The Complete Guide to Synths, Sequencers and Drum Machines - 1985

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After 30 years in absentia, I rediscovered my favorite book from 1985 where the author Dean Friedman goes through the available synths, samplers, sequencers and drum machines on the market. In 1985. Pros and cons.
I sweated bullets back then trying to decide what should be my first synth. I was a young teenager and could afford ONE. The book was read from cover to cover trying to pick one. I finally decided upon the ...
I've just made a quick review of this very book and it's so much fun reading this today knowing what we now know about MIDI, VCO vs DCO, samplers and such.
Dean Friedman predicts future classics and he got some right and some not so right. :facepalm:
If you see it for sale, pick it up!


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Maybe you already know of Mu:zines. I love reading their archived magazines.

http://www.muzines.co.uk/
This is the same method MJ used when he was working on Anthony Marinelli's Thriller.

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Aloysius wrote:Maybe you already know of Mu:zines. I love reading their archived magazines.

http://www.muzines.co.uk/
Yes, I know of these scanned magazines and I love it! :)

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:tu:
This is the same method MJ used when he was working on Anthony Marinelli's Thriller.

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I had a couple of others in that series, back when I had a DX100. :D "MIDI For Musicians" (which went into detail about the history of MIDI, which was pretty short at the time, and the 1.0 standard) and "Synthesizer Basics."

Someone is trying to sell a copy of "Complete Guide..." on Amazon for $738.83 :lol:

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foosnark wrote:I had a couple of others in that series, back when I had a DX100. :D "MIDI For Musicians" (which went into detail about the history of MIDI, which was pretty short at the time, and the 1.0 standard) and "Synthesizer Basics."

Someone is trying to sell a copy of "Complete Guide..." on Amazon for $738.83 :lol:
I've seen some crazy prices. Can't ever think anyone will pay that. Crazy!

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I actually remember that 'book'.
In 1986 I bought the Yahama drum machine RX11 and my housemates owned a DX7 and an Ensoniq Mirage. I coveted things like the Synclavier then, though.

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jancivil wrote:I actually remember that 'book'.
In 1986 I bought the Yahama drum machine RX11 and my housemates owned a DX7 and an Ensoniq Mirage. I coveted things like the Synclavier then, though.
Yeah, the Synclavier was surrounded with awe and still is in many ways. Got the RX11 too.

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I still have a Roland R-5, which I think is from 1985. Also had a RX-11.
“The Generals sat, and the lines on the map, moved from side to side.”
― Pink Floyd

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Bombadil wrote:I still have a Roland R-5, which I think is from 1985. Also had a RX-11.
I think the RX11 is a wonderful drum machine and I still use mine :)

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I preferred the RX-5. Came across one a few months back on eBay, but passed. Did some great recordings wth that! My RX 11 got Pepsi spilled into it, and died. Best drum machine I ever used was the Roland R-70.
“The Generals sat, and the lines on the map, moved from side to side.”
― Pink Floyd

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Great magazines guys, keep em coming!
--After silence, that which comes nearest to expressing the inexpressible is music.

-Aldous Huxley

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elkanah77 wrote:
jancivil wrote:I actually remember that 'book'.
In 1986 I bought the Yahama drum machine RX11 and my housemates owned a DX7 and an Ensoniq Mirage. I coveted things like the Synclavier then, though.
Yeah, the Synclavier was surrounded with awe and still is in many ways.
it is, if only because of the unique workflow. some of the sounds are unique as well.
I dearly wish there would be some kind of dedicated computer music machine like that

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elkanah77 wrote:
Aloysius wrote:Maybe you already know of Mu:zines. I love reading their archived magazines.
Yes, I know of these scanned magazines and I love it! :)
Thanks, glad you're enjoying it! :tu:

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elkanah77 wrote:I rediscovered my favorite book from 1985 where the author Dean Friedman goes through the available synths, samplers, sequencers and drum machines on the market. In 1985. Pros and cons.
My synth bible at a similar time was Keyfax 2:

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I realised I formed (ie, copied) a lot of my early synth opinions from there... :)

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