chk071 wrote:The benefit of performance may be minimal, to non-existant. The benefit of being future-proof, and to push developers to develop future proof software, is rather the thing for me here. And for people using large sample libraries, and with a big amount of RAM, we don't have to discuss the benefits, they are obvious.
If large sample libraries are so important,then all the 80s Pet Shop boys songs must be rubbish according to current thinking. The Beatles "Strawberry Fields" haunting Mellotron flute is redundant as well,even though it roughly equates to 8 bit. The large sample library myth is just that,a myth. I have an 18th century violin that sounds brilliant when played by a good violinist,but sounds awful in my hands,perhaps I should throw it away and get newer technology. Hans Zimmer used all his musical skill to get around all the inherent problems of short samples, and with 150 film scores to his credit,many of them in the 8 bit to 16bit eighties they still sound good to my ears. I recently parted with my Tascam 144 portastudio after 25 years, I rarely managed to make much music of any note with it,but in the hands of Bruce Springsteen,the very same model was used to record "Nebraska" which must equate to less than 16bits. In reality a good musician will make good music with anything much to hand.But big capitalist corporations will keep promoting the myth that if you only had the very latest.....................



