Live Performance - How do they do it?
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- KVRist
- 449 posts since 24 Jul, 2013 from Wisconsin
Hey Peeps, this is a question that has been bugging me for a while:
With all the sound processing and manipulation that takes place during the recording/production process, how does any artist manage to play their music live without some level of pre-recorded sound mixed in with the live, or real-time application of effects, or even *gasp* "lip-syncing"?
With all the sound processing and manipulation that takes place during the recording/production process, how does any artist manage to play their music live without some level of pre-recorded sound mixed in with the live, or real-time application of effects, or even *gasp* "lip-syncing"?
Gaslighting...is a form of mental abuse in which information is twisted or spun, selectively omitted to favor the abuser, or false information is presented with the intent of making victims doubt their own memory, perception, and sanity.
- KVRian
- 719 posts since 17 Aug, 2015 from Finland
Practice.
My solo projects:
Hekkräiser (experimental) | MFG38 (electronic/soundtrack) | The Santtu Pesonen Project (metal/prog)
Hekkräiser (experimental) | MFG38 (electronic/soundtrack) | The Santtu Pesonen Project (metal/prog)
- KVRAF
- 5913 posts since 17 Aug, 2004 from Berlin, Germany
With my knowledge most electronic artists using pre-recorded stuff combined with parts they play live. Often tracks are rewritten for live performance or sounds are re-programmed to work with hardware synth on stage or with real instruments.
Sometimes effects and stuff is played with synth which allow storing of samples like the Clavia Nord Wave. There are also tools like "auto sampler", "Sample Robot", "Samplit" to automatic sample an instrument/plugin synth/acoustic sound etc to load the samples into an hardware synth which can be played live.
Sometimes effects and stuff is played with synth which allow storing of samples like the Clavia Nord Wave. There are also tools like "auto sampler", "Sample Robot", "Samplit" to automatic sample an instrument/plugin synth/acoustic sound etc to load the samples into an hardware synth which can be played live.
| Links- KVRist
- 68 posts since 18 Jan, 2017
There are more ways to play live than there are people who play live. For electronic music, you have to make a few choices, especially if you are performing solo; how much will actually be "live"? You can have backing tracks, multitracked if needed, that you can mix in like a DJ, or you can perform using loopers and analog style sequencers. In general, if you are starting out, keep it simple. It is easy to mess up, but after some experience you can improvise in sections, or the entire set if that is what you want. Best thing is to start trying things at home, record the stereo mix, experiment and have fun.
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Mister Natural Mister Natural https://www.kvraudio.com/forum/memberlist.php?mode=viewprofile&u=164174
- KVRAF
- 2892 posts since 28 Oct, 2007 from michigan
Ed - I read your OP and think that you're referring to playing solo(one-man band type)shows . . .
Agree that you'd have to use some element of pre-planned clips but gotta say that Ableton LIVE is called that for a reason. It allows a very flexible matrix of variables and improvisation within a set.
Agree that you'd have to use some element of pre-planned clips but gotta say that Ableton LIVE is called that for a reason. It allows a very flexible matrix of variables and improvisation within a set.
expert only on what it feels like to be me
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- KVRist
- Topic Starter
- 449 posts since 24 Jul, 2013 from Wisconsin
I appreciate your responses. I personally have no delusions of ever playing live in any capacity. i asked the question, out of curiosity, in hopes of getting insights as to what goes on behind the scenes in getting today's music from studio to stage, with all the processing and sound manipulation that occurs in creating it. While i understand, in general, much of the technology available to home musicians, I often wonder what special challenges face the professionals and how they meet them.
Gaslighting...is a form of mental abuse in which information is twisted or spun, selectively omitted to favor the abuser, or false information is presented with the intent of making victims doubt their own memory, perception, and sanity.
- KVRist
- 68 posts since 18 Jan, 2017
In that case you might find this interesting...
http://www.muzines.co.uk/articles/u2-th ... -tour/2968
http://www.muzines.co.uk/articles/u2-th ... -tour/2968
- KVRAF
- 6210 posts since 25 Dec, 2004
what do animals eat for breakfast?
sketches... http://soundcloud.com/onesnzeros
some artists i support... https://bandcamp.com/spectraselecta
some artists i support... https://bandcamp.com/spectraselecta
- KVRian
- 716 posts since 22 Nov, 2016 from Tokyo, Japan
For bands, they usually remove guitar layers that are very minor. For background guitar layers or other instruments that are noticeable, they'd have backing tracks for that, you'll notice it when the drummer wears headphones for some songs and remove it in other songs.
As for the sound, most bands do not sound the same live because they are limited to their touring gears and would have to compensate more or less. In the studio, you could use any gears you want. In live, you're limited to use one or two amps, and few guitars that you could bring. Plus if you've striked a deal with, let's say, a guitar brand, maybe you could only use that brand live.
As for the sound, most bands do not sound the same live because they are limited to their touring gears and would have to compensate more or less. In the studio, you could use any gears you want. In live, you're limited to use one or two amps, and few guitars that you could bring. Plus if you've striked a deal with, let's say, a guitar brand, maybe you could only use that brand live.