A single Iris patch from set no. 73 in surreal ambient action, some Macro automation and a limiter on the master output.
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Sampleconstruct Sampleconstruct https://www.kvraudio.com/forum/memberlist.php?mode=viewprofile&u=191286 - KVRAF
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Sampleconstruct Sampleconstruct https://www.kvraudio.com/forum/memberlist.php?mode=viewprofile&u=191286
- KVRAF
- Topic Starter
- 16732 posts since 12 Oct, 2008 from Here and there
Here comes the release info for set no. 73, I converted six of the Iris 1-patches directly to Iris 2 and added a fourth sample in one of the patches:
Iris Subscription Set 73 uploaded on September 21 - 2016 containing 10 presets (267.8 MB) including:
California Stab
MW adds vibrato to S1 (running in Radius RT-mode), S2 (non-retriggering) uses the same sample playing in reversed/forward loop mode, control volume of S2 with Macro 3m add tempo-synced amplitude modulation to S2 with M4. M2 (Y) closes the LP filter, you can then introduce the filter envelope with M1 (X). Check the Macro page for FX assignments.
In the Iris 2-version Macro 1 controls the decay time of the filter envelope (5) which is always active, as envelope modulation amount can’t be modulated in Iris2.
Dimension Machine Split
A long soundscape which originated from a live-on-harddisk-session using a plethora of sound generators and effect plug-ins, all 3 oscillators share the same sample highlighting different segments and frequency ranges. S2/3 (both in non-retrigger mode) are layered between C0 – B2 (C1 –B3 in Iris), S1 (in Radius RT-mode) is mapped from C3 – C7 (C4 – C8). MW introduces tempo-synced amplitude modulation, Macro 2 (Y) decreases LP cutoff, M1 (X) adds tempo-synced filter modulation. Check the Macro page for FX assignments.
In the Iris 2-version, LFO 5 which is modulating the filter has it’s shape modulated by LFO 4.
Hollow Squeak Scape Split
A long soundscape which originated from a live-on-harddisk-session using a plethora of sound generators and effect plug-ins, all 3 oscillators share the same sample highlighting different segments and frequency ranges. S1/2 (non-retriggering) are layered - control volume of S2 with Macro 3 - overlapping split point is C3 (C4 in Iris), S3 plays in Radius RT-mode, add amplitude modulation to S3 with M4. Check the Macro page for filter/FX assignments. MW adds fast random pitch modulation to S1/2.
In the Iris 2-version, Macro 8 introduces pan modulation (via LFO4).
Ice Drone Split
This patch uses two soundscape samples which originated from a live-on-harddisk-session using a plethora of sound generators and effect plug-ins, S1/2 share the same sample mapped from C3 - C7 (C4 – C8 in Iris), S2 has a dedicated volume control (Macro 3), S1/3 are running in non-retrigger mode. MW adds pitch modulation, Macro 2 (Y) shifts HP cutoff, M1 (X) adds tempo-synced random filter modulation. Check the Macro page for FX assignments.
Ice Lead
A long soundscape which originated from a live-on-harddisk-session using a plethora of sound generators and effect plug-ins, all 3 oscillators share the same sample, S3 playing the full frequency range (with pan modulation applied), each oscillator has it’s dedicated volume control Macros 3-5), all oscillators play in non-retrigger mode, Glide is activated. MW introduces square-shaped, tempo-synced pitch modulation in S1/2, increase attack time with M7. Check the Macro page for filter/FX assignments.
Impression Maker
A glistening tonal soundscape sample is used in S1/2 - mapped from C3 – C6 (C4 – C7 in Iris) - S2 (non-retriggering) playing backward/forward, tune S2 up an octave with Macro 4. S3 mapped from C0 - B2 (C1 - B3 in Iris) uses a synth sweep. MW introduces tempo-synced amplitude modulation, decrease LP filter cutoff with M2 (Y), add filter modulation with M1 (X). Check the Macro page for FX assignments.
In the Iris 2-version, oscillator 4 carries an addition sample (granular explosion) layered with S3, control volume of S4 with Macro 8, the tempo-synced amplitude modulation in S3 also applies for S4.
Light Ladder
Mellow tonal soundscape, the same sample is used in both oscillators (non-retriggering), S2 playing backward/forward. Add pan modulation to S2 with Macro 3, control panning speed with M4. MW adds tempo-synced, square-shaped pitch modulation in S1, -/+ 1 octave with the wheel fully engaged. Decrease LP filter cutoff with M2 (Y), add filter modulation with M1 (X). Check the Macro page for FX assignments.
Metallic Cave Split
S1 (non-retriggering) uses a processed/spectralized water-bell texture (the dry bell samples were borrowed from my Alchemy 2-library Resurrection) mapped from C3 – C7 (C4 – C8 in Iris). S2/3 (non-retriggering, mapped from C-1 – B2, S2 in reverse/forward mode) layer a soundscape which originated from a live-on-harddisk-session using a plethora of sound generators and effect plug-ins. S3 has a dedicated volume control (Macro 3), slow pan modulation can be added to S3 using M4. MW adds pitch modulation in S1/2, Macro 6 controls LP cutoff, M7 adds noise-shaped filter modulation, check the Macro page for FX assignments.
Sonic Wall Split
This patch uses three soundscape samples which originated from a live-on-harddisk-session using a plethora of sound generators and effect plug-ins. S1/2 (non-retriggering) are layered from C-1 – C3 (C0 – C4 in Iris), S3 (Radius RT-mode) plays from C3 – C6 (C4 – C7). MW introduces tempo-synced amplitude modulation, increase attack time with Macro 3, check the Macro page for FX/filter assignments.
Spectrality Vox Split
Granulated/spectralized female vocal texture, all 3 oscillators share the same long sample, S3 is mapped from C0 – B2 (C1 – B3 in Iris), S1/2 are layered and mapped from C3 – C7 (C4 – C8), each having a dedicated volume control (Macros 3/4) all oscillators play in non-retrigger mode. MW introduces tempo-synced amplitude modulation, increase HP filter cutoff with M2 (Y), add slow filter modulation with M1 (X), check the Macro page for FX assignments.
In the Iris 2-version, aftertouch adds noise-shaped pitch modulation in all 3 oscillators.
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The subscription library now contains 608 Iris 1 patches including 13.92 GB of samples and 213 Iris 2 patches with 4.78 GB of samples. I'll send out the dl links in a minute.
Iris Subscription Set 73 uploaded on September 21 - 2016 containing 10 presets (267.8 MB) including:
California Stab
MW adds vibrato to S1 (running in Radius RT-mode), S2 (non-retriggering) uses the same sample playing in reversed/forward loop mode, control volume of S2 with Macro 3m add tempo-synced amplitude modulation to S2 with M4. M2 (Y) closes the LP filter, you can then introduce the filter envelope with M1 (X). Check the Macro page for FX assignments.
In the Iris 2-version Macro 1 controls the decay time of the filter envelope (5) which is always active, as envelope modulation amount can’t be modulated in Iris2.
Dimension Machine Split
A long soundscape which originated from a live-on-harddisk-session using a plethora of sound generators and effect plug-ins, all 3 oscillators share the same sample highlighting different segments and frequency ranges. S2/3 (both in non-retrigger mode) are layered between C0 – B2 (C1 –B3 in Iris), S1 (in Radius RT-mode) is mapped from C3 – C7 (C4 – C8). MW introduces tempo-synced amplitude modulation, Macro 2 (Y) decreases LP cutoff, M1 (X) adds tempo-synced filter modulation. Check the Macro page for FX assignments.
In the Iris 2-version, LFO 5 which is modulating the filter has it’s shape modulated by LFO 4.
Hollow Squeak Scape Split
A long soundscape which originated from a live-on-harddisk-session using a plethora of sound generators and effect plug-ins, all 3 oscillators share the same sample highlighting different segments and frequency ranges. S1/2 (non-retriggering) are layered - control volume of S2 with Macro 3 - overlapping split point is C3 (C4 in Iris), S3 plays in Radius RT-mode, add amplitude modulation to S3 with M4. Check the Macro page for filter/FX assignments. MW adds fast random pitch modulation to S1/2.
In the Iris 2-version, Macro 8 introduces pan modulation (via LFO4).
Ice Drone Split
This patch uses two soundscape samples which originated from a live-on-harddisk-session using a plethora of sound generators and effect plug-ins, S1/2 share the same sample mapped from C3 - C7 (C4 – C8 in Iris), S2 has a dedicated volume control (Macro 3), S1/3 are running in non-retrigger mode. MW adds pitch modulation, Macro 2 (Y) shifts HP cutoff, M1 (X) adds tempo-synced random filter modulation. Check the Macro page for FX assignments.
Ice Lead
A long soundscape which originated from a live-on-harddisk-session using a plethora of sound generators and effect plug-ins, all 3 oscillators share the same sample, S3 playing the full frequency range (with pan modulation applied), each oscillator has it’s dedicated volume control Macros 3-5), all oscillators play in non-retrigger mode, Glide is activated. MW introduces square-shaped, tempo-synced pitch modulation in S1/2, increase attack time with M7. Check the Macro page for filter/FX assignments.
Impression Maker
A glistening tonal soundscape sample is used in S1/2 - mapped from C3 – C6 (C4 – C7 in Iris) - S2 (non-retriggering) playing backward/forward, tune S2 up an octave with Macro 4. S3 mapped from C0 - B2 (C1 - B3 in Iris) uses a synth sweep. MW introduces tempo-synced amplitude modulation, decrease LP filter cutoff with M2 (Y), add filter modulation with M1 (X). Check the Macro page for FX assignments.
In the Iris 2-version, oscillator 4 carries an addition sample (granular explosion) layered with S3, control volume of S4 with Macro 8, the tempo-synced amplitude modulation in S3 also applies for S4.
Light Ladder
Mellow tonal soundscape, the same sample is used in both oscillators (non-retriggering), S2 playing backward/forward. Add pan modulation to S2 with Macro 3, control panning speed with M4. MW adds tempo-synced, square-shaped pitch modulation in S1, -/+ 1 octave with the wheel fully engaged. Decrease LP filter cutoff with M2 (Y), add filter modulation with M1 (X). Check the Macro page for FX assignments.
Metallic Cave Split
S1 (non-retriggering) uses a processed/spectralized water-bell texture (the dry bell samples were borrowed from my Alchemy 2-library Resurrection) mapped from C3 – C7 (C4 – C8 in Iris). S2/3 (non-retriggering, mapped from C-1 – B2, S2 in reverse/forward mode) layer a soundscape which originated from a live-on-harddisk-session using a plethora of sound generators and effect plug-ins. S3 has a dedicated volume control (Macro 3), slow pan modulation can be added to S3 using M4. MW adds pitch modulation in S1/2, Macro 6 controls LP cutoff, M7 adds noise-shaped filter modulation, check the Macro page for FX assignments.
Sonic Wall Split
This patch uses three soundscape samples which originated from a live-on-harddisk-session using a plethora of sound generators and effect plug-ins. S1/2 (non-retriggering) are layered from C-1 – C3 (C0 – C4 in Iris), S3 (Radius RT-mode) plays from C3 – C6 (C4 – C7). MW introduces tempo-synced amplitude modulation, increase attack time with Macro 3, check the Macro page for FX/filter assignments.
Spectrality Vox Split
Granulated/spectralized female vocal texture, all 3 oscillators share the same long sample, S3 is mapped from C0 – B2 (C1 – B3 in Iris), S1/2 are layered and mapped from C3 – C7 (C4 – C8), each having a dedicated volume control (Macros 3/4) all oscillators play in non-retrigger mode. MW introduces tempo-synced amplitude modulation, increase HP filter cutoff with M2 (Y), add slow filter modulation with M1 (X), check the Macro page for FX assignments.
In the Iris 2-version, aftertouch adds noise-shaped pitch modulation in all 3 oscillators.
----
The subscription library now contains 608 Iris 1 patches including 13.92 GB of samples and 213 Iris 2 patches with 4.78 GB of samples. I'll send out the dl links in a minute.
-
Sampleconstruct Sampleconstruct https://www.kvraudio.com/forum/memberlist.php?mode=viewprofile&u=191286
- KVRAF
- Topic Starter
- 16732 posts since 12 Oct, 2008 from Here and there
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Sampleconstruct Sampleconstruct https://www.kvraudio.com/forum/memberlist.php?mode=viewprofile&u=191286
- KVRAF
- Topic Starter
- 16732 posts since 12 Oct, 2008 from Here and there
Two Iris patches from the patchpool subscription series - set no. 74 - in ambient action - 100% iris and a limiter on the mater output.
https://soundcloud.com/sampleconstruct/ ... bscription
https://soundcloud.com/sampleconstruct/ ... bscription
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Sampleconstruct Sampleconstruct https://www.kvraudio.com/forum/memberlist.php?mode=viewprofile&u=191286
- KVRAF
- Topic Starter
- 16732 posts since 12 Oct, 2008 from Here and there
Improvising with the patch Particle Soup from the upcoming set no. 74. Some Macro automation and modulation wheel action, a limiter on the mater output.
https://soundcloud.com/sampleconstruct/ ... bscription
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As several people have asked over the last weeks, I just installed another PayPal button for the annual subscription to the Iris 2 patches only - for € 60 EUR.
http://www.patchpool.net/izotope_iris.html
https://soundcloud.com/sampleconstruct/ ... bscription
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As several people have asked over the last weeks, I just installed another PayPal button for the annual subscription to the Iris 2 patches only - for € 60 EUR.
http://www.patchpool.net/izotope_iris.html
-
Sampleconstruct Sampleconstruct https://www.kvraudio.com/forum/memberlist.php?mode=viewprofile&u=191286
- KVRAF
- Topic Starter
- 16732 posts since 12 Oct, 2008 from Here and there
Another demo track featuring 3 patches from set 74, some volume and Macro automation and a limiter on the master output:
https://soundcloud.com/sampleconstruct/ ... bscription
And here comes the release info for set 74, this time I converted 10 of the 11 Iris 1-patches directly to Iris 2, working my way around the obstacles in version 2.
Iris Subscription Set 74 uploaded on November 9 - 2016 containing 11 presets (291.1 MB) including:
Airy Tale
Tonal soundscape derived from a processed female voice, S1/2 both use the same long sample, highlighting different frequency regions, split across the keyboard - overlapping split point C4 (C5 in iris), S1 is running in non-retrigger mode. Macros 5/6 add tempo-synced amplitude modulation to each oscillator, MW increases HP filter cutoff and adds tempo-synced filter modulation, please check the Macro page for FX controls.
In the Iris 2-version, Macro 7 adds noise-shaped pitch modulation.
Cirrocumulus Split
In the lower register S1/2 mapped from C-1 – C3 (C0 – C4 in Iris) layer the same long and bright drone sample, highlighting different segments with S1 running in non-retrigger mode, S2 has a dedicated volume control (Macro 3) and can be tuned up an octave with M4. In the upper register, mapped from C3 – C7 (C4 – C8) an ethereal glassy soundscape is playing in non-retrigger mode. MW adds tempo-synced amplitude modulation (triplet-based) with a different LFO speed for each oscillator. M1 controls HP filter cutoff, M2 adds phasing, M5 controls amount of delay FX.
In the Iris 2-version, Macro 6 adds tempo-synced pan modulation. Due to the Iris 2-architecture, MW always introduces audible amplitude modulation in S2, even with Macro 3 closed.
Cirrus Spissatus Split
In the upper register, mapped from C2 – C7 (C3 – C8 in Iris) a long tonal soundscape is layered in S1/2, both oscillators are running in non-retrigger mode, S2 uses backward/forward looping and can be tuned up an octave with Macro 3. In the lower register - mapped from C0 – C2 (C1 – C3), S3 plays a synth drone sample made with my good old Z1 synthesizer. MW adds tempo-synced amplitude modulation with a different LFO speed for each oscillator. Macro 2 (Y) decreases LP filter cutoff, M1 (X) adds tempo-synced random filter modulation. M3/4 control amount of chorus/delay FX, M6 controls attack time. Glide is activated.
In the Iris 2-version, AT adds vibrato.
Giant String 01
A time-stretched (IRCAM Stretch/Falcon) piano string accent from my SoundPack Piano Destruction processed with various things, all 3 oscillators use the same long sample, S1 running in Radius RT-mode, S3 in non-retrigger mode. Tune up S2 an octave with Macro 3, M4 is a dedicated volume control for S3. Please check the Macro page for filter and FX controls.
In the Iris 2-version, Macro 7 adds tempo-synced pan modulation.
Giant String 02 Dual
Two time-stretched (IRCAM Stretch/Falcon) piano string accent from my SoundPack Piano Destruction processed with various things, the sample in S2 re-sample at a higher pitch, S3 (non-retrigger mode, tune it up an octave with Macro 3) looping the sustain phase of the higher sample, the sounds overlap, check the Mapping-page. MW adds tempo-synced, square shaped pitch modulation, +/- 1 octave with the wheel fully engaged. Macro 2 controls LP filter cutoff, M4 adds tempo-synced filter modulation. Please check the Macro page for FX controls.
In the Iris 2-version, Macro 8 adds tempo-synced pan modulation.
Layered FX Cymbal
A Chinese Opera cymbal, processed version layered in S1/2 (S1 -> non-retrigger mode), dry version in S3 (One Shot-mode/fixed pitch).
Randomize pitches in S1/3 by dialing in Macro 3 (engaging a very slow re-triggering random LFO), add tempo-synced pan modulation in S2 with M4. MW adds chorus/distortion FX, M2 decreases LP filter cutoff, M1 adds velocity sensitivity to the filter. M5 controls release time, M6.8 control delay/reverb FX.
In the Iris 2-version, Macro 3 also introduces pitch randomization in S2 (if the assigned LFO decides to work) and the filter is always velocity sensitive (the modulation amount can’t be modulated in iris 2). So instead of controlling the velocity sensitivity of the filter, Macro 1 increases filter resonance.
Lead Warper
A multi-sampled, processed lead synth (made with one of my Diversion patches), 3 pitches sampled between G1 – G5 (G2 – G6 in Iris), check the Mapping-page, all oscillators running in non-retrigger mode. MW adds tempo-synced, square shaped pitch modulation, +/- 1 octave with the wheel fully engaged. Macros 2 controls LP filter cutoff and engages the filter envelope and filter LFO when dialed towards the bottom, M1 increases filter resonance. Please check the Macro page for FX and envelope controls. Glide is activated.
In the Iris 2-version, the filter envelope has been removed, so dialing in Macro 1 introduces only LFO-controlled filter modulation and increases filter resonance.
Opera Cymbal Edge
A Chinese Opera cymbal layered in S1/2, both oscillators are playing in Radius RT-mode (high CPU load) with alternate looping engaged. Macros 3/4 are dedicated volume controls for each sound, M2 (Y) adds delay FX, M1 (X) controls various delay parameters, M5/6 control amount of chorus/reverb FX.
MW adds noise-shaped pitch modulation.
Particle Soup Split
An ascending, processed synth sequence made with Chromaphone 2 and other things, all 3 oscillators use the same long sample, S1 playing a very dotted frequency selection. S1/2 are layered between C3 – C7 (C4 – C8 in Iris) each one having a dedicated volume control (Macros 3/4), S3 plays a more sustained frequency selection, mapped from C-1 – B2 (C0 – B3). MW adds random pitch modulation and increases modulation speed, M2 (Y) decreases LP filter cutoff, M1 (X) adds aliasing distortion. Please check the Macro page for FX and envelope controls.
In the Iris 2-version, the S&H LFO for modulating pitch was replaced by a noise-shaped LFO (as the random LFO often doesn’t work and LFO-speed modulation is also broken).
Pumpkin Bass
A processed water drum (pumpkin in bathtub) accent from my sound library Falcon AIR, S1/2 play the sample in One Shot-mode, S2 tuned up an octave, S4 adds a square wave, Macros 5/7 are dedicated volume controls for S2/4. Macros 3/4 control sustain/release, M2 (Y) dialed towards the bottom/left introduces the filter envelope, M1 (X) adds distortion, M6 controls amount of delay FX. MW adds tempo-synced, square-shaped pitch modulation.
In the Iris 2-version, the filter envelope is always active (the modulation amount can’t be modulated in iris 2).
Spectral Spiccato Split
A long soundscape made with a processed violin patch from my sound library Ambient Strings, S1/2 - using inverted frequency selections and LFOs modulating their amplitude at different speeds (control modulation speed with Macro 3) - are layered between C0 – C4 (C1 – C5 in Iris). S3 playing in reverse/forward mode is mapped from C4 – C7 (C5 – C8), all oscillators are running in non-retrigger mode. MW decreases LP filter cutoff, adds distortion and slow filter modulation, Macro 5 adds add tempo-synced amplitude modulation in S3. M1/2 (X/Y) control amount of phaser/delay FX, M4 controls delay time.
In the Iris 2-version, Macro 6 introduces re-triggering (per voice) noise-shaped pan modulation.
----
The subscription library now contains 619 Iris 1 patches with 14.21 GB of samples and 224 Iris 2 patches with 5.1 GB of samples. And the journey continues...
https://soundcloud.com/sampleconstruct/ ... bscription
And here comes the release info for set 74, this time I converted 10 of the 11 Iris 1-patches directly to Iris 2, working my way around the obstacles in version 2.
Iris Subscription Set 74 uploaded on November 9 - 2016 containing 11 presets (291.1 MB) including:
Airy Tale
Tonal soundscape derived from a processed female voice, S1/2 both use the same long sample, highlighting different frequency regions, split across the keyboard - overlapping split point C4 (C5 in iris), S1 is running in non-retrigger mode. Macros 5/6 add tempo-synced amplitude modulation to each oscillator, MW increases HP filter cutoff and adds tempo-synced filter modulation, please check the Macro page for FX controls.
In the Iris 2-version, Macro 7 adds noise-shaped pitch modulation.
Cirrocumulus Split
In the lower register S1/2 mapped from C-1 – C3 (C0 – C4 in Iris) layer the same long and bright drone sample, highlighting different segments with S1 running in non-retrigger mode, S2 has a dedicated volume control (Macro 3) and can be tuned up an octave with M4. In the upper register, mapped from C3 – C7 (C4 – C8) an ethereal glassy soundscape is playing in non-retrigger mode. MW adds tempo-synced amplitude modulation (triplet-based) with a different LFO speed for each oscillator. M1 controls HP filter cutoff, M2 adds phasing, M5 controls amount of delay FX.
In the Iris 2-version, Macro 6 adds tempo-synced pan modulation. Due to the Iris 2-architecture, MW always introduces audible amplitude modulation in S2, even with Macro 3 closed.
Cirrus Spissatus Split
In the upper register, mapped from C2 – C7 (C3 – C8 in Iris) a long tonal soundscape is layered in S1/2, both oscillators are running in non-retrigger mode, S2 uses backward/forward looping and can be tuned up an octave with Macro 3. In the lower register - mapped from C0 – C2 (C1 – C3), S3 plays a synth drone sample made with my good old Z1 synthesizer. MW adds tempo-synced amplitude modulation with a different LFO speed for each oscillator. Macro 2 (Y) decreases LP filter cutoff, M1 (X) adds tempo-synced random filter modulation. M3/4 control amount of chorus/delay FX, M6 controls attack time. Glide is activated.
In the Iris 2-version, AT adds vibrato.
Giant String 01
A time-stretched (IRCAM Stretch/Falcon) piano string accent from my SoundPack Piano Destruction processed with various things, all 3 oscillators use the same long sample, S1 running in Radius RT-mode, S3 in non-retrigger mode. Tune up S2 an octave with Macro 3, M4 is a dedicated volume control for S3. Please check the Macro page for filter and FX controls.
In the Iris 2-version, Macro 7 adds tempo-synced pan modulation.
Giant String 02 Dual
Two time-stretched (IRCAM Stretch/Falcon) piano string accent from my SoundPack Piano Destruction processed with various things, the sample in S2 re-sample at a higher pitch, S3 (non-retrigger mode, tune it up an octave with Macro 3) looping the sustain phase of the higher sample, the sounds overlap, check the Mapping-page. MW adds tempo-synced, square shaped pitch modulation, +/- 1 octave with the wheel fully engaged. Macro 2 controls LP filter cutoff, M4 adds tempo-synced filter modulation. Please check the Macro page for FX controls.
In the Iris 2-version, Macro 8 adds tempo-synced pan modulation.
Layered FX Cymbal
A Chinese Opera cymbal, processed version layered in S1/2 (S1 -> non-retrigger mode), dry version in S3 (One Shot-mode/fixed pitch).
Randomize pitches in S1/3 by dialing in Macro 3 (engaging a very slow re-triggering random LFO), add tempo-synced pan modulation in S2 with M4. MW adds chorus/distortion FX, M2 decreases LP filter cutoff, M1 adds velocity sensitivity to the filter. M5 controls release time, M6.8 control delay/reverb FX.
In the Iris 2-version, Macro 3 also introduces pitch randomization in S2 (if the assigned LFO decides to work) and the filter is always velocity sensitive (the modulation amount can’t be modulated in iris 2). So instead of controlling the velocity sensitivity of the filter, Macro 1 increases filter resonance.
Lead Warper
A multi-sampled, processed lead synth (made with one of my Diversion patches), 3 pitches sampled between G1 – G5 (G2 – G6 in Iris), check the Mapping-page, all oscillators running in non-retrigger mode. MW adds tempo-synced, square shaped pitch modulation, +/- 1 octave with the wheel fully engaged. Macros 2 controls LP filter cutoff and engages the filter envelope and filter LFO when dialed towards the bottom, M1 increases filter resonance. Please check the Macro page for FX and envelope controls. Glide is activated.
In the Iris 2-version, the filter envelope has been removed, so dialing in Macro 1 introduces only LFO-controlled filter modulation and increases filter resonance.
Opera Cymbal Edge
A Chinese Opera cymbal layered in S1/2, both oscillators are playing in Radius RT-mode (high CPU load) with alternate looping engaged. Macros 3/4 are dedicated volume controls for each sound, M2 (Y) adds delay FX, M1 (X) controls various delay parameters, M5/6 control amount of chorus/reverb FX.
MW adds noise-shaped pitch modulation.
Particle Soup Split
An ascending, processed synth sequence made with Chromaphone 2 and other things, all 3 oscillators use the same long sample, S1 playing a very dotted frequency selection. S1/2 are layered between C3 – C7 (C4 – C8 in Iris) each one having a dedicated volume control (Macros 3/4), S3 plays a more sustained frequency selection, mapped from C-1 – B2 (C0 – B3). MW adds random pitch modulation and increases modulation speed, M2 (Y) decreases LP filter cutoff, M1 (X) adds aliasing distortion. Please check the Macro page for FX and envelope controls.
In the Iris 2-version, the S&H LFO for modulating pitch was replaced by a noise-shaped LFO (as the random LFO often doesn’t work and LFO-speed modulation is also broken).
Pumpkin Bass
A processed water drum (pumpkin in bathtub) accent from my sound library Falcon AIR, S1/2 play the sample in One Shot-mode, S2 tuned up an octave, S4 adds a square wave, Macros 5/7 are dedicated volume controls for S2/4. Macros 3/4 control sustain/release, M2 (Y) dialed towards the bottom/left introduces the filter envelope, M1 (X) adds distortion, M6 controls amount of delay FX. MW adds tempo-synced, square-shaped pitch modulation.
In the Iris 2-version, the filter envelope is always active (the modulation amount can’t be modulated in iris 2).
Spectral Spiccato Split
A long soundscape made with a processed violin patch from my sound library Ambient Strings, S1/2 - using inverted frequency selections and LFOs modulating their amplitude at different speeds (control modulation speed with Macro 3) - are layered between C0 – C4 (C1 – C5 in Iris). S3 playing in reverse/forward mode is mapped from C4 – C7 (C5 – C8), all oscillators are running in non-retrigger mode. MW decreases LP filter cutoff, adds distortion and slow filter modulation, Macro 5 adds add tempo-synced amplitude modulation in S3. M1/2 (X/Y) control amount of phaser/delay FX, M4 controls delay time.
In the Iris 2-version, Macro 6 introduces re-triggering (per voice) noise-shaped pan modulation.
----
The subscription library now contains 619 Iris 1 patches with 14.21 GB of samples and 224 Iris 2 patches with 5.1 GB of samples. And the journey continues...
-
Sampleconstruct Sampleconstruct https://www.kvraudio.com/forum/memberlist.php?mode=viewprofile&u=191286
- KVRAF
- Topic Starter
- 16732 posts since 12 Oct, 2008 from Here and there
This sound felt ignored, so I caved:
Improvising with the Iris 2-patch Cirrus Spissatus from set no. 74, live on video.
Improvising with the Iris 2-patch Cirrus Spissatus from set no. 74, live on video.
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- KVRAF
- 1548 posts since 12 Jan, 2010 from Copenhagen
I've been working on a track using sounds from sets 73+74. only used a little reverb on the master and DMGs Limitless. A few additional percussion sounds from the Iris +5 libraries. Composed using Numerology Pro 4
https://soundcloud.com/twotoneshuzz/flo ... ifications
https://soundcloud.com/twotoneshuzz/flo ... ifications
waves break, but somehow it all makes sense.
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- KVRAF
- 1548 posts since 12 Jan, 2010 from Copenhagen
Thanks Firebird.Firebird wrote:Lots of tasty sounds, keep it up!
I spent a lot of time on this following track composed ad arranged sequenced in Numerology Pro 4.
Because of the massive orchestral quality of the various sounds this takes a lot of time to play out. Using Numerology with Iris = very time consuming workflow.
https://soundcloud.com/twotoneshuzz/plutojourney
waves break, but somehow it all makes sense.
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Sampleconstruct Sampleconstruct https://www.kvraudio.com/forum/memberlist.php?mode=viewprofile&u=191286
- KVRAF
- Topic Starter
- 16732 posts since 12 Oct, 2008 from Here and there
Lovely track! Reposted.TwoToneshuzz wrote: I spent a lot of time on this following track composed ad arranged sequenced in Numerology Pro 4.
Because of the massive orchestral quality of the various sounds this takes a lot of time to play out. Using Numerology with Iris = very time consuming workflow.
https://soundcloud.com/twotoneshuzz/plutojourney
EDIT: really good story telling!
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- KVRAF
- 1548 posts since 12 Jan, 2010 from Copenhagen
Thanks Simon. I noticed the distortion you commented in the track I've got to spend some time tracking down the cause....
waves break, but somehow it all makes sense.
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Sampleconstruct Sampleconstruct https://www.kvraudio.com/forum/memberlist.php?mode=viewprofile&u=191286
- KVRAF
- Topic Starter
- 16732 posts since 12 Oct, 2008 from Here and there
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- KVRAF
- 1548 posts since 12 Jan, 2010 from Copenhagen
Track using sounds from the Subscription set 74 as well as a few sounds from the original Iris +5 libraries.
https://soundcloud.com/twotoneshuzz/som ... nitiatives
https://soundcloud.com/twotoneshuzz/som ... nitiatives
waves break, but somehow it all makes sense.
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- KVRAF
- 1548 posts since 12 Jan, 2010 from Copenhagen
Still hovering around in the Iris set 74 and 73 as well as other sounds from the vast Iris Subscription set library. I teased and tweeked muddled and searched for many hours to make something that got more cohesive but perhaps less marked more like a sound bed describing a meriade entities bumping around in the dim light of the outer solarsystem in the Kuiper Belt.
https://soundcloud.com/twotoneshuzz/kui ... uminations
https://soundcloud.com/twotoneshuzz/kui ... uminations
waves break, but somehow it all makes sense.