One Synth Challenge #94: Synth1 (Photonic Wins!)

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ontrackp wrote:Frostline --

If you think that someone has violated the rules, send a personal message to BJ and let him handle it. He will speak to the person with the questionable entry and make a determination.

As far as the whole "original song" aspect of OSC, I always approach each month with a totally clean slate and let the sounds of the synth point me in a direction. I also try to think larger concept and think I pretty much end up with something different than I've ever done before. That being said, there are stylistic similarities that can come up over and over. I like soft beginnings that build -- so many of my songs have that. Similar concept + different notes = new song. Many of the OSC participants go out of their way to experiment with different styles and types of compositions that are out of their comfort zones, which is a huge positive.

As Wags pointed out, there are thousands of songs that use the same chords, but what you do with them, especially if it is driven by the capability and sound of the synth of the month is what makes an original song for OSC. If you use C - Am - F - G but put a fresh melody and feel on it, you have not committed plagiarism. If you blatantly use a melody that is clearly derivative of another song you should change it.

As composers we all probably have little bits and pieces of songs that we've come up with over the years, and yes, some of those will make their way into OSC entries. That's a normal part of the creative process. As long as the overall piece is driven by the sounds of the synth and an overall concept that is specific for that month, I think it's ok.

At the end of the day it's an honor system. If someone has a song that they've been working on for themselves, and repurposes it for the OSC, nobody is going to know anyway, so it's kind of a moot point. This is a fun and friendly contest that allows us to challenge ourselves. In my opinion, If someone wants to cheat, they're really cheating themselves more than the rest of us.

Last -- I agree with Wags. If you feel that someone has violated the rules or the spirit of the competition, give them a low score. They may ask you once the scores are published why that is, and it's up to you to answer or not.
You know, every month that I enter these, I wonder how much of the 5,000 songs I've written in the last almost 40 years has crept into my OSC entry. If I had to bet, I'd say that maybe 75% of my songs have probably been taken from bits and pieces of hundreds of songs I've written or heard over the 50 plus years I've been listening to music.

Original music? I don't even know what that is anymore.

Go to Youtube and pull up a video that says something like "Top 100 dance tunes of the last 10 years" or whatever. How many of them sound like every other EDM track you've ever heard, more or less? Originality in electronic music is almost an oxymoron these days. At least that's my personal opinion. I'm not saying that people blatantly steal from others. No, not at all. I'm saying that the nature of what so much of EDM is makes it so that in order to conform to a particular sound, you're boxed into a very specific construct. Within that construct, yes, there are different melodies. But the overall feel of the genre so blurs together that, for me anyway, very little stands out. And that goes for my own music as well. I'm certainly not above the "sameness" that I find in the genre.

Of course, I'm not really an EDM person and I think that's obvious from my work. But what I do, whatever genre you want to call it, is still generic within the construct of that particular genre. If it wasn't, I'd be famous. But I'm not. I'm just another musical hack like a lot of people in this business are. Doesn't mean the music isn't enjoyable. I've given plenty of 4s and 5s over the years doing this. But ask me if I remember any one particular track because it stood out so much, like a rock standard like Free Bird, just to pull a song out of thin air? Forget it. It all blurs together for me.

Point is, if anybody could absolutely say with 100% certainty that a song in this contest was ripped off from another contestant or a copy of an earlier song that the person did, I'd say they were dreaming. Unless they've got an eidetic memory. And I don't think there are too many people, if any at all, who do. I sure don't.

But yeah, if you think somebody cheated in whatever way you think they cheated, mark them down. I mean we're not talking about giving out Grammy Awards or song contracts here. It's a forum contest. It's not Woodstock.

TLDR - Don't make this a bigger deal than what it is.

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ontrackp wrote: If you blatantly use a melody that is clearly derivative of another song you should change it.
Ok, simple questions then.
Given the quote above should my song (that you voted very generously, thank you) from last month be DQ'ed or have points withheld? Did you take a point off for what I did? I honestly wouldn't have thought so, again I thought you were quite generous and my lack of a higher score was simply because my song was not as good musically and production wise as other songs.

Or better still, should it happen this month?

In your opinion have I overstepped what is proper with this month's contest and should I withdraw?
Say the word and I'll pull it right now. Seriously. I don't want to put people in the position of deciding how many votes to withhold or if they should complain about it. If my use of 'borrowed' melody is too much for the 'spirit of the rule' I will gladly withdraw to save people the imposition.
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Frostline wrote:
ontrackp wrote: If you blatantly use a melody that is clearly derivative of another song you should change it.
Ok, simple questions then.
Given the quote above should my song (that you voted very generously, thank you) from last month be DQ'ed or have points withheld? Did you take a point off for what I did? I honestly wouldn't have thought so, again I thought you were quite generous and my lack of a higher score was simply because my song was not as good musically and production wise as other songs.

Or better still, should it happen this month?

In your opinion have I overstepped what is proper with this month's contest and should I withdraw?
Say the word and I'll pull it right now. Seriously. I don't want to put people in the position of deciding how many votes to withhold or if they should complain about it. If my use of 'borrowed' melody is too much for the 'spirit of the rule' I will gladly withdraw to save people the imposition.
Okay, I gotta ask...

What exactly did you do?

Please post the song in question so I can listen to it. Because I have never heard a song since voting in these OSCs that I immediately identified as somebody else's work.

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wagtunes wrote:
Okay, I gotta ask...

What exactly did you do?

Please post the song in question so I can listen to it. Because I have never heard a song since voting in these OSCs that I immediately identified as somebody else's work.
This month: 3 15 second sections about or after the midway point Jingle Bells, Deck the Halls and Joy to the World.....Christmas stuff because it is a Christmas song :shrug:
Last month the hinting at Bach Ode to Joy in the intro:

And I apologize for the tracks being in this thread. I did not know how to link them without the boxes around them like a track submission. :(

Edit:Links removed because it irks me to no end to have SC links in a submission thread that are not actual submissions.
Last edited by Frostline on Tue Dec 27, 2016 3:31 am, edited 1 time in total.
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Frostline wrote:
wagtunes wrote:
Okay, I gotta ask...

What exactly did you do?

Please post the song in question so I can listen to it. Because I have never heard a song since voting in these OSCs that I immediately identified as somebody else's work.
This month: 3 15 second sections about or after the midway point Jingle Bells, Deck the Halls and Joy to the World.....Christmas stuff because it is a Christmas song :shrug: https://soundcloud.com/user-975888547/f ... th1rev7c2b

Last month the hinting at Bach Ode to Joy in the intro: https://soundcloud.com/user-975888547/f ... ment-osc93

And I apologize for the tracks being in this thread. I did not know how to link them without the boxes around them like a track submission. :(
Okay, first of all, all those songs are in the public domain. So legally, there is no problem. Composers do this all the time. One guy, had a monster hit doing it.



So right there, you're fine.

Aside from that, around the 1:30 mark of OSC 93, the melody was from a song that I happen to personally know. I can't think of it off the top of my head, and it's going to drive me crazy, but there is no question, it's from a song.

Did you steal it? Of course not. It's a snippet of about maybe 16 notes that just happen to sound like some obscure song that I probably heard back in the 60s or 70s that you miraculously happened to stumble onto.

In short, man, you gotta stop stressing about this.

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@Wags

I hope you figure out what song it reminds you of, I am genuinely curious what it was.

And I don't care about my usage being legal in a broad societal sense.
But I do care as far as the rules of this contest go. Do you see there could be a difference?

So should my December track be pulled as per the rules of this contest for deliberately using melody lines I did not create?
I could see it falling under being a cover, or being unoriginal.
I personally don't think they apply to the brief extent I used them.
But I also believe I am quite capable of being wrong.
I'm not stressed about it. I just want to know what the rules mean.
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Frostline wrote:@Wags

I hope you figure out what song it reminds you of, I am genuinely curious what it was.

And I don't care about my usage being legal in a broad societal sense.
But I do care as far as the rules of this contest go. Do you see there could be a difference?

So should my December track be pulled as per the rules of this contest for deliberately using melody lines I did not create?
I could see it falling under being a cover, or being unoriginal.
I personally don't think they apply to the brief extent I used them.
But I also believe I am quite capable of being wrong.
I'm not stressed about it. I just want to know what the rules mean.
I can only tell you how I feel about the songs. They're fine to me.

Maybe BJ will give an official determination and we can finally put this one to bed.

I am not the final word on this. Nobody but the guy who runs this is. I suggest you PM him and ask.

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wagtunes wrote: I can only tell you how I feel about the songs. They're fine to me.
Thank you for your honest answer. :tu:
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Hi OSC Family,

Greetings of this festive season..!! :party:

Hope you'll are doing fine... And enjoying holidays.... :hug:

After almost a year.. I am attempting again for OSC...

All this time, I have been lurking OSC forums but did not actively involved in making music due to unavoidable reasons. :(

Here is my "Work In Progress" track for feedback or positive or negative criticism. :help:

This is "melodic", "Chillout", "Easy Listening", "non-edm" kind of track with tempo of 60BPM.

Most of sounds are designed from default preset... couple of others are modified from available presets.

Hope you enjoy.

I have some days still left... I will modify the mix or arrangement as per comments and feedback from this helping community.

I am specially looking for feedback on mix quality and new elements to be added for keeping interest of listener till end (if it gets boring towards end). However, any feedback is welcome - including harsh words of criticism.


https://soundcloud.com/dee-p-tree/deept ... synth1-wip

Looking forward for comments... (I hope you are still awake and in a positiin to give feedback after listening the complete track... Lol.. :D :wink: )

Thank you. :hail:

P.S.: This is not the entry to be considered for voting. I will update the track.

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@Frostline -- I haven't listened to your entry for this month yet (I will tomorrow) but if you included some snippets of famous Christmas songs, as kind of a tribute, but wrapped original music around it, I'm sure I'll probably smile and enjoy it because it's fun. Definitely not disqualify you.

If on the other hand you did a 3 minute version of Jingle Bells with a synth arrangement, I would likely say it's not an appropriate entry for OSC.

Does that make sense? Giving a nod to something iconic is fine -- it happens all the time in movies, art, television and music. Music is very contentious because of the legal issues, but I wouldn't worry about legal on the OSC.

I just went back and gave a quick listen to your piece from last month. The little reference to Ode of Joy is fine -- it was very original and fit within the context of your larger composition. The descending line that you used throughout the song has been used countless times but in this context was original and had lots of interesting treatments. In other words, you created a successful OSC entry.

(BTW - I am with Wags on EDM -- it all sounds the same to me! I respect the production value but as a genre I just can't wrap my head around it.)

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ontrackp wrote:@Frostline -- I haven't listened to your entry for this month yet (I will tomorrow) but if you included some snippets of famous Christmas songs, as kind of a tribute, but wrapped original music around it, I'm sure I'll probably smile and enjoy it because it's fun. Definitely not disqualify you.
Well good, because that was my intent in the use. :)
It just seemed like people were more indicating that every single melody line needs to be original, and I didn't agree mainly for reasons you state very well. And I was doing what many were saying was a bad thing but no one would tell me.

ontrackp wrote: (BTW - I am with Wags on EDM -- it all sounds the same to me! I respect the production value but as a genre I just can't wrap my head around it.)
To a point I'm with you on that.
But for me I think many of my musical weaknesses dovetail nicely into what is really important for a good EDM track. And there are just really nice sounds in a good EDM track I want to learn how to do. So I'm poking at it and trying to figure it out. And there are many good folks around here to learn the various sub-genres (that I don't quite understand) from. Just amazing sounds they can get these synths to make.
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Make some wubbz, it's really fun.
Did it once, Z.prime was an amazing help with that.

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Make some wubbz, it's really fun.
Did it once, Z.prime was an amazing help with that. :hug:

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Hey guys, one thing: I can't find how to enable download on soundcloud any more... has this been disabled for non-commercial users or did I just miss it?

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MaZe 6000 wrote:Hey guys, one thing: I can't find how to enable download on soundcloud any more... has this been disabled for non-commercial users or did I just miss it?
Under your track, you should see something that looks like 3 dots. Click on it and choose edit.Then go to Permissions and enable downloads.

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