Parks-McClellan issoundmodel wrote:Hmm, I think I need to read filter theory more then. I'm already doing my masters (in computational maths) and I still considered filter design to be "a bit tough". But then again, I've been reading mainly about Parks–McClellan and such.
- somewhat complicated compared to other stuff
- has very very narrow use (designing some very special FIRs, which you probably wouldn't need or use in >90+% cases of music DSP applications)
So, it looks to me you've been looking at stuff which is not really relevant to you, gaining a wrong impression about the complexity of the topic. Keep in mind, that most of the stuff in typical classical DSP texts is not the one of primary importance to a music DSP developer. I'd say one can even do without reading them at all, but rather looking up something music DSP specific. Music DSP field is a very special branch of DSP with a very different set of conditions and requirements.
