1) Live 10 was an anomaly, due to Push being released in that time so I'd expect the updates to be more frequent going forward, more like every 2-4 years, so making it 3 you need to factor in 3x $249Reefius wrote: Sun Oct 28, 2018 9:14 amA simple calculation for the next 10 years:
For that kind of money you can keep updating Ableton Live for about 50 year
- Ableton Live Suite 10 purchase: $599
FREE updates until Live 11 is released (usually about 5 years)
Upgrade to Live 11 is around $240
So a total of $840 and you receive updates for 10 years- Bitwig Studio purchase: $399
First year of updates is included, so to stay up-to-date for 10 years you need to subscribe for 9 years
So that's 9 x $169 = 1521
That makes a total of $1920 if you want to receive updates for 10 years![]()
2) If you really assess the worth of a creative tool, that lets you channel your artistic vision and create music by its monetary cost, then I don't really know what to say... Also, if $1.5-2k is a significant amount for you over 10 years, then maybe it's time to get a job? I spend that easily every year on updates, VSTs, hardware... And I'm just a hobbyist.
True, the faders should be resizeable and I'm certain they will at some point. Also, for metering you're supposed to use the big meters which provide more than enough info, whereas small faders isn't really an issue since you can double-click and just enter the desired value. This is how Bitwig looks on a 12'' screen of Surface Pro 4 :Reefius wrote: Sun Oct 28, 2018 10:38 amFirst of all, look at the tiny mixer faders, these are NOT resizable. How can anyone create a decent mix on such tiny faders? This also results in a lot of wasted screen space.The mixer is also completely blank without any dB markers, which means any form of metering is non-existent in Bitwig. If you want metering you need to use external plugins.
Main screen:

Mixer:

The advantage Bitwig's GUI has over Live's (IMO) is that it's very flexible and the balance of size of the elements is just right - in Live, at 100% scaling the device panels are too small and I need to bring it up to 220-240% (relative to Windows' scaling) to use comfortably, but then everything else is a bit too big. In Bitwig, I can easily work at 175% and devices are still bigger than in Live. It also helps greatly that Bitwig is touch-screen ready, so most controls are bigger.
For me the side browser stays hidden & I only use the big browser. Try switching the display to "small screen" profile (or something like that) - the only difference I see is that the Inspector is now on the right, "replacing" then side browser (which you can always bring up with Ctrl+B).Reefius wrote: Sun Oct 28, 2018 10:38 amThen there's the browser pane on the right which is way too small. Sure it can be resized, but Bitwig doesn't remember it and the next time it starts up again with that way too small browser pane.
And what if I don't need or want the browser pane and only use the popup browser? Same thing, I can close the pane but at the next startup it will be back. Same for the info pane on the left, I can close it but Bitwig doesn't remember it.
The popup browser has the same issue: sure I can resize it, but the next time it will pop up again at its original size.
Can you elaborate, because I can't see how it's a "joke"? Maybe it doesn't cover 100% of the functionality Live has (although I'd say it's pretty close now), but it's definitely not a joke.Reefius wrote: Sun Oct 28, 2018 10:38 amAnd don't get me started on the drum rack, which is a total joke. I wouldn't be surprised if they wait at least another year to update this, so it once again is a paid update like the sampler in 2.4.
And I can turn your "logic" upside down as well - I got Phase-4 synth for free in v2.3 update, but Ableton WAITED until v10 to give me Wavetable. Those greedy bastards!!!
You do realise that:Reefius wrote: Sun Oct 28, 2018 10:38 amThat's my biggest issue with the subscription model: they hold back big updates like they did with the sampler, to make people pay for them.
Sure they keep implementing new features, but they strategically wait longh enough to implement them so most people have to pay another $169 to receive them.
a) Bitwig was released in 2014 vs. Live in 2001
b) Bitwig is a 10 people team, with 4 developers
c) all DAWs (or in general - all software) add features as they go - sometimes free, sometimes paid, e.g. why was Ableton HOLDING BACK until v10 to properly support high-DPI screens, add multi-clip editing, introduce trackpad zoom/scroll gestures?! Those are simple things, I'm sure were ready 10 years ago... Why are they still HOLDING BACK the VST3, MPE, plugin sandboxing, proper mixer that you can see & use while in arrangement, etc. I'm sure those things are ready, but they wait until v11 so that I have to pay