So now we can set the phase of the up and down sampling lowpass filter... that's some serious control!
PS - used it on the master bus of this track:
https://soundcloud.com/gangviolins/gang-violins-sana
Great track, thanks for sharing this! Very rich and full sounding mix.MogwaiBoy wrote:Update installed - thanks for the clear warning re: authorizing on a blank DAW project
So now we can set the phase of the up and down sampling lowpass filter... that's some serious control!
PS - used it on the master bus of this track:
https://soundcloud.com/gangviolins/gang-violins-sana
Yes there is, but it is not something quick to explain, and it depends on the entire signal processing chain, including future processing you may do later on the signal.Funkybot's Evil Twin wrote:Andy, is there ever a use-case where we'd want different Up and Downsampling filters? Not sure I get that whole piece of added functionality at all, so even just a quick explanation of the how and why would be much appreciated.
Thanks Andy - much respect to you sirandy-cytomic wrote: Great track, thanks for sharing this! Very rich and full sounding mix.
Very much looking forward to this article!andy-cytomic wrote: It's pretty amazing that the main difference between my model and the analog hardware was actually caused by differences in the overampling filters prior to the actual processing!
It's an interesting topic, I will write an article on it soon to explain the strengths and weaknesses of each type of filter.
I would definitely give the trial a go of The Scream as it is a very versatile little plugin. Don't worry about the honk, you can customise the circuit to completely remove it if you want. It does use a decent chunk of CPU, so this may not be suitable if you want to run lots of copies all over the place, but I am working on a lower cpu mode. Every component can be easily change to drastically alter the sound. There is an easy edit page where you can change the drive high pass capacitor to distort more bass, and also change the post drive low pass capacitor to let more top end through - in this way you can remove the honk, or move the mid boost higher up, or lower down to better fit with the instrument being processed, and which parts you want boosted with drive. You can make all sorts of special clipping effects by starving the circuit of voltage, and you can also adjust the bias point to run things too hot or too cold, all of which impart a different tone to the drive.MogwaiBoy wrote: Re: The Scream. I play guitar.. and I've never liked Tubescreamers - too honky in the midrange and too much bass cut. Is The Scream still for me?(for electronic music production too, not just guitar).
This thing is the most useful distortion VST in existence. A must own plugin with multiple applications.andy-cytomic wrote:Every component can be easily change to drastically alter the sound. There is an easy edit page where you can change the drive high pass capacitor to distort more bass, and also change the post drive low pass capacitor to let more top end through - in this way you can remove the honk, or move the mid boost higher up, or lower down to better fit with the instrument being processed, and which parts you want boosted with drive.
High Def? What is this!We have been busy working on many new products at Cytomic HQ. Soon to be released: a new range of the world's most detailed stomp box emulations, new synths, new tutorial videos, new EQ plugins, and a new HD mode for The Glue (which will be a free update).
andy-cytomic wrote:I'm looking into adding an "HD" mode on The Glue, with a full non-linear signal path. If I get good results then I'll make an announcement, but till then I can't really say much, but it is looking promising.HcDoom wrote:When we can expect full analog path simulation of the compressor Glue is based on? I mean on nonlinearities, thd, etc...Hopefully that will be next Glue update!!!
Andy said on GS that he plans to do a full schematic model of SSL quad compressor. Currently, Glue models only sidechain (where most nonlinearity is) but the audio path is clean.MogwaiBoy wrote:Email:
High Def? What is this!We have been busy working on many new products at Cytomic HQ. Soon to be released: a new range of the world's most detailed stomp box emulations, new synths, new tutorial videos, new EQ plugins, and a new HD mode for The Glue (which will be a free update).
Yep, I plan on doing a full component model of the DBX VCA chips, and do reasonably detailed models for everything else in the main signal chain that causes audible distortion. I've also got a plan to make the range knob even smoother in operationmeloco_go wrote: Andy said on GS that he plans to do a full schematic model of SSL quad compressor. Currently, Glue models only sidechain (where most nonlinearity is) but the audio path is clean.
I have done the initial gui layout and DSP algorithms for a very powerful and supremely elegant new analog modelled synth - which is my own design, and not based on any particular hardware. It's still a way off, but I'll start a thread on it as soon as I've got some initial audio examples I can post.nilhartman wrote:Cytomic synths... damn that's promising! Andy, tell us more !!!!
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