Ha, yes this is true. The floor is very dirty. I'll post pics of the racks once I have vacuumedBONES wrote:Where's all that stuff in the photo? You've cheated by cleaning up one corner of your studio and pretending you're a neat freak, haven't you?Mushy Mushy wrote:They're Behringer 48 point patchbays so 240 inputs definitely sounds like a lot but it soon adds up when using multi timbral devices such as Access Viruses (x2), Nord Lead, Akai S5000, MKS70, Novation Drum Station to name a few. That's 40 just there, not to mention the Mackie 32 mixer which occupies 96 slots as the inserts are fed back in also.
Interesting question and I completely agree with you. For that reason I think I don't have all that much stuff and only purchase something when required and for a specific purpose. I therefore never have issues in deciding what to use and when.BONES wrote:Serious questions now - what do you do with all that stuff? I couldn't work with that much gear, I'd be paralysed with so many options and I'd never get anything done. I've had to put my Waldorf Rocket in storage so I'll stop playing with it and do more work. I'm also ruthless at getting rid of things I don't use, like a JP08, JU06, Minilogue and Monologue, just in the last year. I'm also thinking of selling my Waldorf Pulse 2 if I can rescue it from my bandmate's rig. And you don't even have a sequencer?
For example, if I want a bassline I reach for the 101 or 303. Nothing else is even considered. If I want a weird oscillator synced lead I reach for the JP08, pads is the JU06, normal/basic lead is the 101.
In the case of the TB03 where you'd think it's unnecessary and unused even that's not true given I write the sequences on there before transposing to one of the other 3. This is due to the brilliant and flexible sequencer.
The sequencer will eventually be the Engine or Cirklon. For now it's just the internal sequencers.