
Does anyone else use one of these? They seem nice and small. Looks like only 1 input tho ?
Sound on Sound
https://www.soundonsound.com/reviews/olympus-lsp4
Any advice welcome
Rob

I was looking into the LS-P2 last year, and it got good reviews etc. I've recently seen this newer model, but I still don't have the funds. I will hopefully be selling some stuff to be able to buy itrob_lee wrote:I've been looking about for a hand held field recorder to capture the audio from my hardware when on the move i.e from the Digitakt. I know all bout the Zoom ones but I came across this one in the local shop the other day.
Does anyone else use one of these? They seem nice and small. Looks like only 1 input tho ?
Sound on Sound
https://www.soundonsound.com/reviews/olympus-lsp4
Any advice welcome
Rob
From the manual (pg.38), it seems that the external mic connection doubles as an external input connection. Though it doesn't specify, I'm assuming it will be stereo, as long as you have the correct cable (2 large Jacks into one mini jack, w/ ring/tip...or whatever it is that makes it stereorob_lee wrote:Thanks mate I'm just looking at the connections on the side on the pictures, can only see the one mic and headphone connections or do these double as stereo inputs for gear? Haha confused a little. But yeah I'd like to do field recordings too in future but for now I'd like to record little jams on it with hardware connected.
Rob
AH yeah I have one of those 2 large jacks in to 1 miniel-bo (formerly ebow) wrote:From the manual (pg.38), it seems that the external mic connection doubles as an external input connection. Though it doesn't specify, I'm assuming it will be stereo, as long as you have the correct cable (2 large Jacks into one mini jack, w/ ring/tip...or whatever it is that makes it stereorob_lee wrote:Thanks mate I'm just looking at the connections on the side on the pictures, can only see the one mic and headphone connections or do these double as stereo inputs for gear? Haha confused a little. But yeah I'd like to do field recordings too in future but for now I'd like to record little jams on it with hardware connected.
Rob).
http://www.olympusamerica.com/files/oim ... manual.pdf
If you don't qualify for free shipping (needs to be over a certain amount), and you do intend to one day use the recorder outside, maybe order the Rycote mini to tip the price over the point to which they'll deliver it free. That'll probably be how I do itrob_lee wrote:AH yeah I have one of those 2 large jacks in to 1 mini![]()
I may get this one then it's got good reviews
Rob
I'm guessing that most of the cheaper plastic units will suffer from this issue. My old Zoom H2N also had that issue, though once I'd settled on a comfortable holding position it seemed to settle down. Aside from the Sony, do you have any experience with other small units to be able to say if the Olympus was any worse?masterhiggins wrote:I used to own it before selling it for a Sony pcm-m10. The sound quality was fine. The only issue for me was the handling noise, which made it difficult to just walk around with it while recording. I'm not referring to the low end rumble, though. It picks up every single single finger movement. The stereo image is also somewhat exaggerated, which can be useful, so I'm not exactly considering that a problem.
However, all of those complaints are merely comparisons to the Sony. On the positive side, the low end response on the Olympus was more pronounced than the Sony and while the Sony was more neutral in its reproduction of the source, the Olympus was more flattering on instruments and voice due to the microphone's frequency response.
Being plastic doesn't bother me either, but I thought it might contribute to it not being well isolated from the external handling sounds. Either way, I'm sure I'll deal.masterhiggins wrote:Sorry, the only other one I owned was a Nagra Lino, which was a dismal failure due to noisy preamps as well as handling noise. Strange as it was roughly twice as much as the Sony. The LS-P4 was significantly better in the sound quality department (at least in the units that I owned). Being plastic didn't bother me. It was small and light.
masterhiggins wrote:It was noticeable but I didn't consider it excessive. It didn't seem out of the ordinary of what I've come to expect from sub $300 condenser/electret mics. It was mainly the handling noise that bothered me.
I have the LS-P1 and used down to -10dBV at least, and used tape output from Mackie mixer.rob_lee wrote:Ah crap no line inputs according to Thomann
https://www.thomann.de/gb/olympus_ls_p4.htm
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