i guess "error prone" isn't the best way to say it. for the most part, they function just as well as any other simple SM synth. "lacking in quality control/testing in some ways" is more accurate. lots of little things that make their operation less than a satisfying experience. crackles when adjusting parameters, etc and more serious bugs/issues like the feedback thing i mentioned. also, a general feeling of them not being "calibrated", like i said before. i'm continually adjusting levels here and there so that it's not overloading internally at some point in the signal. you never need to worry about this with most any decent synth out there, it just really takes the fun out of using them.kevin brown wrote:Error-prone? Can you be more specific?
Are you sure you're using the versions in the folder from the link at the end of each of my posts, and not the original Synthmaker Bundle link?
With high resonance and or feedback, yes SM filters don't cope well.
nothing against SM/SE, a few of my favorite synths and fx are SynthEdit creations. in those cases though, it's obvious that the devs took the time to make sure every aspect of them was up to par.
i did sort of enjoy your recent 'Cyrinx' though, in general. constantly making adjustments as i went, but it's a pretty cool synth overall. most of the others i've tried were a complete waste of time.
ehh, maybe in the most basic sense. it's not even about not having "snappy filters", it's just a general feeling of "wow, this thing is junk". best commercial softsynths? these don't perform anywhere near as well as the decent free synths (which you so proudly use). the synths mentioned in your sig are all of high quality, these don't feel anything like those for the most part. you know all those Russian-made products that are inspired by "the real thing", but are just cheaply made junk? that's what these synths feel like.layzer wrote:well, the truth of the matter is these synths can sound just as good as commercial synths when sweetened with FX like they are. They dont have the snappy filters of the best commercial synths but they do well for pads and leads.
compare that "Putney" synth to 'Xils3/4'. it not even funny. compare any of his "Rolend" synths to the official Roland emulations (or even 'PG-8X'). wtf, seriously? why bother?
