Why you left Ableton?

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Kinh wrote: Fri Jan 31, 2020 4:01 am
ckam03 wrote: Thu Jan 30, 2020 2:40 pm
Kinh wrote: Thu Jan 30, 2020 9:39 am
ckam03 wrote: Thu Jan 30, 2020 5:18 am
Kinh wrote: Thu Jan 30, 2020 4:28 am If pweeple leave a daw like Ableton it's because they're lookin' for somethin' that cannot be found, somethin' that has a magic button dat does all Z work for you. Ya wastin' ya time. Do tha work ya-selves, spend time developin' ya skills. You dig? Dont blame the tools is wha-I'm sayin'.
Who do I blame then for Ableton not having MPE? You? Jesus?
I dont think not havin' one feature warrants leaving an entire daw. Ya gotsta looks at Z features it does have and how they're bwetter dan other daws

In your opinion. I've looked at z features and they most definitely are not better than all other DAWs so looks like I made the right choice!
ezpecially if you've only looked at them instead of tryin' dem out
Oh I've tried dem out. Plenty. I left for ze Cubase after 9 dropped and then I saw ze Bitwig and moved over there. I tried out 10 after getting used to ze Bitwig and yeahhh no.

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I actually still own an Ableton live standard licence, but I should probably sell it. Honestly Bitwig has been doing more for me than Live does except it doesn't seem to handle drag ' n' drop very well.
:borg:

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Ableton user since V1. Upgraded through to 9 Suite.

From v2-v7, Live added many cool features but was starting to become less stable.

V8 +, they started catering more to mainstream DAW features and really lost their "live" focus. The program also became very unstable on my machines, literally crashing for me upon pressing play sometimes with no plugs added. Very random crashes.

By 9, live was no longer fit for (me at least) doing live performance. the only way I was upgrading to 10 was if it was a complete rebuild, but that didn't happen.

I've since started using a combo of MPC Live/mpc software, and Acoustic Mixcraft (cheap, has some cool features, and stable).

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THE INTRANCER wrote: Thu Jan 30, 2020 7:23 am Because it's flat... that's not short for flattering btw...
Out of interest, is this more your vibe ?

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mcbpete wrote: Fri Jan 31, 2020 3:06 pm
THE INTRANCER wrote: Thu Jan 30, 2020 7:23 am Because it's flat... that's not short for flattering btw...
Out of interest, is this more your vibe ?

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I CANT EVEN WITH KVR TODAY :hihi:
The post above this is likely bait, viewer discretion is advised.

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Spencer Maddox wrote: Fri Jan 31, 2020 3:14 pm I CANT EVEN WITH KVR TODAY :hihi:
The truth is that none of us can, the only reason we persevere is because Hink pays us.
Signatures are so early 2000s.

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Winstontaneous wrote: Thu Jan 30, 2020 8:40 pm Hey CrystaWizard!
I left Ableton at about 11:30 last night because it was time to go to bed.
That’s a good ‘reason’ 😃
gadgets an gizmos..make noise~crystalawareness.bandcamp.com/ soundcloud.com/crystalawareness Restocked: 5/2026
if this post is edited -it was for punctuation, grammar, or to make it coherent (or make me seem coherent).

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I skipped Ableton 10 because of Bitwig, but now I may just move back. I kind of wish Bitwig and Ableton was just one mega DAW. All the polish and ease of use of Ableton and all the cool gimmicky stuff from Bitwig rolled into one.
Studio One // Bitwig // Logic Pro // Ableton // Reason // FLStudio // MPC // Force // Maschine

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We left Ableton to start a new company based on their technology.

Signed ******

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I'm seriously actually still happy with Live. My own shortcomings affect my music far more than any DAW feature or lack of. All DAWs that I've tried would enable me to make music TBH.

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THE INTRANCER wrote: Thu Jan 30, 2020 7:23 am Because it's flat... that's not short for flattering btw...
Different strokes/etc. - I like the flatness, easier to look at for longer.

Some 3D could be good, I guess, but skeumorphic design in the plugin world is especially terrible.

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miloszz wrote: Sat Feb 01, 2020 5:07 am
THE INTRANCER wrote: Thu Jan 30, 2020 7:23 am Because it's flat... that's not short for flattering btw...
Different strokes/etc. - I like the flatness, easier to look at for longer.

Some 3D could be good, I guess, but skeumorphic design in the plugin world is especially terrible.
This explains why ableton's flat is bad. At least Live 9's Glue Compressor went better way but 10 lost its taste.

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apoclypse wrote: Sat Feb 01, 2020 4:14 amAll the polish and ease of use of Ableton
I'm curious - what you mean by that (as opposed to Bitwig, I understand)? I could see someone using that describing S1 against say Cubase, but I really don't see Live any easier to use and definitely not more polished than Bitwig. So maybe my understanding of the word(s) is wrong, being Polish and all ;)
Music tech enthusiast
DAW, VST & hardware hoarder
My "music": https://soundcloud.com/antic604

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tooneba wrote: Sat Feb 01, 2020 5:16 am This explains why ableton's flat is bad. At least Live 9's Glue Compressor went better way but 10 lost its taste.
I mean... not really. It explains why this person thinks flat is worse. The examples he uses of old iOS designs are uniformly awful and cheesy. Shadows and skeumorphism and so on may have had a role in GUI design once upon a time but we now all have decades of experience working with flat screens.

His rule 2 is quite applicable to Ableton - not too many colors (vs. most other DAWS) unless you specify them for a track.

Rule 3, as well, Ableton has more 'room to breathe' than most DAWs.

Rule 4, not applicable.

Rule 5, Ableton does a good job with their info boxes not being overlaid on the screen.

Rule 6, I dunno, it's a basic sans serif font I believe.

Rule 7, not applicable.

But hey, like I said, different strokes. Ableton and Bitwig have the best GUIs of all the DAWs I've tried. Relatively clean and uncluttered, I prefer the lightness of Ableton to the darkness of Bitwig but they're both fine.

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