Best guitar solo

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True, true and..... true Mr Franck.



:drunk:
I play guitar

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Well, except for the analysis of 'cool'. I'm glad you figured out a formula for what makes a phrase sound cool, but to me that's even more soulless than the soullessness you're talking about!

Sometimes what makes a phrase cool is its lack of coolness. And you never know when that's going to hit. I'd rather just play some parts, knowing that I at least like the way they sound. And if I like them, other people are likely to. Or not. Since I don't sell records, it's not a priority to me. :D

Steve Morse has awesome vibrato with a lot of soul. Something doesn't need to be funky to have soul. The purity of his vibrato represents a calmness of soul, which is different than a wild and unpredictable vibrato like SRV's stunning vibrato. It doesn't mean there's no soul, it just means that there's a different message being conveyed. <shrug>

Greg
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Lunch Money wrote:Well, except for the analysis of 'cool'. I'm glad you figured out a formula for what makes a phrase sound cool, but to me that's even more soulless than the soullessness you're talking about!
Steve Morse has awesome vibrato with a lot of soul.
Well, each to his own.
It's not as if I'd think I'd gathered the ultimate wisdom on what is cool or not, so there's a lot of subjective stuff involved - but IMO Steve Morse (while being a truly excellent player) is missing out on a lot of things one would describe as "soulful", "funky" or whatever. Which is a shame (IMO again).
There are 3 kinds of people:
Those who can do maths and those who can't.

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Sascha Franck wrote:IMO Steve Morse (while being a truly excellent player) is missing out on a lot of things one would describe as "soulful", "funky" or whatever. Which is a shame (IMO again).
Lunch Money wrote:Something doesn't need to be funky to have soul.
Apparently we merely disagree about the definition of 'soul', which isn't surprising considering how wide and varied the definition of the word is in almost any area of human endeavour. ;) You consider funkiness or a "raw emotion" to be a part of soul, while I simply feel that the rawness or funkiness doesn't need to be there as long as the artist is expressing a particular emotion. In Steve Morse's case, I agree that he's not funky; however, I believe he's expressing other aspects of his soul.

Greg
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ouroborous wrote:to clarify: the sister shotgun in the LA scene in the 80's (I think it was sister...)
Sorry, I missed this first time around.

-no I don't remember them. By virtue of working for bands in the '80's and early'90's, I was out of town for at lease half of every year, so I missed a lot. (That's one reason I quit...)

...but if there's some specific person involved, I do know a few people...
Apparently we merely disagree about the definition of 'soul', which isn't surprising considering how wide and varied the definition of the word is in almost any area of human endeavour.
Well, A girl I went out with briefly eventually married James Brown, and she loved my guitar playing, so, you know, I guess I'm in :hihi:

-S.
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Ever know a guy named Sol Simms?
..what goes around comes around..

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Nope. Missed him.

-S.
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Glad to see a few Gary Moore fans on here. Must admit that since I discovered techno I dont really go in for guitar solos much. Anyhow Favourites:

Andrew Lloyd Webber's Variations (yes the Cats ALW!) It's got a brilliant Gary Moore solo on it. I just love his firey passionate playing (seeing his scrunched up face as he does it is another matter).The first Skid Row album has some good stuff on it too.

Others; Have to agree on All along the Watchtower, Crossroads solos,Allan Holdsworth, Hendrix slow solo at Woodstock, Michael Hedges before he started to sing (amazing in concert - saw him once).

Peter Green, post Fleetwood Mac album The End of the Game, first track Bottoms Up is really good, pacing phrasing and buildup is really good (Green was very close to going nuts at this stage, and it shows in this album).

Mick Taylor on Stones bootleg Bedspring Symphony. Keith R in great shape on this one too.

Mike Stern playing with Miles Davis, esp on We want Miles, another feel based passionate player like Gary Moore

Ry Cooder - I think its going to work out fine from Bop til you drop

Lowell George also for slide playing and TASTE.

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I love the tom intro from eastenders..
would make a great guitar solo
My other host is Bruce Forsyth

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tony Smyth wrote: Peter Green, post Fleetwood Mac album The End of the Game...
Peter Green on Need your love so bad, mmmmmmm.

k

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SJ_Digriz wrote:Hmmm...all this talk about guitar solos and no mention of Shawn Lane?
During his all-too-short life, Shawn Lane never received the wide-spread credit and acclaim he deserved.

He often found an exquisite balance between incredible virtuosity and pure "soul".

He will be missed.

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tony Smyth wrote: Mike Stern playing with Miles Davis, esp on We want Miles, another feel based passionate player like Gary Moore
Mike was best with Miles. I saw the tour around the time that We Want Miles came out.

MS was so good that Miles stopped playing a trumpet solo and leaned against the PA and just listened to Stern solo! Then Miles asked him to do another solo! :-)

I just wish that he would get rid of that damn chorus pedal on his solo albums-it sounds gimmicky beyond belief, like he's just another Pat Metheney clone. (Which Mike is obviously not!)

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what? no Dinosaur Jr fans here?
J Mascis - anything on Where Ya Been
Robert Fripp - most of Lark's Tongues in Aspic
8)

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the riff from smoke on the water
My other host is Bruce Forsyth

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oldevil wrote:what? no Dinosaur Jr fans here?
No, but I loved Upside-down Cross :D

:band2:

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