Traditional License? Or Subscription Based Model?
- KVRist
- 121 posts since 31 Aug, 2015
It sounds good on paper but more money is more push. A faster deadline is not what we need. Solid Stable upgrades. I prefer Traditional License which is making me walk away from Bitwig. I already dropped Ableton. The shear upgrade price and how clunky it is now.
- KVRAF
- 26995 posts since 3 Feb, 2005 from in the wilds
Same for me... I used Adobe apps for 20 years. When they went subscription, I dropped them. I still use Lightroom because the current version is the last before they go subscription only. Fortunately, the Affinity apps (Designer and Photo) came along and I am happy with them. I want an InDesign replacement (which Affinity has on the docket).Jace-BeOS wrote:I will NEVER subscribe to software. If it comes to being a world where ALL software is subscription based, i will give up on computers entirely.
If all my favorite music software went subscription, I would go hardware only.
- KVRian
- 728 posts since 29 Aug, 2013
Only morons pay subs.........
• I don't speak English "by default", so... 
• Small Feature Requests for Bitwig.
• Do you want a Step Sequencer device for Bitwig? Click here.
• Small Feature Requests for Bitwig.
• Do you want a Step Sequencer device for Bitwig? Click here.
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- KVRian
- 835 posts since 28 Apr, 2014 from Texas
I quite like having the option to buy an upgrade or not as far as my DAW is concerned. In theory, it also encourages the DAW maker to make upgrades people are willing to pay for.
I wouldn't be shocked if Cubase went subscription, but it might make me consider switching to Logic. As a student who owns a Cubase Pro, non educational license, I need flexibility in when I actually pony up for upgrades.
A hybrid subscription model is ok, as long as you maintain access to your software after the subscription ends.
I wouldn't be shocked if Cubase went subscription, but it might make me consider switching to Logic. As a student who owns a Cubase Pro, non educational license, I need flexibility in when I actually pony up for upgrades.
A hybrid subscription model is ok, as long as you maintain access to your software after the subscription ends.
SW: Cubase 9.5 | Komplete 11 | Omnisphere 2 | Perfect Storm 2.5 | Soundtoys 5
HW: Steinberg UR28M | Focal Alpha 50 | Fender Jazz Bass | Alesis VI25
HW: Steinberg UR28M | Focal Alpha 50 | Fender Jazz Bass | Alesis VI25
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- Banned
- 5357 posts since 7 May, 2015
I have a sub for groove 3 (to keep up with all the garbage I buy) so why not have a sub for a daw?
Btw, the secret ingredient in you chips is ........ (broken connection, sorry, I'll try to reboot)
Btw, the secret ingredient in you chips is ........ (broken connection, sorry, I'll try to reboot)
- KVRAF
- 3362 posts since 31 Dec, 2004 from People's Republic of Minnesota
Cubase is basically a subscription at this point. They seem to charge a hefty upgrade fee for every single .0000005 upgrade.
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- KVRian
- 835 posts since 28 Apr, 2014 from Texas
It's more like a annual and biannual "hybrid" subscription model really... Basically the only difference is its not month to month.masterhiggins wrote:Cubase is basically a subscription at this point. They seem to charge a hefty upgrade fee for every single .0000005 upgrade.
But its still better than having to pay each month or losing access to the software... and you can still sell your license.
SW: Cubase 9.5 | Komplete 11 | Omnisphere 2 | Perfect Storm 2.5 | Soundtoys 5
HW: Steinberg UR28M | Focal Alpha 50 | Fender Jazz Bass | Alesis VI25
HW: Steinberg UR28M | Focal Alpha 50 | Fender Jazz Bass | Alesis VI25
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- KVRAF
- 3506 posts since 12 May, 2011
But you don't have to upgrade. Even if you treat it as a sub it still works out to only £7 a month. That's cheap compared to the $20-30 for the average sub.masterhiggins wrote:Cubase is basically a subscription at this point. They seem to charge a hefty upgrade fee for every single .0000005 upgrade.
Btw, I don't like subs.
- KVRAF
- 26995 posts since 3 Feb, 2005 from in the wilds
It is not a subscription cause if you don't upgrade you can still use the version you haveVoice303 wrote:It's more like a annual and biannual "hybrid" subscription model really... Basically the only difference is its not month to month.masterhiggins wrote:Cubase is basically a subscription at this point. They seem to charge a hefty upgrade fee for every single .0000005 upgrade.
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original flipper original flipper https://www.kvraudio.com/forum/memberlist.php?mode=viewprofile&u=8999
- KVRAF
- 2544 posts since 14 Sep, 2003 from Essex
Hi
my expectation for a DAW is the same as that for any other software - I want to pay for it, be able to use it with minimal fuss (no ILOK, PACE, C&R, E licenser or any other hoop jumping) and have a product that works and/or will be supported until it does.
I don't expect FREE updates that have a bunch of new features - I am quite happy to pay for them or decide not to if they do not appeal.
I do expect FREE updates which sort out bugs or anything that seriously makes the current version a PITA to use.
Subscription models IMO are a marketing ploy to 'rope' in people who cannot afford the software in the first instance or professionals who want their software up to date (possibly by way of automated updating) - no problem here, just saying what I think they are.
I have been using music software since Music X on the Amiga (and most of the popular DAWs to boot along with countless synth/effect VST's which use dongles and all the previously mentioned C/P) and have found (over 2 decades+) that anything that throws another application into the mix (I am talking copy protection that operates in the so called 'background' here) invariably causes headaches.
Sorry to rant, but you did ask: What do you prefer when paying for a daw? And why?
my expectation for a DAW is the same as that for any other software - I want to pay for it, be able to use it with minimal fuss (no ILOK, PACE, C&R, E licenser or any other hoop jumping) and have a product that works and/or will be supported until it does.
I don't expect FREE updates that have a bunch of new features - I am quite happy to pay for them or decide not to if they do not appeal.
I do expect FREE updates which sort out bugs or anything that seriously makes the current version a PITA to use.
Subscription models IMO are a marketing ploy to 'rope' in people who cannot afford the software in the first instance or professionals who want their software up to date (possibly by way of automated updating) - no problem here, just saying what I think they are.
I have been using music software since Music X on the Amiga (and most of the popular DAWs to boot along with countless synth/effect VST's which use dongles and all the previously mentioned C/P) and have found (over 2 decades+) that anything that throws another application into the mix (I am talking copy protection that operates in the so called 'background' here) invariably causes headaches.
Sorry to rant, but you did ask: What do you prefer when paying for a daw? And why?
- KVRAF
- 26995 posts since 3 Feb, 2005 from in the wilds
One thing the subscription model does is force the user to pay for every update whether they want the added features or not.original flipper wrote:Subscription models IMO are a marketing ploy to 'rope' in people who cannot afford the software in the first instance or professionals who want their software up to date (possibly by way of automated updating) - no problem here, just saying what I think they are.
The traditional license leaves more control to the user and hence gives them more say over what gets added to the application. If the developer adds feature C,G and B and lots of users are not interested in those features, then they may not upgrade and the company would not get paid. The subscription model means the user has to pay for new features regardless of whether the user finds that feature of value or not.
- KVRAF
- 6113 posts since 7 Jan, 2005 from Corporate States of America
I never used Lightroom. I use Bridge, which is actually free from Adobe.pdxindy wrote:Same for me... I used Adobe apps for 20 years. When they went subscription, I dropped them. I still use Lightroom because the current version is the last before they go subscription only. Fortunately, the Affinity apps (Designer and Photo) came along and I am happy with them. I want an InDesign replacement (which Affinity has on the docket).Jace-BeOS wrote:I will NEVER subscribe to software. If it comes to being a world where ALL software is subscription based, i will give up on computers entirely.
I have my eyes on Affinity Photo and Designer; I've been watching their progress. It's good to hear that you're happy with them.
I'm still using an older Adobe Creative Suite on Snow Leopard. When I move to a new machine (whenever the future Mac Pro comes along), I'll likely abandon Adobe entirely with the new machine (because of being pushed to whatever new Mac OS it runs). The alternative in continuing to use Adobe's suite would involve unethical acts...
- dysamoria.com
my music @ SoundCloud
my music @ SoundCloud
- KVRAF
- 26033 posts since 20 Oct, 2007 from gonesville
This, exactly this. Last significant DAW work I did was Cubase 5 in Snow Leopard. Years behind the curve of updating, per nearly all of it.pdxindy wrote:One thing the subscription model does is force the user to pay for every update whether they want the added features or not.original flipper wrote:Subscription models IMO are a marketing ploy to 'rope' in people who cannot afford the software in the first instance or professionals who want their software up to date (possibly by way of automated updating) - no problem here, just saying what I think they are.
The traditional license leaves more control to the user and hence gives them more say over what gets added to the application. If the developer adds feature C,G and B and lots of users are not interested in those features, then they may not upgrade and the company would not get paid. The subscription model means the user has to pay for new features regardless of whether the user finds that feature of value or not.
I've been moved to update some things since then, and the new system (2017 OS, 2010 machine) works quite well but that was a choice, influenced by vendors as little as possible.