- u-he satin i got in the ni bundles (40€?)
- wavesfactory cassette (30€)
- voxengo tapebus i got in the premium subscription i bought for other plugs.
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70€
tapes
technics deck i still have was 30€. tascam pro cassette deck i had was 200€, service was 50€, and blank tapes were 20€. The noise floor on the Tascam was unusable -50dB.
unitra POS reel to reel i had was 70€, single 1/4" blank was 20€. The dumb-ass DIN5-4x Jack cable i had to make cost me a few € in connectors and 15 minutes of work.
so
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300€ for what in the end was a single useful cassette deck, and countless hours of trying to make it work. I lost about 100€ from services and sales of other two
unitra POS reel to reel stopped working soon. didnt service it. It was trash and NOT worth the hassle, the results were only good for ""tape"" fx. So severely degraded shit. Things Wavesfactory Cassette does absolutely wonderfully. (I stopped using my cassette deck because of WF Cassette)
a usable rtr will cost you 200-500€ , 2-trackers more towards 500€.
2-trackers are much better for studio.
a good rtr will be more towards 1000€.
2" blank tapes (for machine Wytse has) are 200-400€...
So the cheapest studio-usable you will get will set you back at lest 300€ (with blanks), REVOX B77 for example, and probably 50-100€ for service within the first year or immediately even.
For "studio" use i'd be vary of using anything less than 2-tracker 1/4" 15 IPS (not the cheapest) for anything other than extreme "Tape degradation" FX.
Friend had a stroke of luck and got Teac X2000 for 200€ a couple of years ago. However he stopped using it because in half a year, stereo image got screwed and service was 100€.
edit:
i also have to say, u-he satin was the most RTR-like compared to all professional RTRs i ever tried (including 2" Otari MX-80 24-tracker)

