The 80's thread - 4 us who were around at that time

Anything about MUSIC but doesn't fit into the forums above.
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the young ones.
one summer.
jumpers for goal posts, ice cream in the park...
:ud:

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A prick with a brick.
This is the same method MJ used when he was working on Anthony Marinelli's Thriller.

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that's life.
talking dogs.
rude carrots.
:ud:

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wee willy harris, lighting up the charis, reasons to be cheerful...
:ud:

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Phil Collins drum roll
3 million on the dole

I've already written this one you c**ts.

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Max Headroom
This is the same method MJ used when he was working on Anthony Marinelli's Thriller.

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in 1980 I was stationed at ft hood texas just north of austin, bought a tele custom from ray hennings heart of texas nusic, went to amazing shows in austin and ft hood area, met srv in 81 and even got to hang out with wanye charvel one saturday thanx to a fellow sgt who knew someone who knew him
The highest form of knowledge is empathy, for it requires us to suspend our egos and live in another's world. It requires profound, purpose‐larger‐than‐the‐self kind of understanding.

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In the 80's, i played with He-Man and Skeletor toy figures. It was da shit, back then.

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BMX bikes

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And Rubik's cube :-)

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Chernobyl
Live Aid
The Enterprise Allowance Scheme
Bedsit land ...
Drum Machines
Hip Hop
Aceed
Last edited by thecontrolcentre on Sun Jun 09, 2019 3:59 pm, edited 1 time in total.

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Red Band, 99p for 20

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Thunderbird Wine

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Ritzys nightclub
Monday night, 50p to get in 50p a pint

For a fiver you can get in and still have 9 pints of snakebite

happy days

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80's music tech allowed all kinds of new things. People who weren't musicians in the traditional sense were able to get involved in music production - sampling, one finger synth players, rhythm boxes. It enabled incredible cross-pollinations like german synth rock (Kraftwerk) mixing with early rap and rhythms from NY streets and giving us Afrika Bambata and Grand Master Flash etc.

Big sounds used to involve big studios (eg Kind of Blue was recorded in a studio that had been a church in Manhattan - the main space had the original bare boards and was 100 x100 ft with 100 feet high ceiling) but Lexicon 224 etc could put big spaces around all kinds of small studio productions eg Trevor Horn/Frankie goes to Hollywood etc.

Where once you needed large studios and real orchestral/string players and the budget for same (eg 70s disco), synths and samplers offered big choral and orchestral textures out of a box that people could hump around to gigs. Post-punk bands got to work with these possibilities in short order.

Songs like Ultravox's Vienna which featured a string synth, synth bass and roland CR-78 drum machine featured very spacious atmospheric sounds demonstrated new possibilites for sounds and textures from your common or garden 4 piece band. New Order etc applied all this to more dance oriented music.

The ramifications of all these changes are still running.

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