Kraftwerk lose sampling copyright case.
- KVRian
- 1439 posts since 14 Apr, 2008 from velvet noise
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Last edited by noiseresearch on Tue Dec 01, 2020 12:58 pm, edited 1 time in total.
It refuses description, allowing only the vague approach of adjectives: dark, light, raw, angelic. Who or what is making these noises? Where are they coming from and what do they point to? What kind of entity can leave such a troubling sonic remnant?
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- KVRAF
- 6272 posts since 25 Mar, 2004
Roman Empire wrote:
On the other hand, I think Mr Pelham should´ve just made the pattern by himself. It ain´t that difficult, but if you absolutely MUST rip it from somebody elses work, that somebody else should also be paid for it, IMO.
Best Regards
Roman Empire
This. Apparently no one is disputing that the sample in question belongs to Kraftwerk. Why would musicians and other artists champion someone taking someone else's work without attribution or compensation? If you're so bloody talented, create your own stuff. If you don't create your own stuff, there are rules. Follow them.
Regardless of what the courts say, you should be embarrassed that you are incapable of making your own art without nicking a bit of someone else's.
Cheers
-B
Berfab
So many plugins, so little time...
So many plugins, so little time...
- KVRAF
- 25849 posts since 20 Jan, 2008 from a star near where you are
Kind of weird how the implementation of these rules have changed. At one time sampling was seen as pure theft, nothing artistic about it all
When KLF/JAMs put out their first in small quantity:
The JAMs were ordered to "deliver up the master tape, mothers, stampers and any other parts commensurate with manufacture of the record"
https://en.wikipedia.org/wiki/1987_%28W ... ontroversy
When KLF/JAMs put out their first in small quantity:
The JAMs were ordered to "deliver up the master tape, mothers, stampers and any other parts commensurate with manufacture of the record"
https://en.wikipedia.org/wiki/1987_%28W ... ontroversy
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- KVRAF
- 2236 posts since 25 Dec, 2005
Ask politely and pay vs don't ask,steal and argue that stealing is a form of culture?
Btw,nowadays the technology is much cheaper to produce samples,this wasn't the case in the 70's and later on.
Hip Hop started with singing to Vinyl records and evolved to sampling but for most of the artists there were no funds to professionally record drum sets and to pay high talented singers and musicians.
Today a huge amount of samples are available to buy and are affordable.
The question is. Why still use those gorgeous tape saturated,beautifully perfectly recorded production snippets in 2016?

This is not final judgement anyway.
Btw,nowadays the technology is much cheaper to produce samples,this wasn't the case in the 70's and later on.
Hip Hop started with singing to Vinyl records and evolved to sampling but for most of the artists there were no funds to professionally record drum sets and to pay high talented singers and musicians.
Today a huge amount of samples are available to buy and are affordable.
The question is. Why still use those gorgeous tape saturated,beautifully perfectly recorded production snippets in 2016?

This is not final judgement anyway.
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- KVRAF
- 11162 posts since 16 Mar, 2003 from Porto - Portugal
Consider there is a loong tradition in european music scene of reusing of other's material by composers, I think this statement is uttely nonsense. Would you say that J S Bach is incapable os making is own art? Yet he did transcriptions of Vivaldi and Albinoni concertos for organ, and presented them as his own (because they ARE his own). Liszt did many transcriptions of Wagner pieaces for piano, and again these are presented as Liszt works. Already in XXth century, Schostakovitch inserted quite extended quotations of one Rossini piece in one of his symphonies, and Stravinsky created an entire work (Pulcinella) based in music from other composers.BERFAB wrote:Roman Empire wrote:
On the other hand, I think Mr Pelham should´ve just made the pattern by himself. It ain´t that difficult, but if you absolutely MUST rip it from somebody elses work, that somebody else should also be paid for it, IMO.
Best Regards
Roman Empire
This. Apparently no one is disputing that the sample in question belongs to Kraftwerk. Why would musicians and other artists champion someone taking someone else's work without attribution or compensation? If you're so bloody talented, create your own stuff. If you don't create your own stuff, there are rules. Follow them.
Regardless of what the courts say, you should be embarrassed that you are incapable of making your own art without nicking a bit of someone else's.
Cheers
-B
So, I think this decision is to reinstate a long tradition that, to a certain degree, reusing music material from other composers may be legal, as long as it's not simply a copy. Unfortunately, music now seems to be all and only about Money.
Last edited by fmr on Wed Jun 01, 2016 4:07 pm, edited 1 time in total.
Fernando (FMR)
- KVRian
- 1439 posts since 14 Apr, 2008 from velvet noise
/* static noise */
Last edited by noiseresearch on Tue Dec 01, 2020 12:58 pm, edited 1 time in total.
It refuses description, allowing only the vague approach of adjectives: dark, light, raw, angelic. Who or what is making these noises? Where are they coming from and what do they point to? What kind of entity can leave such a troubling sonic remnant?
- KVRian
- 1439 posts since 14 Apr, 2008 from velvet noise
/* static noise */
Last edited by noiseresearch on Tue Dec 01, 2020 12:58 pm, edited 1 time in total.
It refuses description, allowing only the vague approach of adjectives: dark, light, raw, angelic. Who or what is making these noises? Where are they coming from and what do they point to? What kind of entity can leave such a troubling sonic remnant?
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- KVRAF
- 2236 posts since 25 Dec, 2005
My new album consist solely out of Skrillex melodies but i do not use any music/samples he created.
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- KVRAF
- 35687 posts since 11 Apr, 2010 from Germany
Still remember the old Dr. Dre songs, which not only consisted of the respective sampled passages, but had no own melodies at all. It basically was the Funk/Soul track the samples were from, with rap over it. Not quite a very imaginative, or skilled genre.
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- KVRAF
- 6272 posts since 25 Mar, 2004
I wasn't aware that the Bach transcriptions of Vivaldi were actually published or publicized during his lifetime. Regardless, to my knowledge, they've always been known as the "Bach transcriptions." That is somewhat less than attribution without credit, no? During that period of time, transcriptions were more of an exercise than anything else. A way for musicians and composers to learn the styles of prior masters. It was not 'stealing.' Certainly not in the sense that we have here, where an actual piece of the artist's work is taken, outright, and incorporated into another's. A better analogy for your transcription argument would be creating an orchestral or marching band arrangement of "Wonder Wall." Everyone recognizes what it is, and (hopefully) credit and appropriate payment will be made.resistent wrote:fmr wrote:Consider there is a loong tradition in european music scene of reusing of other's material by composers, I think this statement is uttely nonsense. Would you say that J S Bach is incapable os making is own art? Yet he did transcriptions of Vivaldi and Albinoni concertos for organ, and presented them as his own (because they ARE his own). Liszt did many transcriptions of Wagner pieaces for piano, and again these are presented as Liszt works. Already in XXth century, Schostakovitch inserted quite extended quotations of one Rossini piece in one of his symphonies, and Stravinsky created na entire work (/PUlcinella) based in music from other composers.BERFAB wrote:Roman Empire wrote:
On the other hand, I think Mr Pelham should´ve just made the pattern by himself. It ain´t that difficult, but if you absolutely MUST rip it from somebody elses work, that somebody else should also be paid for it, IMO.
Best Regards
Roman Empire
This. Apparently no one is disputing that the sample in question belongs to Kraftwerk. Why would musicians and other artists champion someone taking someone else's work without attribution or compensation? If you're so bloody talented, create your own stuff. If you don't create your own stuff, there are rules. Follow them.
Regardless of what the courts say, you should be embarrassed that you are incapable of making your own art without nicking a bit of someone else's.
So, I think this decision is to reinstate a long tradition that, to a certain degree, reusing music material from other composers may be legal, as long as it's not simply a copy.I always love history
W
Cheers
-B
[format edit]
Last edited by BERFAB on Wed Jun 01, 2016 4:56 pm, edited 1 time in total.
Berfab
So many plugins, so little time...
So many plugins, so little time...
- KVRAF
- 25849 posts since 20 Jan, 2008 from a star near where you are
+1fmr wrote:So, I think this decision is to reinstate a long tradition that, to a certain degree, reusing music material from other composers may be legal, as long as it's not simply a copy.
Punk is built on three chords, how many different songs can there really be with so few ingredients
So for example when Dead Kennedys ran out of chords, they played the smoke on the water riff at double speed, that's innovation
- Beware the Quoth
- 35506 posts since 4 Sep, 2001 from R'lyeh Oceanic Amusement Park and Funfair
resistent wrote:Yes it would because a large subculture within Hip Hop is based on sampling. But I would underline that it will be hard to define edge of sampling.When it's actually sampling and when it becomes just plain covering or rephrasing a song??
No, not even slightly, as I already said. None of the relevant laws are based on any notion of 'sampling'. They are based on the reuse or redistribution of recordings or derivations of recordings. Sampling is simply a subset of that. There's nothing hard about that at all.
'Plain covering' has nothing to do with that at all, its an entirely different thing in copyright law.
As you would say 'go and dig' the actual laws.
An idiot on Set Theory:
"In some cases there is an object called red that contains everything that is red. In much the same way a pot is a plate."
"In some cases there is an object called red that contains everything that is red. In much the same way a pot is a plate."
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- KVRAF
- 3186 posts since 18 Mar, 2008
Don't know what is more sad, one side sampling freaking drum beat or other making a case out of it.
This sampling trend should stop in 21st century, we basically have everything from full blown symphonic orchestras to some rarest multi sampled instruments on our laptops, there's no excuse to not make your own stuff or use legitimate samples, actually genre suffers from the lack of originality, so yeah, stop sampling and start composing, there's no excuse.
This sampling trend should stop in 21st century, we basically have everything from full blown symphonic orchestras to some rarest multi sampled instruments on our laptops, there's no excuse to not make your own stuff or use legitimate samples, actually genre suffers from the lack of originality, so yeah, stop sampling and start composing, there's no excuse.
This entire forum is wading through predictions, opinions, barely formed thoughts, drama, and whining. If you don't enjoy that, why are you here?
ShawnG
- KVRAF
- 5564 posts since 13 Jan, 2005 from the bottom of my heart
Yep, exactly. That is what this court members should do.resistent wrote:That not true and disrespectful. Go and dig some keynote arbitrations ...murnau wrote:This court is a bunch of idiots
Whoever wants music instead of noise, joy instead of pleasure, soul instead of gold, creative work instead of business, passion instead of foolery, finds no home in this trivial world of ours.