thanks for the disclaimersBenedict wrote: ↑Sun Dec 15, 2019 11:31 pmFrankly, I have done almost nothing for room acoustics, I don't have issues with translation on other systems - at all. I can comfortably and confidently finish a mix and send it into the world without checking it on various mixing systems.
Nothing against people who do treat rooms*. If I were earning enough to buy wall-padding I'd maybe have some. Maybe, perhaps**. It is not the most important thing to me (or I think listeners) at all. I'd rather learn how things sound and have my brain do the adjusting as it is 80% more effective** at this than software or wall-padding.
*or you, in particular, Ploki - it just amused me to subvert your words.
**ok, probably not, I'd get a room with a window onto a garden or the sea.
***this stat must be true because I made it up.
you might be lucky with your room, sometimes weird things happen in acoustics. or you might have a particular brand of music that translates well
in most cases that's not the case
It affects listeners on a level. They don't know why it doesn't sound good, but it just doesn't. So the music can in fact get lost in translation