voidhead23 wrote: Mon Oct 29, 2018 9:30 am
Anyway, i downloaded the Bitwig demo again to look at its effects...again, a lot of this is ignorant speech and first impressions because being unable to save means i can't really dig into the heart of the program. In Live, you get some weird and creative audio effects like the Frequency Shifter, Corprus, Resonators, three different delays that don't overlap much, a bit crusher...Bitwig has variants of these but their features are more stripped down and basic, without as much creative craziness. i think the purpose is, again, to take these simple tools and modulate the hell out of them to create more complex sounds. But i come from a guitar pedal background, where you plug something in, turn some knobs, and explore that way. Live's effects are great that way. If you're a modular person, i can see how that wouldn't be a problem at all in Bitwig and horribly limiting in every other DAW.
With the audio feature thing, i'm mainly coming from the fact that time signature automation came so late and the Sampler was so underdeveloped until 2.4. There's a lot of arrangement-level editing of audio features i really like in Reaper and Logic i would like every DAW to have and i'm also missing a good chopper like Live's Simpler, as well as Live's audio stretching to butcher and destroy audio samples, but a lot of that is nitpicking. But it does indicate to me that the developers of Bitwig have something very different in mind for this DAW than what i have in mind with my music.
Time signature automation is there. Does it matter when it arrived?
I think Bitwig's time stretching is better than Live's
And the Bitwig effects are under-rated.
I would take the Bitwig Delays any day over Live's. Because you can put any device in the feedback path. Want a bit of bit crushing in the feedback? Easy. Shift the pitch? sure. Put a reverb in there to make the delay super lush? Go for it. You can put whole device chains including vst's... (Live does not have nested devices like this)
Then set up a few macro knobs to adjust the parameters you want, save it as a preset and from then on it is exactly like the stompbox