XLN RC-20 Retro Color
- KVRian
- 527 posts since 22 Sep, 2016
I’m going out on a limb and saying yes. I’ve passed on the sale a couple of times. I already have a bunch of other “retro-vibe” plugins but, I will probably take another look at it when it goes on sale again
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Obsolete236871 Obsolete236871 https://www.kvraudio.com/forum/memberlist.php?mode=viewprofile&u=236871
- Banned
- 821 posts since 4 Aug, 2010
It's on sale right now!
- KVRAF
- 7352 posts since 9 Jan, 2003 from Saint Louis MO
Bleh, I missed the sale. I'm demoing it now and I like it more than Sonitex STX-1260 (which is getting pretty long in the tooth at this point).
- KVRAF
- 2772 posts since 22 May, 2017
- KVRAF
- 2772 posts since 22 May, 2017
Agreed, Tone Projects simply stopped developing. It's a shame as Sonitex, Compadre and Basslane are all excellent plugs.
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Obsolete236871 Obsolete236871 https://www.kvraudio.com/forum/memberlist.php?mode=viewprofile&u=236871
- Banned
- 821 posts since 4 Aug, 2010
In the past XLN Audio had sales twice a year: end of February and end of August / early September. Maybe they also have a Black Friday Deal. So chances are that it might go on sale again.
It's really one of those plugins that are worth having in the arsenal. It's nice to have all these various lo-fi modules in one neat package with nice effect modulation on top. Of course you could achieve similar effects with other plugins, probably even free ones, but that would be much more cumbersome.
If you are in Ableton Live, there are some nice Ableton lo-fi devices that do similar stuff.
Regarding free VSTs you can in the meantime check Izotope Vinyl (for lo-fi sound), Flutterbird Tesselode (for additional pitch and volume modulation, tape like wow and flutter) and maybe add some nice impulse response of some old radio speakers or other devices loaded into a convolution reverb. I think the free convolution reverb by Melda, as well as Convology XT, have a nice selection of such impulses included.
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- KVRian
- 1475 posts since 26 Apr, 2019 from Netherlands
Indeed. You can find better, more advanced VST plugins for most of the RC-20 FX modules, but using them together won't be as convenient and coherent as the RC-20. And they probably won't feature something like the Flux engine.Izak Synthiemental wrote: ↑Thu Sep 19, 2019 12:22 pm It's really one of those plugins that are worth having in the arsenal. It's nice to have all these various lo-fi modules in one neat package with nice effect modulation on top. Of course you could achieve similar effects with other plugins, probably even free ones, but that would be much more cumbersome.
viewtopic.php?f=43&t=529952&hilit=RC+20
Last edited by Lotuz2019 on Thu Sep 19, 2019 1:08 pm, edited 1 time in total.
- KVRAF
- 7352 posts since 9 Jan, 2003 from Saint Louis MO
Sonitex's pitch warble is pretty great IMHO. Its digital section is still unmatched, and its tone/EQ section is excellent. I'd really love an update and a resizable GUI
I found RC-20 could really beef up the sound as well as degrade it -- it has a lot more character options in general than most lo-fi plugins. The combination of adding low-end weight while adding some gunk to the sound works really well. (But I wish the pitch and "magnetic" LFOs weren't plain sines and could go slower; there are a few places where I feel like the control ranges could have gone either more subtle or more extreme.)
As for other options, I've got Echomelt, Decimort, Chipcrusher, Speaker, Megaphone, and DAW LP, as well as a whole bunch of IRs for FogConvolver. And also dubby delays, spring reverbs, techniques with filters/EQ, saturation etc. contribute to the whole lo-fi / hauntology vibe
At the extreme end, I've been known to stick a microcasette dictaphone between my headphones, wrap it in a towel and record the full mix, then bring it back in... the motor is pretty shot on my unit though so trying to keep it more or less in sync for longer than a few seconds is out of the question. So I sometimes crossfade in smaller bits and sync them individually. Kinda tedious
I found RC-20 could really beef up the sound as well as degrade it -- it has a lot more character options in general than most lo-fi plugins. The combination of adding low-end weight while adding some gunk to the sound works really well. (But I wish the pitch and "magnetic" LFOs weren't plain sines and could go slower; there are a few places where I feel like the control ranges could have gone either more subtle or more extreme.)
As for other options, I've got Echomelt, Decimort, Chipcrusher, Speaker, Megaphone, and DAW LP, as well as a whole bunch of IRs for FogConvolver. And also dubby delays, spring reverbs, techniques with filters/EQ, saturation etc. contribute to the whole lo-fi / hauntology vibe
At the extreme end, I've been known to stick a microcasette dictaphone between my headphones, wrap it in a towel and record the full mix, then bring it back in... the motor is pretty shot on my unit though so trying to keep it more or less in sync for longer than a few seconds is out of the question. So I sometimes crossfade in smaller bits and sync them individually. Kinda tedious
Thanks for the heads up
Last edited by foosnark on Thu Sep 19, 2019 3:33 pm, edited 1 time in total.
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- KVRian
- 595 posts since 8 May, 2006
haven't used it in a while, forgot all about that. the 'Cut' slider is really nice on this with the low frequency bump.
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neverbeeninariot neverbeeninariot https://www.kvraudio.com/forum/memberlist.php?mode=viewprofile&u=350084
- KVRian
- 912 posts since 3 Feb, 2015 from UK
It's a fine line between madness and genius, but IMO this is geniusfoosnark wrote: ↑Thu Sep 19, 2019 1:08 pm At the extreme end, I've been known to stick a microcasette dictaphone between my headphones, wrap it in a towel and record the full mix, then bring it back in... the motor is pretty shot on my unit though so trying to keep it more or less in sync for longer than a few seconds is out of the question. So I sometimes crossfade in smaller bits and sync them individually. Kinda tedious
You could always record the output of the dictaphone into the DAW and warp-marker the sh*t out of it. Not sure it would help with the tedium side of things, though
- KVRAF
- 7352 posts since 9 Jan, 2003 from Saint Louis MO
I got the idea from Hainbach, who uses a lot of lo-fi tape among other things. Dictaphones are fun because not only are they bandpassed like whoa, super noisy and warbly (and that's when they're new), they often have extra controls for half/double speed.neverbeeninariot wrote: ↑Thu Sep 19, 2019 3:06 pm It's a fine line between madness and genius, but IMO this is genius
You could always record the output of the dictaphone into the DAW and warp-marker the sh*t out of it. Not sure it would help with the tedium side of things, though
I was using Maschine before, but yeah, with Bitwig I could definitely slap warp markers all over it and tug it into shape. I'll probably still look for a slightly less terrible tape deck though... something with 3 heads so I can use it as a delay would be nice.
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- KVRist
- 356 posts since 3 Oct, 2009
I think RC-20 has a nice feature set. I just had a hard time getting the right wet/dry sweet spot with any effect. It's either too subtle or too much where it gives a superimposed feel. Sonitex seems to fight me less.Russell Grand wrote: ↑Thu Sep 19, 2019 2:34 amSonitex is great! I love RC-20 as well. I think it's good to have both in one's arsenal.
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Obsolete236871 Obsolete236871 https://www.kvraudio.com/forum/memberlist.php?mode=viewprofile&u=236871
- Banned
- 821 posts since 4 Aug, 2010
Sounds great! What comes to my mind: load the recorded audio from the dictaphone into a sampler, slice it up and re-arrange. Then you don't have to worry about sync / coherence too much...foosnark wrote: ↑Thu Sep 19, 2019 1:08 pm
At the extreme end, I've been known to stick a microcasette dictaphone between my headphones, wrap it in a towel and record the full mix, then bring it back in... the motor is pretty shot on my unit though so trying to keep it more or less in sync for longer than a few seconds is out of the question. So I sometimes crossfade in smaller bits and sync them individually. Kinda tedious