I've had a crazy busy month so far (GDPR anyone?
Really high standard, some terriffic work, well done all
liqih wrote:I've voted, this time following a template that I link below, but I suggest to do not look at it unless you are very curious.
Also you should wait few hours for when voting is over
FM synthesis, simple as in JuceOLPVSTi proves to be very versatile, I'm a fan of FM over subtractive synthesis.
These are not reviews.
http://nusofting.com/osc_110.png
Thanks for this, it is a fascinating insight into your process and thinking, cheers for sharingliqih wrote:I've voted, this time following a template that I link below....


liqih wrote:I've voted, this time following a template that I link below, but I suggest to do not look at it unless you are very curious.
Also you should wait few hours for when voting is over
FM synthesis, simple as in JuceOLPVSTi proves to be very versatile, I'm a fan of FM over subtractive synthesis.
These are not reviews.
http://nusofting.com/osc_110.png
Looks like you didn't read the side note on my template, <wink>Taron wrote:Exactly, that's what I mean by "cerebral", rather than judging the actual effect of the music. When one listens to an old song on a gramophone, for example, the mix may be rotten, the sounds may hardly be identifiable, yet, the music can be brilliant and its effect tremendous. Same with a single instrument, playing a beautiful tune, which can have more meaning and effect than a symphonic orchestra or a stunning electronic mix. Once you boil everything down to components, you may think you would've helped to avoid subjective bias, but in fact you may even betray your subjective bias where it matters most with the bias where it matters least....still, it's a method.
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