Warp IV Tracks Tips...Thanks
- KVRAF
- Topic Starter
- 21195 posts since 8 Oct, 2014
Well, it's finally happening. After much procrastination (primarily because of money) I'm finally pulling the trigger (sometime in April or May) and getting the Warp IV Brass and Woodwinds bundle for $1,299
What I'd like (Jancivil I know you've got to have something to share) are your Warp IV tracks and tips that you'd care to post here. I'm only asking because there is almost nothing online about this library. At Youtube, I found ONE video. There are a few tracks on the site but not a lot.
Anything you can share will be GREATLY appreciated though my gut tells me that there are very few people here besides Jancivil who own this library, which surprises me because it sounds amazing. But after reading the specs, with all those keyswitches, it sounds a little daunting to say the least.
Thanks in advance for any help you can give me.
And no, before anybody asks, there is no demo that you can download first. You take your chances and you buy it or don't. The sound has convinced me to take the plunge. I'd just like any experiences that you can share to give me a hand in wrapping my head around this thing.
Thanks again.
What I'd like (Jancivil I know you've got to have something to share) are your Warp IV tracks and tips that you'd care to post here. I'm only asking because there is almost nothing online about this library. At Youtube, I found ONE video. There are a few tracks on the site but not a lot.
Anything you can share will be GREATLY appreciated though my gut tells me that there are very few people here besides Jancivil who own this library, which surprises me because it sounds amazing. But after reading the specs, with all those keyswitches, it sounds a little daunting to say the least.
Thanks in advance for any help you can give me.
And no, before anybody asks, there is no demo that you can download first. You take your chances and you buy it or don't. The sound has convinced me to take the plunge. I'd just like any experiences that you can share to give me a hand in wrapping my head around this thing.
Thanks again.
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experimental.crow experimental.crow https://www.kvraudio.com/forum/memberlist.php?mode=viewprofile&u=6258
- KVRAF
- 6895 posts since 9 Mar, 2003 from the bridge of sighs
no personal experience ...
jan has been recommending this for years ...
jan is not easily impressed ...
voicing and articulation may require you to roll up your sleeves ...
jan has been recommending this for years ...
jan is not easily impressed ...
voicing and articulation may require you to roll up your sleeves ...
- KVRAF
- Topic Starter
- 21195 posts since 8 Oct, 2014
That much I pretty much figured out. Somebody said even with an 88 note keyboard they had to hit the octave button to get to all the articulations for some of the patches. How insane is that?experimental.crow wrote: ↑Sat Mar 30, 2019 6:49 pm no personal experience ...
jan has been recommending this for years ...
jan is not easily impressed ...
voicing and articulation may require you to roll up your sleeves ...
As far as being impressed, yeah, all you have to do is listen to it. Sounds absolutely real to my ears.
- KVRAF
- Topic Starter
- 21195 posts since 8 Oct, 2014
Jan, thanks. I knew I could count on you. Piece is odd to say the least. Sounds like you recorded the brass completely dry, what little there is of it. But, it certainly did sound real.
I get that the keyswitching is going to be pencil tool city. I was expecting this. I'll just have to take my time with these pieces.
However, my bigger concern is this. Not being a horn player, I don't know what each instrument can and can't do realistically. In other words, what keyswitches I can and can't combine. Or is it possible to go from any one articulation to any other? I have heard horn players do some really wild things so I'm guessing that there probably isn't much that isn't possible. Still, I'm not sure.
So, my question is this. Is there any place I can go to learn what is and what isn't possible with each instrument. For example, I know it's possible to go from a trill to a fall off, but is it possible to go from a fall off directly into a trill?
I'm guessing some of this is intuitive based simply on the amount of brass based music I've heard over the years but still, there's always some doubt.
Any suggestions short of picking up one of the instruments and learning how to play it?
I get that the keyswitching is going to be pencil tool city. I was expecting this. I'll just have to take my time with these pieces.
However, my bigger concern is this. Not being a horn player, I don't know what each instrument can and can't do realistically. In other words, what keyswitches I can and can't combine. Or is it possible to go from any one articulation to any other? I have heard horn players do some really wild things so I'm guessing that there probably isn't much that isn't possible. Still, I'm not sure.
So, my question is this. Is there any place I can go to learn what is and what isn't possible with each instrument. For example, I know it's possible to go from a trill to a fall off, but is it possible to go from a fall off directly into a trill?
I'm guessing some of this is intuitive based simply on the amount of brass based music I've heard over the years but still, there's always some doubt.
Any suggestions short of picking up one of the instruments and learning how to play it?
- KVRAF
- Topic Starter
- 21195 posts since 8 Oct, 2014
Listened. Thanks. Thing is, I hear something in my head when I compose and it sounds "right" to me. But not being a player of that instrument, I can't be sure with 100% certainty that the part I just heard in my head is physically capable of being played. I don't see how there's any way to know that without knowing the instrument inside and out.
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experimental.crow experimental.crow https://www.kvraudio.com/forum/memberlist.php?mode=viewprofile&u=6258
- KVRAF
- 6895 posts since 9 Mar, 2003 from the bridge of sighs
cut from the same cloth ...jancivil wrote: ↑Sun Mar 31, 2019 9:29 am Steinman's pretty consistent with the keyswitch layout so you'll get the lay of the land in usage.
I do get realism out of the thing.
Here's one of the first things I did:
https://www.youtube.com/watch?v=3f2FUB26N64
it's a fairly outside sort of piece, of course. Sounds pretty live I think.
mitchell froom / the key of cool ...
way cool ...
- KVRAF
- 2469 posts since 24 Jan, 2016
If you read the VI Control threads the dev says you can email him for trial versions
Realitone also has the same trumpet samples licensed from WarpIV on sale for $100 with a 30 day refund policy
https://realitone.com/products/screaming-trumpet
https://vi-control.net/community/thread ... ale.66332/Please contact me through email at http://www.warpivmusic.com/Contact.html (click the Email link) if you are interested in auditioning an instrument with trial mode.
Realitone also has the same trumpet samples licensed from WarpIV on sale for $100 with a 30 day refund policy
https://realitone.com/products/screaming-trumpet
- KVRAF
- Topic Starter
- 21195 posts since 8 Oct, 2014
It has to be a stripped down version to sell for just $100.polarsky wrote: ↑Sat Apr 20, 2019 10:09 pm If you read the VI Control threads the dev says you can email him for trial versions
https://vi-control.net/community/thread ... ale.66332/Please contact me through email at http://www.warpivmusic.com/Contact.html (click the Email link) if you are interested in auditioning an instrument with trial mode.
Realitone also has the same trumpet samples licensed from WarpIV on sale for $100 with a 30 day refund policy
https://realitone.com/products/screaming-trumpet