Just picked up the X-Squared Massive Soundset.
Going threw it now, pretty sweet, lots of usable sounds.
Just picked up the X-Squared Massive Soundset.
the lack of automatable parameters, no support for midi controllers like breath or expression pedal and no midi learn also means it is not immediately easy to work around that by using midi learn to assign expression to a macro. The AT is channel only, no Poly AT and not that I expected it, but MPE would have been very welcome on a brand new synth today.chk071 wrote: Wed Jul 03, 2019 3:03 pm Yeah, that seems to be the biggest gripe - lack of automatable parameters.
How are those presets organized? There is no way to organize user presets... no folders or directory structure, no tags or way to search or to sort by authorFirebird wrote: Wed Jul 03, 2019 3:36 pm
Just picked up the X-Squared Massive Soundset.
Going threw it now, pretty sweet, lots of usable sounds.
A lot of that is UI part (although the "no numeric input" for example isn't entirely about UI. I recently actually wanted a numeric display for filters and as it turns out (and now I actually know this in practice), the values don't necessarily transcribe so easily from a knob to a frequency. Of course, they could still just do 0-1 values (or 0 to 100 in other words) to make it happen.pdxindy wrote: Wed Jul 03, 2019 2:52 pmI suppose it somewhat depends on what you consider part of the UI... I consider no numeric input to be a bad thing about the UI. Same with no undo/redo.Functional wrote: Wed Jul 03, 2019 2:22 pmMostly coming from a person who hasn't probably said a single good thing about MX. Aside from that performer view being hidden behind the performers, there's probably nothing bad to say about the UI. There's some quirks here and there that truly are not intuitive, but not so much related to UI.realtrance wrote: Wed Jul 03, 2019 2:07 pm I’m sure NI has the resources to work with all this, so I’m not as aggressive as some have been in claiming the UI is “bad.”![]()
I consider it poor UI design that one has to go to the routing tab to turn off a module instead of just being able to click on the module icon as the primary method (which looks like it was there earlier in development from that older UI image)
There is no way to reorder the FX or use the arrow keys to step through presets... though the browser just gets an incomplete cause basically there isn't one.
The output meters on the top left have an arrow underneath. At first I thought that arrow did nothing cause I tried a couple times to drag it side to side... then I discovered you drag it up and down to adjust it. There are a number of little unintuitive things like that. The arrows underneath the envelope graphic look like editable controls for what I would assume to be loop point adjustment. Doesn't seem like they do anything.
It's a subjective thing, but so far the knob acceleration is a bad UI choice imo.
This I can't relate with at all. The arrow at the output meters; I might be biased here but since I picked up Reaktor recently, this was kind of obvious to me to begin with. But even when I first started using Reaktor, I was never confused about that. Kind of surprised actually that anybody was? Basically they do it because the top bar should always have room to include it no matter how small it is.pdxindy wrote: Wed Jul 03, 2019 2:52 pm The output meters on the top left have an arrow underneath. At first I thought that arrow did nothing cause I tried a couple times to drag it side to side... then I discovered you drag it up and down to adjust it. There are a number of little unintuitive things like that. The arrows underneath the envelope graphic look like editable controls for what I would assume to be loop point adjustment. Doesn't seem like they do anything.
Super, duper subjective. I'm loving it, I don't know why I so often have an issue with knobs in this regard. I use Corsair Harpoon. Back in the days I ran it often at 7200 DPI or so to conserve my wrist as much as possible. But even now, as I use something like 2400 DPI or less, I still think lots of things are way too sensitive. I really wish I could get back to crazy high DPI's but sadly it's impossible for two reasons: knobs are way too sensitive for that and, even if they weren't, lot of precision-clicking sadly in DAW's in general. Hitting small dots with 7200 DPI was a nightmare.pdxindy wrote: Wed Jul 03, 2019 2:52 pm It's a subjective thing, but so far the knob acceleration is a bad UI choice imo.
Considering that there is no midi learn, I'm kind of 100% certain that MPE is going to be on a lower priority and if midi learn isn't there, neither will MPE be. I honestly expect both features. It'd be a huge, huuuge loss for a synth like Massive X to not have MPE. It's not just about "but it's a modern feature", it's also the fact that Massive X happens to be one of those synths that are really made for it and you can do more with it than just assign it to the filter like you normally do with everything elsepdxindy wrote: Wed Jul 03, 2019 3:38 pmthe lack of automatable parameters, no support for midi controllers like breath or expression pedal and no midi learn also means it is not immediately easy to work around that by using midi learn to assign expression to a macro. The AT is channel only, no Poly AT and not that I expected it, but MPE would have been very welcome on a brand new synth today.chk071 wrote: Wed Jul 03, 2019 3:03 pm Yeah, that seems to be the biggest gripe - lack of automatable parameters.
No, I'm a social realist. Ever seen that one episode of Black Adder? Yeah, me and Mistress Ploppy have a lot in common: "A family atmosphere? This is meant to be a place of pain and misery"realtrance wrote: Wed Jul 03, 2019 2:51 pmI think we have a Giant Grump that we trade across the multiverse between us. Today it is Functional's.Vortifex wrote: Wed Jul 03, 2019 2:48 pm Has anyone ever seen Functional and realtrance in the same room together![]()
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Currently due to lack of midi learn (which seems to include the macros) means that I can't directly put knobs and faders of my keylab controller even to the macros. Now, it's not NI's fault necessarily... but, it's a pain in the effing arse to set that up in Cubase. In Omnisphere, on the other hand, you set it to learn, touch a knob and, uhh, be happy personEvilDragon wrote: Wed Jul 03, 2019 3:07 pmI can understand this (and I agree about MIDI learn not being there, but one thing is kinda tied to another), but macros can be so much more powerful, and I really don't recall any instrument where I had to automate more than 16 parameters of a single patch in a project, ever. Do you know of anyone (apart from, maybe, BT)?chk071 wrote: Wed Jul 03, 2019 3:03 pm Yeah, that seems to be the biggest gripe - lack of automatable parameters.![]()
I also like numeric values cause then it is easy to check the value of a parameter and so I can then tweak it and get back to it. Useful for plugins that do not have undo/redo.Functional wrote: Wed Jul 03, 2019 3:45 pmPersonally I don't care all that much for values, with two exceptions: currently the spot for the filter to be in the perfect position for 100% keytracking that actually follows your keys is somewhere in the northwest and each time you have to tune it in manually. For example in Omnisphere all you have to do is just type "1" and it will give you 1khz which happens to be the spot for 100% keytrack to follow the keys. The other exception is wavetables: matching them is relevant when you want to play around with the phase.
For any other feature though, I wouldn't personally care about numeric values, but I can understand why some people want that and it probably will happen.
I think that's something that needs to be given consideration. Sounds like there are other features planned, but not in this version.
To quote a confused spaniard:dellboy wrote: Wed Jul 03, 2019 4:14 pm Forget about the EDM crowd, this thing can do mainstream stuff.
¿que?
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