Reason vs FL Studio: Great sounding track without mastering?
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- Banned
- 383 posts since 12 Mar, 2020 from Toilet, or on the way to toilet
Just out of curiosity:
Which one (Reason/FL Studio) would YOU use if you could NOT use any mastering effects (no EQ, no Compression...)? Only the sounds/synths & maybe reverb & delay - nothing else?
Or is there any difference when not using time on the final mastering?
Which one (Reason/FL Studio) would YOU use if you could NOT use any mastering effects (no EQ, no Compression...)? Only the sounds/synths & maybe reverb & delay - nothing else?
Or is there any difference when not using time on the final mastering?
- Banned
- 11467 posts since 4 Jan, 2017 from Warsaw, Poland
Reason, of course! FL sucks in terms of workflow (for me!) and you can get great sounding stuff by just arranging and sculpting the sounds properly at track/bus level.Tannaliini wrote: Mon Mar 16, 2020 8:07 am Just out of curiosity:
Which one (Reason/FL Studio) would YOU use if you could NOT use any mastering effects (no EQ, no Compression...)? Only the sounds/synths & maybe reverb & delay - nothing else?
Or is there any difference when not using time on the final mastering?
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- KVRAF
- 5071 posts since 27 Jul, 2004
That´s at the very end a nonsense thread...
"Great sounding track" and "no EQ" isn´t possible at all...
No matter what you would use there is no way in thousand years getting a track sounding decent at all without being able to restrict sounds in their frequency spectrum...
Second, I don´t get this kind of thinking at all...
As big as differences between these 2 or all other DAWs are... the lack of certain (necessary) fx would make the smallest difference from all known ones...
I f you would speak about being allowed to use just stock plugins... I could follow... but killing any mix fx makes every DAW sound bullshit
"Great sounding track" and "no EQ" isn´t possible at all...
No matter what you would use there is no way in thousand years getting a track sounding decent at all without being able to restrict sounds in their frequency spectrum...
Second, I don´t get this kind of thinking at all...
As big as differences between these 2 or all other DAWs are... the lack of certain (necessary) fx would make the smallest difference from all known ones...
I f you would speak about being allowed to use just stock plugins... I could follow... but killing any mix fx makes every DAW sound bullshit
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- Banned
- 1779 posts since 26 Aug, 2012
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- Banned
- Topic Starter
- 383 posts since 12 Mar, 2020 from Toilet, or on the way to toilet
Just wanted to play with the idea of how people feel about Reason vs FL Studio as “raw”. Maybe the “great sounding” was a wrong wording - more like “sounds better Fl or Reason”Trancit wrote: Mon Mar 16, 2020 1:06 pm That´s at the very end a nonsense thread...
"Great sounding track" and "no EQ" isn´t possible at all...
No matter what you would use there is no way in thousand years getting a track sounding decent at all without being able to restrict sounds in their frequency spectrum...
Second, I don´t get this kind of thinking at all...
As big as differences between these 2 or all other DAWs are... the lack of certain (necessary) fx would make the smallest difference from all known ones...
I f you would speak about being allowed to use just stock plugins... I could follow... but killing any mix fx makes every DAW sound bullshit
- KVRAF
- 3017 posts since 8 Jun, 2018
no EQ? and not great sound? it can produce great sound. not always of course. but in my case, i only carve when really necessary. perhaps it is because 90% is my own from-scratch sounds. (i use drum kits, not always, but no libraries).Trancit wrote: Mon Mar 16, 2020 1:06 pm That´s at the very end a nonsense thread...
"Great sounding track" and "no EQ" isn´t possible at all...
No matter what you would use there is no way in thousand years getting a track sounding decent at all without being able to restrict sounds in their frequency spectrum...
Second, I don´t get this kind of thinking at all...
As big as differences between these 2 or all other DAWs are... the lack of certain (necessary) fx would make the smallest difference from all known ones...
I f you would speak about being allowed to use just stock plugins... I could follow... but killing any mix fx makes every DAW sound bullshit
but general speaking you are right. for normal production. i tend to play with masking. (although i have stuff that is specially made for chirurgical sound scuplting, ánd unmasking, not the great names by the way or not that known..). i like it, it makes things dynamical. but of course, my goals are different, my music is different, and yes, tend to make the sounds, and adjust them, sometimes, without eq, that are in a certain frequency spectrum. but most of the times they are all over the place, and it can work great.
i have more than one eq, many different ones, dynamic, linear, vintage etc. i use them, but for carving? less.
but it certainly the way for a lot of music to sound good.
no criticism, but there are no rules, yes there a basic rules. i use them, but brake them when necessary. i do gain staging, i do look at eq curves. but more: i listen how it works.
i have project, not finished, vocals must be added. there is a lot of masking, i wanted to unmask the thing, so all synths (9) could present themselve as best. strangely unmasking didn't make the song better. but; disclaimer; it works for my kind of style.
i use less effects, o not true, on the latest project, but mainly for sounddesign, not for mix per se.
but if you do sounddesign in the project itself, you automatically "mix".
and i have it all, several DAW's, an extensive mastering (and audio editing) suite with spectral extra's... two mastering suites... not the most used ones... and i know what it can do.
a sound can be great without mastering. but the mix must be good. i master in the mix. the mastering suites i only use for levelling...
one time someone wanted a badly produced number by me, in coorperation, to make it better, but the rules he followed, although i learned from it, aren't the rules i can follow, as i said, i know them use them, but most of the times break them. but still, i shall deny, i know that sounds must be "placed".
when you need an eq on the master, the mix is wrong.. also a too general remark. sometimes, in use an eq on the master, but only on a few tracks.
but there are different ways to approach a mix/master. i do not say that one is wrong and one is right. i only wanted to state, that there are several approaches. and yes my first tracks maybe produced not at top level, but still they sound good, i can hear the differences between later tracks, strangely i used more effects, like compressor and eq's for the mix. the last years, even when people do not like the style, the acknowledge that the production is "perfect" (as can be for a bedroom producer, o well, i have a real home studio, that is also a library of books... very good for clean vocals...). perfect for lack of better word, in balance with the sound and the energy, in balance with the affect...
Primoridal Music: sadà\exposadà - Indusrial & Expanding Your Mind Hurts: Sound Brut
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- KVRAF
- 4329 posts since 26 Jun, 2004
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- KVRAF
- 5144 posts since 3 Oct, 2013
the biggest advantages of FL is the scale highlight of its piano-roll (I'm using as a scratchpad in Bitwig in plugin version) can u seeantic604 wrote: Mon Mar 16, 2020 12:41 pmReason, of course! FL sucks in terms of workflow (for me!) and you can get great sounding stuff by just arranging and sculpting the sounds properly at track/bus level.Tannaliini wrote: Mon Mar 16, 2020 8:07 am Just out of curiosity:
Which one (Reason/FL Studio) would YOU use if you could NOT use any mastering effects (no EQ, no Compression...)? Only the sounds/synths & maybe reverb & delay - nothing else?
Or is there any difference when not using time on the final mastering?
don't have to keep in mind where are the different fifth/third/octave etc. intervals etc.) everything is clearly visible it makes the composing much easier ( good for counterpointing, counter-melodies etc. too) I also don't like the workflow of FL but as a scratchpad it's brilliant (till u use its channel rack only)
"Where we're workarounding, we don't NEED features." - powermat
- Banned
- 11467 posts since 4 Jan, 2017 from Warsaw, Poland
"Advantage" for those that need it. Many don't.xbitz wrote: Mon Mar 16, 2020 7:24 pmthe biggest advantages of FL is the scale highlight of its piano-roll (I'm using as a scratchpad in Bitwig in plugin version) can u see
- KVRAF
- 25035 posts since 12 Jul, 2003 from West Caprazumia
Sory, bit that is total nonsense - it all depends on what you start out with. If you record a great signal, there is often no need for EQing it. WIth an electric guitar for instance this depends on the PUs, yout setting, your recording-chain, etc. - and last but not least your own recording skills. And the same basically goes for virtual instruments. Before putting EQ on everything try fixing the source directly. And of course the arrangement plays a huge roles too. EQs are for correction and not everything requires that.
- KVRAF
- 25035 posts since 12 Jul, 2003 from West Caprazumia
*lol*xbitz wrote: Mon Mar 16, 2020 7:24 pm
the biggest advantages of FL is the scale highlight of its piano-roll
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an-electric-heart an-electric-heart https://www.kvraudio.com/forum/memberlist.php?mode=viewprofile&u=182734
- KVRAF
- 2513 posts since 13 Jun, 2008 from Napier,New Zealand
Oh lord... is this "FL has a bad sound engine" again?... I really thought we were beyond this. 
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- KVRAF
- 9146 posts since 7 Oct, 2005
IMO FL Studio. Its samples and plugins (Gol's ones especially) have a bigger sound.
Maybe Reason is more suitable for European dance style while FL Studio for deep hip hop beats? I don't know! In the back of my mind I have this image, so it affects me.
I'm not trolling! I have both and love both! I think Bitwig sit in the middle with its devices sound but for workflow, Bitwig and Reason are the champions for me while FL Studio I struggle to put some patterns together (not FL Studio fault though, it is me that I can't wrap my brain around it
Using: Cubase Pro 15, Reason 13, Tascam US-4x4HR, MODX6, DM12D, LaunchKey 49, Yamaha guitar(Pacifica 612v) and bass (BB234) and some virtual instruments and synths.
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- KVRAF
- 9146 posts since 7 Oct, 2005
Yes! My current effort is to make this workflow!! FL Studio inside Bitwig! Now, add some midi from Reason 11 and your mind will blow up!xbitz wrote: Mon Mar 16, 2020 7:24 pmthe biggest advantages of FL is the scale highlight of its piano-roll (I'm using as a scratchpad in Bitwig in plugin version) can u seeantic604 wrote: Mon Mar 16, 2020 12:41 pmReason, of course! FL sucks in terms of workflow (for me!) and you can get great sounding stuff by just arranging and sculpting the sounds properly at track/bus level.Tannaliini wrote: Mon Mar 16, 2020 8:07 am Just out of curiosity:
Which one (Reason/FL Studio) would YOU use if you could NOT use any mastering effects (no EQ, no Compression...)? Only the sounds/synths & maybe reverb & delay - nothing else?
Or is there any difference when not using time on the final mastering?
don't have to keep in mind where are the different fifth/third/octave etc. intervals etc.) everything is clearly visible it makes the composing much easier ( good for counterpointing, counter-melodies etc. too) I also don't like the workflow of FL but as a scratchpad it's brilliant (till u use its channel rack only)
Using: Cubase Pro 15, Reason 13, Tascam US-4x4HR, MODX6, DM12D, LaunchKey 49, Yamaha guitar(Pacifica 612v) and bass (BB234) and some virtual instruments and synths.
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- KVRAF
- 3496 posts since 30 Dec, 2014
I think many people actually misunderstand what the term mastering actually is...
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