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solomute wrote: Remember that choice of plugins defines the quality and coloring. If you violate this law you won't get studio quality.
It's more to do with how you use any effects, than the effects themselves. Also comparing one daw against another when it comes down to mixed down material, requires you to match every variable and parameter to be the same, and in some aspects will need requisite knowledge from the developers themselves and that of testing data. The end result when everything is matched, is the result of any exported audio being indistinguishable to the human auditory system. It's all one's and zero's at the end of the day. The term 'Studio Quality' is a buzzword btw, used as marketing language.
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THE INTRANCER wrote:
solomute wrote: Remember that choice of plugins defines the quality and coloring. If you violate this law you won't get studio quality.
It's more to do with how you use any effects, than the effects themselves. Also comparing one daw against another when it comes down to mixed down material, requires you to match every variable and parameter to be the same, and in some aspects will need requisite knowledge from the developers themselves and that of testing data. The end result when everything is matched, is the result of any exported audio being indistinguishable to the human auditory system. It's all one's and zero's at the end of the day. The term 'Studio Quality' is a buzzword btw, used as marketing language.
You're being trolled. Half the plugins he mentioned stopped being sold about a decade ago. AFAIR, the Genwave one for example was notorious for its $2K pricetag and snakeoily website.
An idiot on Set Theory:
"In some cases there is an object called red that contains everything that is red. In much the same way a pot is a plate."

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Karl the Hermit wrote:
vurt wrote:
whyterabbyt wrote:
solomute wrote:I would not invest a penny into hardwave synthesizers or hardware effects....
The only advantage of hw synths is that you record their sound via microphone in a room
<cough>
indeed, the biggest advantage to hardware synths is, somewhere to put the ash tray :hihi:
Don't listen to these jerk-weasels solomute! They're just a pair of aging, wretched, digitized, analog purists! :hihi: Like, who needs a fecking room to record? You're hip... you're modern... you can record underwater... or in deep space, solomute! Let them rot, I say...

:lol: :hyper: :D

:hihi:

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whyterabbyt wrote:
THE INTRANCER wrote:
solomute wrote: Remember that choice of plugins defines the quality and coloring. If you violate this law you won't get studio quality.
It's more to do with how you use any effects, than the effects themselves. Also comparing one daw against another when it comes down to mixed down material, requires you to match every variable and parameter to be the same, and in some aspects will need requisite knowledge from the developers themselves and that of testing data. The end result when everything is matched, is the result of any exported audio being indistinguishable to the human auditory system. It's all one's and zero's at the end of the day. The term 'Studio Quality' is a buzzword btw, used as marketing language.
You're being trolled. Half the plugins he mentioned stopped being sold about a decade ago. AFAIR, the Genwave one for example was notorious for its $2K pricetag and snakeoily website.
Trolls don't bother me, my sister always had a few sitting about her room back in the 1980's, when I used music programs on my Atari 800 XL. :lol: The plugin's, you highlighted are funnily enough one's that did crop up on the reasonstation.net website as a discussion topic..so that was a bit of a laugh lol.
KVR S1-Thread | The Intrancersonic-Design Source > Program Resource | Studio One Resource | Music Gallery | 2D / 3D Sci-fi Art | GUI Projects | Animations | Photography | Film Docs | 80's Cartoons | Games | Music Hardware |

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