Anyway, ill just pan synths and maybe add a simple delay, verb if necessary.
Back to my sound design
One Synth Challenge #104 - Zebralette by u-he (Photonic Wins!)
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- KVRian
- 605 posts since 20 Mar, 2015 from Nerima, Tokyo
I use dimension expanders or stereo imagers like "a1 stereo" (the free ozone imager is nice too btw) not as a creative tool, but more for placing instruments in the mix and for mono compatibility, they dont change the sound imho and are usually low cpu, whereas a chorus, flanger are creative effects in my book, they change the sound drastically.
Anyway, ill just pan synths and maybe add a simple delay, verb if necessary.
Back to my sound design
Anyway, ill just pan synths and maybe add a simple delay, verb if necessary.
Back to my sound design
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- KVRist
- 377 posts since 21 Mar, 2012 from Slovakia
Question is why do you need this dimension expander for this round? Zebralette can do this on it's own.
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- KVRist
- 300 posts since 24 Aug, 2009 from CO, USA
yeah, you could create a mono sub for your bass and layer it with a wide mid-bass sound to get some stereo goodness without dinging the low-end too much, all possible w/ this synth by itself.TrojakEW wrote:Question is why do you need this dimension expander for this round? Zebralette can do this on it's own.
btw zebralette is one hell of a freebie, wow.
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- KVRAF
- 3204 posts since 17 Apr, 2010 from Slovenia
Has anyone of you been crazy enough to try a tuned delay string with it, yet!? 
...I did, well, just for fun, because it's irrational to put such a monster into a track, unless the monster is all, haha. But, yeah, it's quite fun. Pity the delay times (percentages) can't have automation.
...I did, well, just for fun, because it's irrational to put such a monster into a track, unless the monster is all, haha. But, yeah, it's quite fun. Pity the delay times (percentages) can't have automation.
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- KVRist
- 41 posts since 24 Sep, 2016
this months submission
trying to squeeze a whole lot into 5 minutes
reaper daw
11 instances of zebralette
ambience reverb
reaverberate
reaverb
reacomp
a1 stereo control
js saturation
js ping pong pan
https://soundcloud.com/mikael-edlund/d3 ... bit-dreams
trying to squeeze a whole lot into 5 minutes
reaper daw
11 instances of zebralette
ambience reverb
reaverberate
reaverb
reacomp
a1 stereo control
js saturation
js ping pong pan
https://soundcloud.com/mikael-edlund/d3 ... bit-dreams
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- KVRian
- 648 posts since 20 Jan, 2013
True, but you can control them through midi, so that's pretty close if you use a midi lfo or whatever-u-gotTaron wrote:Pity the delay times (percentages) can't have automation.
I'm guessing Mux is plenty flexible enough to do that, given it's easy enough in Ableton...
...lots of cools sounds from that (not that I've used any in my track yet!)
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- KVRian
- 605 posts since 20 Mar, 2015 from Nerima, Tokyo
Dont know if im gonna use those but here are some drum experiments:
ExpensiveDrumMachinesHateThisFreesynth
MSEG+Noise=
ExpensiveDrumMachinesHateThisFreesynth
MSEG+Noise=
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- KVRer
- 7 posts since 25 Aug, 2017
Question, can I use Obscurium as a MIDI/CC sequencer? And can I use Bidule instead of DAW?
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- KVRian
- 648 posts since 20 Jan, 2013
Using Bidule instead of another DAW would be OK I think - maybe just hard work but whatever works for you!RPD wrote:Question, can I use Obscurium as a MIDI/CC sequencer? And can I use Bidule instead of DAW?
I don't think Obscurium is acceptable as it is a non-free 'sequencer-thing'. I have assumed it's not allowed anyway - or I might try it
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- KVRAF
- 3204 posts since 17 Apr, 2010 from Slovenia
Huh...didn't show up in the generic controls, though. Seems like there's no access to those in MuLab, but that's because it likely was intended. Kinda freaky that Ableton can ignore that?!zarf wrote:True, but you can control them through midi, so that's pretty close if you use a midi lfo or whatever-u-gotTaron wrote:Pity the delay times (percentages) can't have automation.
I'm guessing Mux is plenty flexible enough to do that, given it's easy enough in Ableton...
...lots of cools sounds from that (not that I've used any in my track yet!)
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- KVRian
- 648 posts since 20 Jan, 2013
Did you try right clicking the control you want and sending it some midi first? - that was how I got access to it...Taron wrote: Huh...didn't show up in the generic controls, though. Seems like there's no access to those in MuLab, but that's because it likely was intended. Kinda freaky that Ableton can ignore that?!
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- KVRAF
- 3204 posts since 17 Apr, 2010 from Slovenia
Uh dear...you're right! There's actually a Midi Learn (pfff)... 
...what now! The possibilities are insane! 
But no...well, it's very flimsy. I can't "easily" control min/max of the controller, because there's still no "regular" access to it. Tuning becomes rather impossible, I'm afraid.
...what now! The possibilities are insane! But no...well, it's very flimsy. I can't "easily" control min/max of the controller, because there's still no "regular" access to it. Tuning becomes rather impossible, I'm afraid.
Last edited by Taron on Sat Oct 14, 2017 8:14 pm, edited 1 time in total.
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- KVRian
- 648 posts since 20 Jan, 2013
I know! So many different directions you can take this thing, I've been struggling to settle on something!Taron wrote:Uh dear...you're right! There's actually a Midi Learn (pfff)...
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- KVRist
- 300 posts since 24 Aug, 2009 from CO, USA
yeah I feel the same way. The sonic capabilities are so overwhelming it's been hard for me to settle on a theme to move forward with...zarf wrote:I know! So many different directions you can take this thing, I've been struggling to settle on something!
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- KVRAF
- 3204 posts since 17 Apr, 2010 from Slovenia
Funny enough, after my very common start with making drums, I pretty much went straight for music and then began tailoring sounds for the music, rather than getting hung up on the sound possibilities to tailor a song around them, you know. This thing is really quite something.