamp
A huge wash of tonal minority in S1 layered with a processed dark brass drone from Sonic Cinema in S2, split point C3 (C4 in Iris), both oscillators are running in non-retrigger mode. MW adds tempo-synced amplitude modulation, Macro 2 (y) decreases LP cutoff, M1 (x) adds slow filter modulation (monophonic LFO), please check the Macro page for FX controls.
Wondrous Face Split
Otherworldly texture made with ArcSyn, Kaleidoscope and B2, all 3 oscillators use the same long sample, S1/2 layering the first segment with S2 having a dedicated volume control (Macro 3), S3 playing the 2nd half backwards/forwards - split point: C3 (C4 in Iris), S1/3 are running in non-retrigger mode. MW decreases LP cutoff and introduces tempo-synced random filter modulation, M1 (x) adds tempo-synced amplitude modulation, please check the Macro page for FX controls.
542 Iris 1-patches including 12.33 Gigabyte of samples and 155 Iris 2-patches with 3.33 GB are now in the total collection.
----
Third: new subscription scheme, starting from today
Get the annual subscription to my Iris presets for an entrance fee of € 120 EUR (paypal) and receive new patches for the duration of 1 year. You can renew your subscription after one year for the fixed price of € 45 EUR and I will contact each subscriber 10 days before the expiration of the subscription. If you don't want to renew, the subscription just ends with no further obligations.
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- KVRAF
- 1548 posts since 12 Jan, 2010 from Copenhagen
That's a very nice price for the subscription..
Here's a track from the most recent installment set 67 ! ! !
https://soundcloud.com/twotoneshuzz/meltingmountains
Here's a track from the most recent installment set 67 ! ! !
https://soundcloud.com/twotoneshuzz/meltingmountains
waves break, but somehow it all makes sense.
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Sampleconstruct Sampleconstruct https://www.kvraudio.com/forum/memberlist.php?mode=viewprofile&u=191286
- KVRAF
- Topic Starter
- 16732 posts since 12 Oct, 2008 from Here and there
Listening now, great stuff, instant repost!TwoToneshuzz wrote:That's a very nice price for the subscription..
Here's a track from the most recent installment set 67 ! ! !
https://soundcloud.com/twotoneshuzz/meltingmountains
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Sampleconstruct Sampleconstruct https://www.kvraudio.com/forum/memberlist.php?mode=viewprofile&u=191286
- KVRAF
- Topic Starter
- 16732 posts since 12 Oct, 2008 from Here and there
Two fresh patches from the upcoming subscription set in action, spectral choir meets spectral cello drone:
https://soundcloud.com/sampleconstruct/ ... bscription
https://soundcloud.com/sampleconstruct/ ... bscription
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Sampleconstruct Sampleconstruct https://www.kvraudio.com/forum/memberlist.php?mode=viewprofile&u=191286
- KVRAF
- Topic Starter
- 16732 posts since 12 Oct, 2008 from Here and there
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- KVRAF
- 1548 posts since 12 Jan, 2010 from Copenhagen
I like it! So clear in the high frequencies played too loudly and it's slightly hard on my ears, which seem to be acting up after my recent cold. Interesting how it has a pleasing randomness in the sound bed..
waves break, but somehow it all makes sense.
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Sampleconstruct Sampleconstruct https://www.kvraudio.com/forum/memberlist.php?mode=viewprofile&u=191286
- KVRAF
- Topic Starter
- 16732 posts since 12 Oct, 2008 from Here and there
The stars are bright in spring.TwoToneshuzz wrote:I like it! So clear in the high frequencies played too loudly and it's slightly hard on my ears, which seem to be acting up after my recent cold. Interesting how it has a pleasing randomness in the sound bed..
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Sampleconstruct Sampleconstruct https://www.kvraudio.com/forum/memberlist.php?mode=viewprofile&u=191286
- KVRAF
- Topic Starter
- 16732 posts since 12 Oct, 2008 from Here and there
Another two patches from the upcoming set no. 68 in something pretty spacey:
https://soundcloud.com/sampleconstruct/ ... bscription
https://soundcloud.com/sampleconstruct/ ... bscription
-
Sampleconstruct Sampleconstruct https://www.kvraudio.com/forum/memberlist.php?mode=viewprofile&u=191286
- KVRAF
- Topic Starter
- 16732 posts since 12 Oct, 2008 from Here and there
On April 19th we will be entering the 5th year of the Iris subscription 
Here comes the release info for set no. 68 and another demo combining 4 fresh patches from this set.
https://soundcloud.com/sampleconstruct/ ... bscription
Iris subscription set 68 uploaded on April 11 - 2016 containing 13 presets (297.9 MB) including:
Celestial Choir Split
Processed/retuned/re-synthesized choir sound from a theatre production, the same long sample is used in all three oscillators, S3 running in Radius RT-mode, playing up to B2 (B3 in Iris), S1/2 layered from C3 - C6 (C4 - C7 in Iris) in non-retrigger mode, S2 has dedicated Macros for volume/pitch (M3/4). Glide is activated, MW adds vibrato, please check the Macro page for more controls.
Cello Shifter Split
Re-pitched cello drone processed with frequency-shifting and other things, same long sample is used in all three oscillators, S3 running in Radius RT-mode, playing from C#3 upwards (C#4 in Iris). S1/2 layered up to C3 (C4) in in non-retrigger mode, S2 has Macro 3 assigned to it’s volume, M5 adds tempo-synced amplitude modulation to S1/3, S3 has a Macro assigned to the amount of pan modulation. MW decreases LP filter cutoff and adds distortion, M1/2 control amount of delay/reverb FX.
Cello Warp Split
Stretched/retuned/audio-morphed cello phrase, S1/2 each play one segment of the phrase, overlapping split point is C3 (C4 in Iris), S1 playing in Radius RT-mode, S2 in non-retrigger mode. MW decreases LP cutoff and introduces distortion/chorus FX, M1 (x) adds tempo-synced amplitude modulation, M2/3 control the amount of delay/reverb FX.
Choir Pad
Processed/retuned/re-synthesized choir sound from a theatre production layered in S1/2, each oscillator playing a different segment from the long sample highlighting different frequency ranges, S2 having a dedicated volume control (Macro 3), both samples are playing in non-retrigger mode. With M2 (y) dialed towards the left/down, the LP filter becomes velocity sensitive and amplitude velocity sensitivity is decreased. MW adds vibrato, M1 (x)/M4 control amount of delay/chorus FX, glide is activated.
Descending Stretch Drops
An extremely time-stretched and dynamically processed water-bell sound (dipping a bell into a bathtub) from my library Resurrection for Alchemy 2, playing in opposite directions in S1/2 using the identical spectral selection with S2 running in non-retrigger mode and a woodblock accent with a long reverb tail, borrowed from Aureus Ventus for HALion 5 in S3, the latter having a dedicated volume control (Macro 3). MW introduces slow sine-shaped pitch modulation in S1/2 and noise-shaped pitch modulation in S3, Macros 1/2 (x/y) control amount of delay/distortion FX, M4 controls LP cutoff.
Landing Zone Split
Two tonal, spectral drones/soundscapes of similar kinds playing in non-retrigger mode in S1/2, overlapping split point: C3 (C4 in Iris). MW introduces tempo-synced amplitude modulation (ramp up/down, different speeds in S1/2), M2 controls LP filter cutoff, M1 adds tempo-synced filter modulation. Please check the Macro page for more FX controls.
Manga Dome Split
Tonalized (minor)/retuned/re-synthesized/time-stretched/processed field recording of a group of Manga girls gathering on a bridge in Tokyo which I recorded some years ago. S1/2 mapped up to C3 (C4 in Iris) layer the first half of the long sample, S3 plays the 2nd half (C#3(C#4 upwards), all oscillators are playing in non-retrigger mode. MW introduces tempo-synced, square-shaped pitch modulation to S1/2 and random pitch modulation to S3. Please check the Macro page for filter and FX controls.
Manga Drama Split
Tonalized (minor)/retuned/re-synthesized/time-stretched/processed field recording of a group of Manga girls gathering on a bridge in Tokyo which I recorded some years ago. S1/2 mapped from C2 - C6 (C3 - C7 in Iris) layer the first half of the long sample with inverted spectral selections, each oscillators having an LFO assigned to volume, running at different speeds. S3 is mapped from C-1 - C3 (C0 - C4) plays the sample in backwards/forwards loop and non-retrigger mode. MW increases the speed of the amplitude modulation in S1/2, increases their stereo spread and introduces random pan modulation in S3. Macro 2 (y) controls LP cutoff, M1 (x) introduces cutoff modulation via the filter envelope, please check the Macro page for more FX controls.
Meta Violins Split
Processed/retuned/re-synthesized violins warming up before a concert, recorded backstage, each oscillator playing a different segment of the long sample with S2 using a very dotted spectral selection with slow amplitude modulation applied, S3 playing in reverse/forward loop mode with slow pan modulation applied. S1 plays up to C4 (C5 in iris) add tempo-synced, square shaped pitch modulation with Macro 5, S2/3 are layered from C4 (C5) upwards, S1/3 are running in non-retrigger mode. MW controls amount of chorus FX, Macros 1/2 (x/y) control HP filter cutoff/amount of tempo-synced filter modulation. Please check the Macro page for more FX controls.
Penta Brass Valley
Processed/retuned (pentatonic)/re-synthesized brass instruments (tuba/french horn) warming up before a concert, recorded backstage - playing in S2/3 (the latter in Radius RT-mode), S1 adds a synth drone made with a modified ArcSyn patch from my soundset Arrows. S1/2 - running in non-retrigger mode - are layered from C0 - C3 (C1 - C4 in Iris), S3 plays from C#3 (C#4) upwards. Balance the volume of S1/2 with Macros 1/2 (x/y). MW adds tempo-synced amplitude modulation to S1/2 and vibrato to S3. The FX section is running in Send-mode, Macros 3/4 are master send controls for delay/reverb.
Penta Stars Split
Tonal/pentatonic soundscape, the same long sample is used in all 3 oscillators, S1/2 running in non-retrigger mode are layered between C3 - C7 (C4 - C8 in Iris), each oscillator has it’s dedicated volume control (Macro 3/4). S3 playing the full frequency range is mapped from C-1 - B2 (C0 - B3), MW introduces noise-shaped pitch modulation, Macro 2 )y) controls LP cutoff, M1 (x) adds filter modulation, M5-8 control amount of delay/chorus/aliased distortion/reverb FX.
Slomo Beat 70BPM Split
Electronic drum/synth sequence processed with Kaleidoscope and other things, original tempo 70BPM, both oscillators are using the same sample playing different segments from it, S1 running in Radius RT mode preserving the original tempo, S2 running in normal Resample-mode so the tempo changes per pitch, split point C3 (C4 in Iris). Tempo-synced filter modulation can be dialed in with M1 (which only makes sense if you are running your DAW at 70 BPM). M2 controls LP cutoff. Please check the Macro page for more FX controls.
Timeless Drone
Processed orchestral instruments derived from a fragment of one of my orchestral works recorded during a rehearsal, S1/2 layer different segments/spectral aspects of the same long sample, S1 playing in reverse/forward mode, both oscillators are set to non-retrigger mode, the volume of S1 is assigned to MW, so is the amount of chorus FX. Macro 2 (y) controls LP cutoff, M1 (x) adds slow filter modulation. Add noise-shaped pitch modulation with M5, control attack/release time with M 6/7, M3/4 control amount of delay/delay time and feedback.
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The subscription library now contains 555 Iris 1-patches including 12.62 GB of samples and 155 Iris 2-patches/3.33 GB.
Here comes the release info for set no. 68 and another demo combining 4 fresh patches from this set.
https://soundcloud.com/sampleconstruct/ ... bscription
Iris subscription set 68 uploaded on April 11 - 2016 containing 13 presets (297.9 MB) including:
Celestial Choir Split
Processed/retuned/re-synthesized choir sound from a theatre production, the same long sample is used in all three oscillators, S3 running in Radius RT-mode, playing up to B2 (B3 in Iris), S1/2 layered from C3 - C6 (C4 - C7 in Iris) in non-retrigger mode, S2 has dedicated Macros for volume/pitch (M3/4). Glide is activated, MW adds vibrato, please check the Macro page for more controls.
Cello Shifter Split
Re-pitched cello drone processed with frequency-shifting and other things, same long sample is used in all three oscillators, S3 running in Radius RT-mode, playing from C#3 upwards (C#4 in Iris). S1/2 layered up to C3 (C4) in in non-retrigger mode, S2 has Macro 3 assigned to it’s volume, M5 adds tempo-synced amplitude modulation to S1/3, S3 has a Macro assigned to the amount of pan modulation. MW decreases LP filter cutoff and adds distortion, M1/2 control amount of delay/reverb FX.
Cello Warp Split
Stretched/retuned/audio-morphed cello phrase, S1/2 each play one segment of the phrase, overlapping split point is C3 (C4 in Iris), S1 playing in Radius RT-mode, S2 in non-retrigger mode. MW decreases LP cutoff and introduces distortion/chorus FX, M1 (x) adds tempo-synced amplitude modulation, M2/3 control the amount of delay/reverb FX.
Choir Pad
Processed/retuned/re-synthesized choir sound from a theatre production layered in S1/2, each oscillator playing a different segment from the long sample highlighting different frequency ranges, S2 having a dedicated volume control (Macro 3), both samples are playing in non-retrigger mode. With M2 (y) dialed towards the left/down, the LP filter becomes velocity sensitive and amplitude velocity sensitivity is decreased. MW adds vibrato, M1 (x)/M4 control amount of delay/chorus FX, glide is activated.
Descending Stretch Drops
An extremely time-stretched and dynamically processed water-bell sound (dipping a bell into a bathtub) from my library Resurrection for Alchemy 2, playing in opposite directions in S1/2 using the identical spectral selection with S2 running in non-retrigger mode and a woodblock accent with a long reverb tail, borrowed from Aureus Ventus for HALion 5 in S3, the latter having a dedicated volume control (Macro 3). MW introduces slow sine-shaped pitch modulation in S1/2 and noise-shaped pitch modulation in S3, Macros 1/2 (x/y) control amount of delay/distortion FX, M4 controls LP cutoff.
Landing Zone Split
Two tonal, spectral drones/soundscapes of similar kinds playing in non-retrigger mode in S1/2, overlapping split point: C3 (C4 in Iris). MW introduces tempo-synced amplitude modulation (ramp up/down, different speeds in S1/2), M2 controls LP filter cutoff, M1 adds tempo-synced filter modulation. Please check the Macro page for more FX controls.
Manga Dome Split
Tonalized (minor)/retuned/re-synthesized/time-stretched/processed field recording of a group of Manga girls gathering on a bridge in Tokyo which I recorded some years ago. S1/2 mapped up to C3 (C4 in Iris) layer the first half of the long sample, S3 plays the 2nd half (C#3(C#4 upwards), all oscillators are playing in non-retrigger mode. MW introduces tempo-synced, square-shaped pitch modulation to S1/2 and random pitch modulation to S3. Please check the Macro page for filter and FX controls.
Manga Drama Split
Tonalized (minor)/retuned/re-synthesized/time-stretched/processed field recording of a group of Manga girls gathering on a bridge in Tokyo which I recorded some years ago. S1/2 mapped from C2 - C6 (C3 - C7 in Iris) layer the first half of the long sample with inverted spectral selections, each oscillators having an LFO assigned to volume, running at different speeds. S3 is mapped from C-1 - C3 (C0 - C4) plays the sample in backwards/forwards loop and non-retrigger mode. MW increases the speed of the amplitude modulation in S1/2, increases their stereo spread and introduces random pan modulation in S3. Macro 2 (y) controls LP cutoff, M1 (x) introduces cutoff modulation via the filter envelope, please check the Macro page for more FX controls.
Meta Violins Split
Processed/retuned/re-synthesized violins warming up before a concert, recorded backstage, each oscillator playing a different segment of the long sample with S2 using a very dotted spectral selection with slow amplitude modulation applied, S3 playing in reverse/forward loop mode with slow pan modulation applied. S1 plays up to C4 (C5 in iris) add tempo-synced, square shaped pitch modulation with Macro 5, S2/3 are layered from C4 (C5) upwards, S1/3 are running in non-retrigger mode. MW controls amount of chorus FX, Macros 1/2 (x/y) control HP filter cutoff/amount of tempo-synced filter modulation. Please check the Macro page for more FX controls.
Penta Brass Valley
Processed/retuned (pentatonic)/re-synthesized brass instruments (tuba/french horn) warming up before a concert, recorded backstage - playing in S2/3 (the latter in Radius RT-mode), S1 adds a synth drone made with a modified ArcSyn patch from my soundset Arrows. S1/2 - running in non-retrigger mode - are layered from C0 - C3 (C1 - C4 in Iris), S3 plays from C#3 (C#4) upwards. Balance the volume of S1/2 with Macros 1/2 (x/y). MW adds tempo-synced amplitude modulation to S1/2 and vibrato to S3. The FX section is running in Send-mode, Macros 3/4 are master send controls for delay/reverb.
Penta Stars Split
Tonal/pentatonic soundscape, the same long sample is used in all 3 oscillators, S1/2 running in non-retrigger mode are layered between C3 - C7 (C4 - C8 in Iris), each oscillator has it’s dedicated volume control (Macro 3/4). S3 playing the full frequency range is mapped from C-1 - B2 (C0 - B3), MW introduces noise-shaped pitch modulation, Macro 2 )y) controls LP cutoff, M1 (x) adds filter modulation, M5-8 control amount of delay/chorus/aliased distortion/reverb FX.
Slomo Beat 70BPM Split
Electronic drum/synth sequence processed with Kaleidoscope and other things, original tempo 70BPM, both oscillators are using the same sample playing different segments from it, S1 running in Radius RT mode preserving the original tempo, S2 running in normal Resample-mode so the tempo changes per pitch, split point C3 (C4 in Iris). Tempo-synced filter modulation can be dialed in with M1 (which only makes sense if you are running your DAW at 70 BPM). M2 controls LP cutoff. Please check the Macro page for more FX controls.
Timeless Drone
Processed orchestral instruments derived from a fragment of one of my orchestral works recorded during a rehearsal, S1/2 layer different segments/spectral aspects of the same long sample, S1 playing in reverse/forward mode, both oscillators are set to non-retrigger mode, the volume of S1 is assigned to MW, so is the amount of chorus FX. Macro 2 (y) controls LP cutoff, M1 (x) adds slow filter modulation. Add noise-shaped pitch modulation with M5, control attack/release time with M 6/7, M3/4 control amount of delay/delay time and feedback.
----
The subscription library now contains 555 Iris 1-patches including 12.62 GB of samples and 155 Iris 2-patches/3.33 GB.
-
Sampleconstruct Sampleconstruct https://www.kvraudio.com/forum/memberlist.php?mode=viewprofile&u=191286
- KVRAF
- Topic Starter
- 16732 posts since 12 Oct, 2008 from Here and there
I just sent out another 10 converted Iris 2-patches to all subscribers, please check your inboxes and spam folders.
The subscription library now contains 555 Iris 1-patches including 12.62 GB of samples and 165 Iris 2-patches/3.64 GB.
The subscription library now contains 555 Iris 1-patches including 12.62 GB of samples and 165 Iris 2-patches/3.64 GB.
-
Sampleconstruct Sampleconstruct https://www.kvraudio.com/forum/memberlist.php?mode=viewprofile&u=191286
- KVRAF
- Topic Starter
- 16732 posts since 12 Oct, 2008 from Here and there
Here is a rather epic soundtrack sort of thing combining several Iris patches from the upcoming set no. 69, a little volume automation and a limiter on the master output:
https://soundcloud.com/sampleconstruct/ ... bscription
https://soundcloud.com/sampleconstruct/ ... bscription
-
Sampleconstruct Sampleconstruct https://www.kvraudio.com/forum/memberlist.php?mode=viewprofile&u=191286
- KVRAF
- Topic Starter
- 16732 posts since 12 Oct, 2008 from Here and there
Another two patches from set 69 in a slightly haunting atmospherical track:
https://soundcloud.com/sampleconstruct/ ... bscription
https://soundcloud.com/sampleconstruct/ ... bscription
-
Sampleconstruct Sampleconstruct https://www.kvraudio.com/forum/memberlist.php?mode=viewprofile&u=191286
- KVRAF
- Topic Starter
- 16732 posts since 12 Oct, 2008 from Here and there
Here comes a video for one of the patches (Orchestral Meander 2) from set no. 69:
...and here comes the release info for this set:
Iris subscription set 69 uploaded on May 13 - 2016 containing 12 presets (244.1 MB) including:
Counter Glory Split
Two samples processing layered synth and vocal breathing sounds with frequency shifters and other things. In the lower half, mapped up to C3 (C4 in Iris) S1/2 layer different frequency selections from the same sample (stacked fifths), each oscillator has it’s dedicated volume control (Macros 3/4). Mapped from C3 (C4) upwards the 2nd sample (stacked octaves) is playing - S2/3 are running in non-retrigger mode.
MW introduces tempo-synced amplitude modulation (different LFO shapes/speeds for each oscillator). Macro 1 (x) introduces tempo-synced lowpass filter modulation, M2 (y) sets the modulation speed, set release time with M8. Check the Macro page for FX controls.
Gentle Sweeper Pad
Multi-sampled layered synth pad with filter sweeps, three pitches were sampled between C2 - E5 (check the Map-window for ranges), all oscillators are playing in non-retrigger mode. MW introduces tempo-synced amplitude modulation. Macro 2 (y) controls LP filter cutoff, M1 (x) engages the filter envelope. M3/4 set attack/release time, check the Macro page for FX controls.
Haunting Mallets
A sequence of processed, arpeggiated vibraphone chords, different segments and spectral aspects of the same long sample are layered in S1 - S3, the latter running in non-retrigger mode, each sounds has it’s dedicated volume control (Macros 3-5). MW introduces random pitch modulation with different LFO speeds for each oscillator. Check the Macro page for filter FX controls.
Mixed Spectral Choir Split
Re-synthesized, re-pitched and processed mixed choir sound, S1 plays the first half of the sample in Radius RT-mode, S2/3 layer the 2nd part of the sample with S2 playing in non-retrigger mode, use Macro 3 for volume control of S3 - overlapping split point: C4 (C5 in Iris). MW adds noise-shaped pitch modulation, M2 (y) controls LP filter cutoff, M1 (x) introduces tempo-synced random filter modulation. M4/5 control amount of delay/reverb FX.
Moon Scape Split
Dreamy, tonal soundscape sample, S1/2 running in non-retrigger mode mapped up to C4 (C5 in Iris) are layering the sound with inverted spectral frequency selection, use Macros 3/4 to balance the sounds, M5 introduces pan modulation in S1/2. S3 mapped from C4 (C5) upwards plays the end of the same sample in reverse/forward mode, M6 adds tempo-synced amplitude modulation in S3. M1/2 (x/y) control amount of delay/chorus FX.
Noise Impacts Split 01
A sequence of processed noise bursts split into three segments mapped across the keyboard, overlapping split points: C2/C4 (C3/C5 in Iris). MW adds tempo-synced pitch modulation, Macro 1 (x) engages the filter envelope, adds some distortion and introduces velocity sensitivity to the LP filter cutoff. M2 (y) and M3 control amount of reverb/delay FX, M4 sets the release time.
Noise Impacts Split 02
A sequence of processed noise bursts split into three segments mapped across the keyboard, overlapping split points: C2/C4 (C3/C5 in Iris). MW adds tempo-synced pitch modulation, Macro 1 (x) engages the filter envelope, adds some distortion and introduces velocity sensitivity to the LP filter cutoff. M2 (y) and M3 control amount of reverb/delay FX, M4 sets the release time.
Noise Impacts Split Sync 85BPM
Two sequences of processed noise bursts mapped over 3 octaves each, produced at 85 BPM running in Radius RT-mode which preserves the original tempo, overlapping split point: C3 (check the Map-page for root notes and ranges). MW introduces tempo-synced random pitch modulation (of course, the syncing only makes sense if you are running your DAW project at 85 BPM). M1 adds distortion, M2 controls LP cutoff, M3 controls amount of delay FX, M4 increases delay time and reduces feedback, M5 adds reverb FX.
Orchestral Meander Split 01
A re-synthesized, re-pitched and processed orchestral snippet from one of my orchestral works, all 3 oscillators use the same long sample, S1 plays a long segment, S2/3 are layering the second half with a more selective spectral selection, all oscillators are running in non-retrigger mode - overlapping split point: C3 (C4 in Iris). MW adds tempo-synced amplitude modulation in S1 and tempo-synced pitch modulation in S3, Macro 3 introduces pan modulation S2. M2 (y) controls LP cutoff, M1 (x) adds tempo-synced filter modulation. Check the Macro page for FX controls.
Orchestral Meander Split 02
A re-synthesized, re-pitched and processed orchestral snippet from one of my orchestral works, S1/2 are layering more narrow spectral selections. S3, running in Radius RT-mode plays a wider frequency range - split point: C#3 (C#4 in Iris). MW introduces tempo-synced amplitude modulation (fast triplets). Macro 2 (y) increases HP filter cutoff, M1 (x) introduces tempo-synced filter modulation. M3/4 control amount of delay/chorus FX.
Penta Dreamer Split
Dreamy pentatonic soundscape, S1, mapped up to C3 (C4 in Iris) plays the full frequency range, S2/3 mapped from C3 (C4) upwards layer more narrow spectral selections, S2/3 are running in non-retrigger mode. MW introduces tempo-synced, triplet-based, square-shaped pitch modulation, +/- 1 octave with the wheel fully engaged. Macro 1 (x) introduces LP filter modulation, M2 (y) controls modulation speed. Check the Macro page for FX controls.
Vocal Mountain Split
Re-synthesized, re-pitched and processed mixed choir sound, S1/2 are layering the first half of the sample (use Macros 5/6 for volume balance), S3 plays the 2nd half with reverse/forward-looping running in non-retrigger mode, overlapping split point: C4 (C5 in Iris). MW decreases LP filter cutoff and adds some distortion, M3 adds pan modulation to S1/2, M4 controls pan modulation speed (slightly different for each oscillator). M1 adds amplitude modulation in S3, M2 adds chorus FX, M7/8 control amount of delay/reverb FX.
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The subscription library now contains 567 Iris 1 patches, including 12.87 BG of samples and 165 Iris 2 patches (with 3.5+ GB of samples). More sounds are in the pipe, stay tuned...
...and here comes the release info for this set:
Iris subscription set 69 uploaded on May 13 - 2016 containing 12 presets (244.1 MB) including:
Counter Glory Split
Two samples processing layered synth and vocal breathing sounds with frequency shifters and other things. In the lower half, mapped up to C3 (C4 in Iris) S1/2 layer different frequency selections from the same sample (stacked fifths), each oscillator has it’s dedicated volume control (Macros 3/4). Mapped from C3 (C4) upwards the 2nd sample (stacked octaves) is playing - S2/3 are running in non-retrigger mode.
MW introduces tempo-synced amplitude modulation (different LFO shapes/speeds for each oscillator). Macro 1 (x) introduces tempo-synced lowpass filter modulation, M2 (y) sets the modulation speed, set release time with M8. Check the Macro page for FX controls.
Gentle Sweeper Pad
Multi-sampled layered synth pad with filter sweeps, three pitches were sampled between C2 - E5 (check the Map-window for ranges), all oscillators are playing in non-retrigger mode. MW introduces tempo-synced amplitude modulation. Macro 2 (y) controls LP filter cutoff, M1 (x) engages the filter envelope. M3/4 set attack/release time, check the Macro page for FX controls.
Haunting Mallets
A sequence of processed, arpeggiated vibraphone chords, different segments and spectral aspects of the same long sample are layered in S1 - S3, the latter running in non-retrigger mode, each sounds has it’s dedicated volume control (Macros 3-5). MW introduces random pitch modulation with different LFO speeds for each oscillator. Check the Macro page for filter FX controls.
Mixed Spectral Choir Split
Re-synthesized, re-pitched and processed mixed choir sound, S1 plays the first half of the sample in Radius RT-mode, S2/3 layer the 2nd part of the sample with S2 playing in non-retrigger mode, use Macro 3 for volume control of S3 - overlapping split point: C4 (C5 in Iris). MW adds noise-shaped pitch modulation, M2 (y) controls LP filter cutoff, M1 (x) introduces tempo-synced random filter modulation. M4/5 control amount of delay/reverb FX.
Moon Scape Split
Dreamy, tonal soundscape sample, S1/2 running in non-retrigger mode mapped up to C4 (C5 in Iris) are layering the sound with inverted spectral frequency selection, use Macros 3/4 to balance the sounds, M5 introduces pan modulation in S1/2. S3 mapped from C4 (C5) upwards plays the end of the same sample in reverse/forward mode, M6 adds tempo-synced amplitude modulation in S3. M1/2 (x/y) control amount of delay/chorus FX.
Noise Impacts Split 01
A sequence of processed noise bursts split into three segments mapped across the keyboard, overlapping split points: C2/C4 (C3/C5 in Iris). MW adds tempo-synced pitch modulation, Macro 1 (x) engages the filter envelope, adds some distortion and introduces velocity sensitivity to the LP filter cutoff. M2 (y) and M3 control amount of reverb/delay FX, M4 sets the release time.
Noise Impacts Split 02
A sequence of processed noise bursts split into three segments mapped across the keyboard, overlapping split points: C2/C4 (C3/C5 in Iris). MW adds tempo-synced pitch modulation, Macro 1 (x) engages the filter envelope, adds some distortion and introduces velocity sensitivity to the LP filter cutoff. M2 (y) and M3 control amount of reverb/delay FX, M4 sets the release time.
Noise Impacts Split Sync 85BPM
Two sequences of processed noise bursts mapped over 3 octaves each, produced at 85 BPM running in Radius RT-mode which preserves the original tempo, overlapping split point: C3 (check the Map-page for root notes and ranges). MW introduces tempo-synced random pitch modulation (of course, the syncing only makes sense if you are running your DAW project at 85 BPM). M1 adds distortion, M2 controls LP cutoff, M3 controls amount of delay FX, M4 increases delay time and reduces feedback, M5 adds reverb FX.
Orchestral Meander Split 01
A re-synthesized, re-pitched and processed orchestral snippet from one of my orchestral works, all 3 oscillators use the same long sample, S1 plays a long segment, S2/3 are layering the second half with a more selective spectral selection, all oscillators are running in non-retrigger mode - overlapping split point: C3 (C4 in Iris). MW adds tempo-synced amplitude modulation in S1 and tempo-synced pitch modulation in S3, Macro 3 introduces pan modulation S2. M2 (y) controls LP cutoff, M1 (x) adds tempo-synced filter modulation. Check the Macro page for FX controls.
Orchestral Meander Split 02
A re-synthesized, re-pitched and processed orchestral snippet from one of my orchestral works, S1/2 are layering more narrow spectral selections. S3, running in Radius RT-mode plays a wider frequency range - split point: C#3 (C#4 in Iris). MW introduces tempo-synced amplitude modulation (fast triplets). Macro 2 (y) increases HP filter cutoff, M1 (x) introduces tempo-synced filter modulation. M3/4 control amount of delay/chorus FX.
Penta Dreamer Split
Dreamy pentatonic soundscape, S1, mapped up to C3 (C4 in Iris) plays the full frequency range, S2/3 mapped from C3 (C4) upwards layer more narrow spectral selections, S2/3 are running in non-retrigger mode. MW introduces tempo-synced, triplet-based, square-shaped pitch modulation, +/- 1 octave with the wheel fully engaged. Macro 1 (x) introduces LP filter modulation, M2 (y) controls modulation speed. Check the Macro page for FX controls.
Vocal Mountain Split
Re-synthesized, re-pitched and processed mixed choir sound, S1/2 are layering the first half of the sample (use Macros 5/6 for volume balance), S3 plays the 2nd half with reverse/forward-looping running in non-retrigger mode, overlapping split point: C4 (C5 in Iris). MW decreases LP filter cutoff and adds some distortion, M3 adds pan modulation to S1/2, M4 controls pan modulation speed (slightly different for each oscillator). M1 adds amplitude modulation in S3, M2 adds chorus FX, M7/8 control amount of delay/reverb FX.
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The subscription library now contains 567 Iris 1 patches, including 12.87 BG of samples and 165 Iris 2 patches (with 3.5+ GB of samples). More sounds are in the pipe, stay tuned...