How do you keep your sample library tidy?

Anything about MUSIC but doesn't fit into the forums above.
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What is your method to keep your samples etc in order?
Especially with Reason since there are all the refills for different synths addition to all the other samples :D

Need help to get my mess to order!

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I gave a LOT of thought to how I use samplers, and choose sounds. As a result, I made folders for every sampler (Kontakt, sfz...) and inside every folder are the same six subfolders by type of sound: Drum Kits, Instruments, Orchestra, Percussion, Piano and Organ, Synth and Field, Vocals. I rename every sample folder with the type of instrument first, so similar ones (e.g. Bagpipe Uillean, Bagpipe Highland) are together.
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Tannaliini wrote: Tue Mar 17, 2020 12:55 pm What is your method to keep your samples etc in order?
Here's what you'll need:
  • constant unwavering vigilance (though only until you die or stop making music)
  • learning to accept imperfection
  • a DAW and/or sampler that has good options for finding missing files
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My usual method is to have a Hard Drive crash and loose everything.
This is the same method MJ used when he was working on Anthony Marinelli's Thriller.

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Aloysius wrote: Tue Mar 17, 2020 2:46 pm My usual method is to have a Hard Drive crash and loose everything.
This is so true!

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Organized by creator, and thats about it.
Anything beyond that is a rabbit hole with ever decreasing ROI timewise.
Get XLN XO...
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i only have a few kontakt libraries.
other than that, i have a folder called "cuts".
this has snippets from various recording sessions.
these get plundered for use in various reaktor ensembles, but never saved in patches.

ocassionally ill delete all the cuts and start again.

i also intend using my hardware samplers a little more...
:ud:

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I don't. And just for the kicks, XO.
Music, just like tortilla, is no fun without a bit of "cheese". :clown:
soundcloud.com/vertlain

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I don't either and I like it like that.
When it's too organised it quickly turns into auditioning variations of sounds and that's lame..
Most of the samples I use are fodder for further mangling, I'm more interested in what they sound like stretched or pitched down 5 octaves so a lot of my 'samples' end up being pretty much random cuts of sound from records, youtube clips, some field recordings thrown together.

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I just don’t really have a large sample library.

I have thought that i would love to go field record the crap out of the world though and build this uber custom sample library, but i just never seem to find the time or drive. :shrug:
:borg:

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My situation:
I am transferring files from old computer to new one. Trying to create some sort of sample libraries at the same (since the old method was just sample there, sample here and oh sample over there!) :D
...but damn it’s difficult to figure out a good/clear way to sort the samples/refills -> some refills have bass drums & synths in them so my idea of “drums” “synths” basses” etc is not really working here :D

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^ Thats exactly it.
Splitting them up into your own categories is just more trouble.
I find I tend to be able to associate the creator names with the thing I was interested in when I found the samples.
Plus, Im lazy. :P
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/* whitenoise */
Last edited by noiseresearch on Mon Nov 30, 2020 2:26 pm, edited 1 time in total.
It refuses description, allowing only the vague approach of adjectives: dark, light, raw, angelic. Who or what is making these noises? Where are they coming from and what do they point to? What kind of entity can leave such a troubling sonic remnant?

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/* whitenoise */
Last edited by noiseresearch on Mon Nov 30, 2020 2:26 pm, edited 1 time in total.
It refuses description, allowing only the vague approach of adjectives: dark, light, raw, angelic. Who or what is making these noises? Where are they coming from and what do they point to? What kind of entity can leave such a troubling sonic remnant?

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Good advice.
This is the same method MJ used when he was working on Anthony Marinelli's Thriller.

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