It's like when you switch from normal yet good speakers to near field monitors
Then the same wow factor goes when you acoustically treat your room
...and finally... when applying carefully calibrated corrective filters on top of all.
I had been doing this before (incl generating corrective filters) ... but now I fully "get it" , it all became clear where my room was in the way.
One thing to mention for other people reading through this thread and thinking they can get away with just corrective EQ ... forget about it! You should treat your room 1st -as good as possible- , then put "some" corrective filters on top at the end of the process.
(by "some" here I mean you don't have to compensate for every comb-filtering peaks/dips or whatever ... use intuition to apply only what's necessary and don't aim for "perfectly" flat ... aim for uniformity in general. )