Your creative ambiance/visual etc...
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- KVRian
- 1185 posts since 27 Apr, 2016
just sprang to mind really, was thinking about the vibe you create in your music place. If any ? Maybe you like a cold hard place or a nice chilled out zone with mellow lighting and incense burning. In summer I tend not to do much, I have a few inspirational cd covers on the wall and a few Indian cloths and wall hangings to soften the cold white walls. In winter I sometiems put some more colourful lamps around and turn the normal light bulbs off just to add a little mellowness.
Do you have much in the way of mood making in your creative space and do you put much weight on its effects or could you easily do without any adornments in your music room ?
Do you have much in the way of mood making in your creative space and do you put much weight on its effects or could you easily do without any adornments in your music room ?
- KVRAF
- 8077 posts since 9 Jan, 2003 from Saint Louis MO
I've been making do. My studio consists of a corner desk in a small bedroom that's also shared with my spouse's desk, her big aquarium and some other junk, and it's where we spend most of our waking hours at home.
I try to keep it relatively organized at least, and all my frequently used gear within arm's reach. Other than that, the furniture and racks etc. are generally cheap and mismatched and not chosen for budget and practicality, rather than looks. I do have some dim and colored lights I can switch to when the main light is off, at least.
I wish it was more photogenic, but honestly, when I'm in the zone it really doesn't matter.
I try to keep it relatively organized at least, and all my frequently used gear within arm's reach. Other than that, the furniture and racks etc. are generally cheap and mismatched and not chosen for budget and practicality, rather than looks. I do have some dim and colored lights I can switch to when the main light is off, at least.
I wish it was more photogenic, but honestly, when I'm in the zone it really doesn't matter.
- KVRAF
- 26033 posts since 20 Oct, 2007 from gonesville
I don't, at all. My set "2017" was created in the public library. Which was quiet enough, with occasional exceptions. I'm driven to work on something in and of itself. Or I'm not.
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- KVRian
- 874 posts since 28 Nov, 2016
hunched over in my bedroom under my loft bed with a fluorescent light.
very unromantic, i'm sorry.
maybe it reveals itself in the music i make though. buzzing and a little thick-and-heavy, sonically.
very unromantic, i'm sorry.
maybe it reveals itself in the music i make though. buzzing and a little thick-and-heavy, sonically.
- addled muppet weed
- 111304 posts since 26 Jan, 2003 from through the looking glass
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- Boss Lovin' DR
- 14312 posts since 15 Mar, 2002 from the grimness of yorkshire
When I moved in here 20 odd years ago I let my mother choose the paint colours. Even now when I go downstairs I sometimes wince at the marigold yellow walls...jancivil wrote: Sat Oct 06, 2018 8:55 pm I think white walls would begin to bug me pretty quick. These are 'cream-colored' with a quasi-stucco texture.
- addled muppet weed
- 111304 posts since 26 Jan, 2003 from through the looking glass
i don't really "see" the walls once im in the zone.jancivil wrote: Sat Oct 06, 2018 8:55 pm I think white walls would begin to bug me pretty quick. These are 'cream-colored' with a quasi-stucco texture.
staring at flashing lights or pedals
i would like to make the walls look a little more interesting before i begin on video work. im thinking projection rather than coverings though so the lighter colour is fine.
- addled muppet weed
- 111304 posts since 26 Jan, 2003 from through the looking glass
my bedroom at the house you visited was orange and purpledonkey tugger wrote: Sat Oct 06, 2018 8:58 pmWhen I moved in here 20 odd years ago I let my mother choose the paint colours. Even now when I go downstairs I sometimes wince at the marigold yellow walls...jancivil wrote: Sat Oct 06, 2018 8:55 pm I think white walls would begin to bug me pretty quick. These are 'cream-colored' with a quasi-stucco texture.I tend to do a lot of recording in low light for some reason...
we must have been tripping the day we chose those
- KVRAF
- 26033 posts since 20 Oct, 2007 from gonesville
I have a nice lamp, though. A modern sort of a deal, very adjustable from warm to cold sort of light. I don't like a lot of light, I'm photo-sensitive. Part of why a really white wall would be irritating. I think for general life a softened kind of groovy affect would be beneficial, but for working on music it may as well be in the dark, I'm staring at the screen. If I'm not working on music I'm watching a show on the same fugging screen. I remember being a teenager and caring about my little teenage room. No red bulb, though. Black light, definitely.
Oh, that library is actually pretty well-appointed and the desk was nice, expensive-looking wood. I think a shabbier library (like South Berkeley) wouldn't have been so great.
Oh, that library is actually pretty well-appointed and the desk was nice, expensive-looking wood. I think a shabbier library (like South Berkeley) wouldn't have been so great.
- Rad Grandad
- 38041 posts since 6 Sep, 2003 from Downeast Maine
I painted my room purple when I was a kid, my dad and me turned the basement into a cool room and it was huge. (literally half the size of the one floor of the house). I painted it a dark purple, I had one of those big florescent lights in the ceiling with 4 4' black light bulbs in it and a bunch of black light posters on the walls. There is no question, I built very cool hidden cabinets in the walls that had bongs in them and I was doing acid and mescaline for two years before I tried weedvurt wrote: Sun Oct 07, 2018 11:32 ami don't really "see" the walls once im in the zone.jancivil wrote: Sat Oct 06, 2018 8:55 pm I think white walls would begin to bug me pretty quick. These are 'cream-colored' with a quasi-stucco texture.
staring at flashing lights or pedals
i would like to make the walls look a little more interesting before i begin on video work. im thinking projection rather than coverings though so the lighter colour is fine.
The highest form of knowledge is empathy, for it requires us to suspend our egos and live in another's world. It requires profound, purpose‐larger‐than‐the‐self kind of understanding.