I just updated but no spectrum analyzer here... :/MogwaiBoy wrote:Waves just updated this and added a new spectrum analyzer. Can I get a "bout time"?
Is this the latest version after the update?: 9.92.50.38 Build E 134832
I just updated but no spectrum analyzer here... :/MogwaiBoy wrote:Waves just updated this and added a new spectrum analyzer. Can I get a "bout time"?
It's a separate plugin named F6-RTA.J4R1O wrote:I just updated but no spectrum analyzer here... :/MogwaiBoy wrote:Waves just updated this and added a new spectrum analyzer. Can I get a "bout time"?
Is this the latest version after the update?: 9.92.50.38 Build E 134832
Found it! Thanks!Reefius wrote:It's a separate plugin named F6-RTA.J4R1O wrote:I just updated but no spectrum analyzer here... :/MogwaiBoy wrote:Waves just updated this and added a new spectrum analyzer. Can I get a "bout time"?
Is this the latest version after the update?: 9.92.50.38 Build E 134832
MogwaiBoy wrote:Waves just updated this and added a new spectrum analyzer. Can I get a "bout time"?
That's a little snobbish and arrogant sounding but whatever. For EQs modelled on hardware, sure - use your ears. Dynamic EQs are different though - it's nice to visually judge how much signal is being cut, precisely where and how the dynamic is responding (attack/release).gas pump wrote: I really don't see the need for an analyzer anyway, all it does is keeps you from learning how to properly use your ears and focus on the feeling.
But, for beginners, those too lazy to develop proper ear training and people with hearing disabilities, it has it's uses.
gas pump wrote: I would never make any EQ moves based only by what I see. I'm just glad they also added an on/off button, which is also great for saving CPU.
But, for beginners, those too lazy to develop proper ear training and people with hearing disabilities, it has it's uses.
Sometimes the cold hard facts of reality stings a bit. Just like the fact that you and anyone else trying to make a living in the music business is about less then a 1% chance. So I would suggest that people get off their lazy asses and try beating out the competition or continue a life of excuses and regrets.MogwaiBoy wrote:That's a little snobbish and arrogant sounding but whatever. For EQs modelled on hardware, sure - use your ears. Dynamic EQs are different though - it's nice to visually judge how much signal is being cut, precisely where and how the dynamic is responding (attack/release).gas pump wrote: I really don't see the need for an analyzer anyway, all it does is keeps you from learning how to properly use your ears and focus on the feeling.
But, for beginners, those too lazy to develop proper ear training and people with hearing disabilities, it has it's uses.
If you want to go Zen, as you say, you can still turn it off. Doesn't make you better than anyone else though.
Your brain and eyes can all play tricks on you, especially when you're dealing with audio. I'm not going to get all scientific on you, but you've got a lot to learn about human emotion and reaction through their senses. Something can look perfect, but it may not sound that way. I suggest you take a step back from your visual aides and crutches, and you will find out how useless you would be on an analog console.dreamvoid wrote:gas pump wrote: I would never make any EQ moves based only by what I see. I'm just glad they also added an on/off button, which is also great for saving CPU.
But, for beginners, those too lazy to develop proper ear training and people with hearing disabilities, it has it's uses.
What a nonsense. People like me even buy analysers with spectrum display for constant quality control. What you cannot hear, even with super human hearing, is what's going on outside you monitoring and level ranges. Furthermore, the longer you work, the more listening fatique you get. A spectrum anaylser helps you to get an overview and a quick first impression of resonances, peaks, dips and alike. In the contrary to what you said, spectrum analysers are underrated. You just have to learn to use and utilize them. You could reject dynamic meters and other studio measurement necessities (phase control) with the same arguments. It is more work to use an analyser for double checking - layziness is on the side of the people not using them.
Really, who do you think you are trying to patronize others who you don't know? I have a long record of compositions and productions for TV, radio, promotions etc. My works got international awards for broadcast and classic productions. I had analog consoles, ditched them for digital ones. I was one of the first in Europe who had DMC1000 desks in his studio (at the the same time as Trevor Horn). Some of the recent commercial productions I did were composing and producing for premium camera maker Leica (with Marilyn Manson appearing) and mixing for Sennheisers global spots introducing an Ambeo device. For all this I used analysers in several stages of production as usual. I understand to use my eyes, brain, ears, emotions and all that. That brought me to the conclusion analysers are very valuable tools, like dynamic meters, phase correlators, bit meters etc.gas pump wrote: Your brain and eyes can all play tricks on you, especially when you're dealing with audio. I'm not going to get all scientific on you, but you've got a lot to learn about human emotion and reaction through their senses. Something can look perfect, but it may not sound that way. I suggest you take step away from your aide and crutch, and you will find out how useless you would be on an analog console.
dreamvoid wrote:Really, who do you think you are trying to patronize others who you don't know? I have a long record of compositions and productions for TV, radio, promotions etc. My works got international awards for broadcast and classic productions. I had analog consoles, ditched them for digital ones. I was one of the first in Europe who had DMC1000 desks in his studio (at the the same time as Trevor Horn). Some of the recent commercial productions I did were composing and producing for premium camera maker Leica (with Marilyn Manson appearing) and mixing for Sennheisers global spots introducing an Ambeo device. For all this I used analysers in several stages of production as usual. I understand to use my eyes, brain, ears, emotions and all that. That brought me to the conclusion analysers are very valuable tools, like dynamic meters, phase correlators, bit meters etc.gas pump wrote: Your brain and eyes can all play tricks on you, especially when you're dealing with audio. I'm not going to get all scientific on you, but you've got a lot to learn about human emotion and reaction through their senses. Something can look perfect, but it may not sound that way. I suggest you take step away from your aide and crutch, and you will find out how useless you would be on an analog console.
Thanks, coachgas pump wrote: Just like the fact that you and anyone else trying to make a living in the music business is about less then a 1% chance.
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