Nice, but could you please implement an AND/OR search option for the keywords and text search. Because by default it's AND, but sometimes, what you want is OR search.msvs wrote:new video about the LIBRARIAN and the preset SEARCH system:
Vengeance Producer Suite - AVENGER - 1.8.5 the main thread
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- KVRian
- 673 posts since 6 Dec, 2015
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- KVRian
- 673 posts since 6 Dec, 2015
And it shows ! Congratulations for this one, this is serious dedication and a great achievement. I'm sure your efforts will be paid back as I expect this synth to wipe the dance floors.msvs wrote: more than 3 years, fulltime.
- vvvvvvv
- 2595 posts since 24 Oct, 2000 from skelmersdale, west lancs, uk
loachm
Operating the browser from Kontrol would be nice. Not essential but still nice. And Avenger's browse tag system isn't a million miles from Kontrol's.
Wet/dry levels on effects is also v good, and the main filters.
Stuff that aids performance / song writing, rather than journey to the centre of the earth.
None of it is essential, but I wondered whether Manuel was NI-friendly, or prefers to ignore them.
I wasn't envisaging control to the depth that you're suggesting. I'd certainly never need that.I thought a lot about that and that would be great, but it probably would depend on what scale a controller integration should happen or down to which level this template should go, respectively.
Operating the browser from Kontrol would be nice. Not essential but still nice. And Avenger's browse tag system isn't a million miles from Kontrol's.
Wet/dry levels on effects is also v good, and the main filters.
Stuff that aids performance / song writing, rather than journey to the centre of the earth.
None of it is essential, but I wondered whether Manuel was NI-friendly, or prefers to ignore them.
Member 12, Studio One Pro 7, VPS Avenger, Kontakt 8, Spitfire, Sonible, Baby Audio, CableGuys. Recent best buy - EZ Drummer 3 with Bandmate
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- KVRAF
- 2209 posts since 2 Jan, 2003 from right here...
...that's why I was asking.kevvvvv wrote:I wasn't envisaging control to the depth that you're suggesting. I'd certainly never need that.
...it's probably a lot better - it uses a timbre category right from the start. I get that NI dropped this with transitioning from the Kore browser to the current one, as describing a sound and maintaining this database is a lot of (exhausting) work. But it really bothers me, how many different timbres you get when you're using the KK/Maschine browser. Most of the time I don't get what I have in mind and having to sift through a lot of sounds is really distracting and time-consuming. So very often I don't bother with that and build my own sounds. One the one hand, it's very rewarding creating your own sounds, but even for some simple sounds it's always some extra work (when you probably have something else in mind regarding song-writing) and it's also really bothering having the feeling, that what I need might be in there, but I stopped previewing 20 sounds too early, as this exaggerated browsing is super-annoying.kevvvvv wrote: And Avenger's browse tag system isn't a million miles from Kontrol's.
...I get what you're saying and it's surely a nice to have. But this is probably a level of control that everybody can set up for oneself. I assume, if someone buys Avenger, it's because of being able to have more control over the sound (otherwise Nexus is a nice rompler for these kinds of sound - I hear its sound designers are really talentedkevvvvv wrote:Wet/dry levels on effects is also v good, and the main filters.
Stuff that aids performance / song writing, rather than journey to the centre of the earth.
None of it is essential, but I wondered whether Manuel was NI-friendly, or prefers to ignore them.
I can't wait to see how it will be working with Avenger. This synth is so loaded with features, you actually could go to the centre of the earth. If it had additive resynthesis for creating wave-tables and maybe a cross-modulation matrix between the oscillators (though they clearly opted for wave-shaping on the oscillator level itself), I'm not sure if there'd be much left, that it doesn't do. It's a really exciting synth and I'm really curious to find out whether it might be too much or maybe everything one needs.
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- KVRer
- 12 posts since 9 Oct, 2014
It would be amazing if you could lock sections of the synth while browsing. Come across a nice fx chain, lock it to keep it from changing with the preset change. Or lock everything but the fxs to browse through the fxs alone. Likewise with arps and sequencers and so on. Anyways Avenger already looks amazing.
- vvvvvvv
- 2595 posts since 24 Oct, 2000 from skelmersdale, west lancs, uk
I like this feature set too.
Maybe v1.5 or v2?
Maybe v1.5 or v2?
Member 12, Studio One Pro 7, VPS Avenger, Kontakt 8, Spitfire, Sonible, Baby Audio, CableGuys. Recent best buy - EZ Drummer 3 with Bandmate
- KVRAF
- Topic Starter
- 2581 posts since 18 Apr, 2011
as requested, Synth Drums:
http://www.vengeance-sound.com
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- KVRist
- 138 posts since 18 Nov, 2007 from PA USA
+ Y e s , please add some lock features!
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- KVRAF
- 1676 posts since 17 Dec, 2002 from Yorkshire
last vid about drums is top. possibly one could be better off by buying an avenger instead a dedicated drum machine plugin.
- KVRAF
- Topic Starter
- 2581 posts since 18 Apr, 2011
regarding the lock parameters: we already offer the possibility to lock global effects like the Shuffle, Main Volume or Master Filter
most other parameters make no sense, and I explain you why: for example you cant lock the effects of FX3-Bus, then load a preset and expect your fx chain will still produce sound. No one knows, if the preset you are loading will have any OSC routet into FX3-Bus. Maybe this bus will not even exists in this preset. So you wont hear anything of these fx bus at all. We cant create connections out of nowhere.
You could lock GLOBAL fx, which most of the synths out there have. The have only 1 BUS... for example 1 chorus, 1 delay and 1 reverb... fixed in the signal path. Thats it. But Avengers completely open and flexible fx bus routing system let you route anything like you want, so I hope you can understand that locking wont work here.
most other parameters make no sense, and I explain you why: for example you cant lock the effects of FX3-Bus, then load a preset and expect your fx chain will still produce sound. No one knows, if the preset you are loading will have any OSC routet into FX3-Bus. Maybe this bus will not even exists in this preset. So you wont hear anything of these fx bus at all. We cant create connections out of nowhere.
You could lock GLOBAL fx, which most of the synths out there have. The have only 1 BUS... for example 1 chorus, 1 delay and 1 reverb... fixed in the signal path. Thats it. But Avengers completely open and flexible fx bus routing system let you route anything like you want, so I hope you can understand that locking wont work here.
http://www.vengeance-sound.com
join our VPS AVENGER usergroup on FB: https://tinyurl.com/y99jurk9
join our reFX NEXUS usergroup on FB:https://tinyurl.com/tc5o9x7
https://www.youtube.com/vengeancesound
join our VPS AVENGER usergroup on FB: https://tinyurl.com/y99jurk9
join our reFX NEXUS usergroup on FB:https://tinyurl.com/tc5o9x7
https://www.youtube.com/vengeancesound
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- KVRAF
- 5913 posts since 25 Jan, 2007
Great drum video! When you can use the Oscs as sources into the drum sequencer - and route to individual outs - that's mighty powerful stuff right there.
http://www.guyrowland.co.uk
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http://www.sound-on-screen.com
W11, Ryzen 7900, 64gb RAM, RME Babyface, 1050ti, PT 2024 Ultimate, Cubase Pro 14
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- vvvvvvv
- 2595 posts since 24 Oct, 2000 from skelmersdale, west lancs, uk
can the arp/sequencer be locked?
Member 12, Studio One Pro 7, VPS Avenger, Kontakt 8, Spitfire, Sonible, Baby Audio, CableGuys. Recent best buy - EZ Drummer 3 with Bandmate
