Sorry for you.Ingonator wrote: IL Harmor seems to be able to do this too while i never owned this softsynth so far.
Harmor is out of this world. Additive synthesis on steroids !
Sorry for you.Ingonator wrote: IL Harmor seems to be able to do this too while i never owned this softsynth so far.
I think what set Thorn apart is the ease of use and the harmonic filter. I never liked working in Serum. Icarus I like a lot better, with also a warmer vibe and excellent filters. Yet, UI-wise a few very odd choices, which hamper the workflow.Ingonator wrote:The additive waveform editors in Serum and Icarus are very similar, same with some other synths like e.g. Linplug Spectral and PPG Wavegenerator. While they offer much less partials also the additive editors in e.g. Arturia Synclavier V, Ableton Operator and Tone2 Nemesis are comparable.DJ Warmonger wrote:I saw a video yesterday and I'm impressed. Finally additive synth with conventional controls, often dervied from Serum. Unlike Loom and Harmor, which are both rather WTF to use.
Waldorf Nave has a 3D display where you coudl edit teh partials of multipleor all all waveforms in a wavetable at the same time opposing to editing a single waveforms like in the other synths mentioned.
Complex additive synths like e.g. that in Alchemy (before it was sold to Apple), Cameleon 5000 (discontinued) and others (AFAIK also the hardware Kawai K5000) had an amp envelope for each of the partials whichh allowed changing the timbre er the time. Of course using a filter for this is more simple but at least in theory a complex additive synth does not need a filter.
Since Alchemy (at least for Windows), Cameleon 5000 and recently also DiscoDSP Vertigo seem to have been discontinued and/or "disppeared" i think there would be need for a complex additve synth again.
With Alchemy and Cameleon 5000 i remember that they offered importing samples to a complex additive engine with envelopes for each partial. IL Harmor seems to be able to do this too while i never owned this softsynth so far.
In hardware synths only the Kawai K5000 seemed to be close to such a complex additive engine while it also added filters and sample playback. Something like a K5000 as software would be great while Alchemy might have been close somehow (still sad that it is only available for OSX now and there only for Logic).
Compared to the bunch of other wavetable synth i own (including e.g. Icaruzs, Seum, Wavegenerator and the Waldorf plugins) the only really special feature in Thorn seems to be the harmonic filter which as i alraedy mentioened reminds me of the drawale filter in Spectral or teh FFT filter in Avenger.
Anyway a synth with a huge amount of filter modes like e.g. Icarus (which is also avaiable as a dual multimode filter) is able to come close to such a harmonic filter.
Besides that certain changes to the spectrum over time is exactly what wavetable synthesis is made for and both Icarus and Serum offer up to 256 waveforms in a wavetable opposing to the 16 available in Thorn (if i didn't miss that it is possible to add more there...). The Morph modes in Icarus also offer a bunch of options to change the spectrum over the time (if you modulate the Morph mode amount with a modulator).
Personally after having checked the demo i had decided that based on the bunch of other wavetable synths i alraedy own (inckluding 2 hardware synths) i currently do not really have a need for buying Thorn which might change in the future.
FWIW i had owned Diversion in the past (AFAIK shortly after it was released) and sold it it later due to having rarely used it even if the synth engine was quite powerful.
Yeah, 16 are way too few and 256 are way too many.Stefken wrote:The amount of waveforms in the wavetable might be a limitation. Then again, I find that the 256 possible waves in Serum gave rise to some lazy sounddesigning with people just scanning through some noisy wavetables.
Sorry, for a short OT intermission:Stefken wrote: Icarus I like a lot better, with also a warmer vibe and excellent filters. Yet, UI-wise a few very odd choices, which hamper the workflow.
Icarus is great, but yeah, that GUI is a dealbreaker for me. Not sure I want "improvements" on the GUI, but rather a completely different GUI altogether. It physically hurts to look at. But that's just me.] Peter:H [ wrote:Sorry, for a short OT intermission:Stefken wrote: Icarus I like a lot better, with also a warmer vibe and excellent filters. Yet, UI-wise a few very odd choices, which hamper the workflow.
Icarus is going to get an hugh update to Version 1.5 which is already in beta phase.
As far as I got it from the change log there should be improvements on the GUI...
See https://www.tone2.org/forum/index.php?topic=2517.0 for the list of changes.
I always find it odd that a synth that has so much potential as Serum always gets used for that exact same thing, almost to the point where I thought that was all that it could do (I think it just basically replaced Massive as the dubstep/EDM wavetable bass synth).Stefken wrote:The amount of waveforms in the wavetable might be a limitation. Then again, I find that the 256 possible waves in Serum gave rise to some lazy sounddesigning with people just scanning through some noisy wavetables.
This is true, but it's ridiculously brief for the complexity of the synth and, at the time, it was the first third party VST I'd actually bought so I didn't have much of the assumed knowledge that the manual takes for granted.Daru925 wrote:Harmor has a manual, at least in FL, press F1.
How about this one...wagtunes wrote:OT: Harmor's manual is a joke
Thank you. That's a manual. Thanks to the guy who wrote it.spunkmuffin wrote:How about this one...wagtunes wrote:OT: Harmor's manual is a joke
http://forum.image-line.com/viewtopic.php?t=167682
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