I'm not going to be able to convey it to you if you don't already appreciate it really. It's not about what you own, it's about what's missing in the marketplace. Respectfully, I disagree with you.Teksonik wrote:Missing ? How many mono analogs do we need ? Like I said every synth I own now has a mono mode. The "great analogue synths" are polyphonic with a few exceptions such as over priced and under powered modulars.ghettosynth wrote:So I see the value of monosynths in the market as a way of allowing one of the best devs in the business to create more of something that's actually missing, great models of analogue synths.
I thought that too at one point. Then I realized that my thinking was a bit simplistic and I learned what really mattered in a synthesizer. It's not as simple as "just switch it to mono" because the choice to make something poly impacts the entire development cycle and, consequently, your business process. I would be willing to bet if Urs realized that he was going to get this much flak that the P5 might have been the original goal but different choices might have been made to constrain the synth for current CPUs and we wouldn't have such a detailed synthesizer that we have in Repro-1.But if mono only synths still amuse you then party on......I outgrew them long ago......![]()
