When I was starting out, I compared myself to one young classical guitarist because he was very good and I too would love to be very good. It was quite clear to me his status, which was a touring musician in constant struggle to survive, all of this work, all the years of woodshedding, to be out there worrying about the basics. Eventually I did not feature myself as so good that it was going to be worth that, after a bit of the life playing really beat venues... Then I wanted to create my own musical world per se, after I figured I had a nascent sort of my own voice musically. I wasn't specifically interested to do music which was going to sell much. However there was no terrific dearth of approbation in this small world I inhabited.ghettosynth wrote:I think for a lot of things it probably makes sense to compare yourself to leaders if you are trying to be competitive, which is all I meant by "selling records." If you want the status of your heroes, whether that be in terms of record sales or some other metric of notoriety, then it's probably going to be helpful to have a plan to go with your "dreams" that includes some sort of, however derived, metrics that tell you whether or not your plan is working. What that plan is depends quite a bit on who your heroes are though.Hink wrote: for years my sig was "The measure of talent..."
So I don't confound the two things, fame & sales with musicianship.
A hero of mine musically is Edgard Varèse. He didn't even have any output in the middle of his career. He appears to have pretty much lived off his wife, a well-known literary figure. Not a whole lot of approbation coming for what he did. Debussy thought he was great, you know. One of the more forward thinkers in music. This is what that might end up being in the world. OTOH Frank Zappa wanted to sell records so he designed a thing to do that. I'm not all that, I know myself a little bit.