Nice movesimmo75 wrote: Sat Apr 25, 2020 3:35 pmI think the guy thought it was only initially free, I pointed it out to him and he removed the plugin and thanked me for pointing it out.enCiphered wrote: Sat Apr 25, 2020 8:50 amThis is crazy, should be reported asap if you ask me.simmo75 wrote: Sat Apr 25, 2020 1:02 am Subspace is limited but sounds great and worth having.
It’s free but if you look hard enough you can pick it up from a seller here for $44 on the buy and sell pages...![]()
I don’t think it’s worth taking further.
Adaptiverb 60 Percent off! The world's best reverb?
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- KVRAF
- 2056 posts since 13 Dec, 2016
Its over for Bitwig--CUBASE WON !!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!
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- KVRAF
- 1863 posts since 11 Apr, 2008
This is purely sound design reverb heaven. It's (rather it was) CPU demanding but for a good reason. Today modern CPU can handle it easily.
I love it on pads, sfx and vocal pads
I love it on pads, sfx and vocal pads
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- KVRAF
- 4720 posts since 26 Nov, 2015 from Way Downunder
"Sound design reverb heaven" is a very apt way to describe this. It blurs the line between effect and instrument.
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- KVRAF
- Topic Starter
- 2270 posts since 30 Aug, 2004 from Lancaster, UK
Thanks so much! I take it then this is a bit similar to Blackhole (which I have and like a lot). What got me interested was the adaptation to the key, so that it would be superclean and entirely mud-free. But maybe that is marketing talk only? Will try the demo but there's not much time left...
Thu Oct 01, 2020 1:15 pm Passing Bye wrote:
"look at SparkySpark's post 4 posts up, let that sink in for a moment"
Go MuLab!
"look at SparkySpark's post 4 posts up, let that sink in for a moment"
Go MuLab!
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- KVRist
- 195 posts since 4 Jul, 2019
It's not just marketing talk. There's an adaptive filter of some sort (Zynaptiq are vague about how it's done) at the end of the signal chain that compares the input to the filter output and removes (or enhances, if you so desire) frequency content from the output that isn't in the input. This part of the signal flow is independent of the reverb, so you can even turn off the reverb and use the adaptive filter purely as a sound-design tool. For example, you can freeze audio in the buffer and use it for the filter, or you can quantize the adaptive filter to any notes you choose, thus making Adaptiverb act like a vocoder.
The other big sound-design part of Adaptiverb is the resynthesizer, which is at the beginning of the signal chain (before the reverb) and can also run independently from the reverb. Because of the resynthesis and adaptive filtering engines, imo you can't compare Adaptiverb to other reverbs since it does way more than just reverb. You can get amazing sounds out of it even with the reverb turned off.
The other big sound-design part of Adaptiverb is the resynthesizer, which is at the beginning of the signal chain (before the reverb) and can also run independently from the reverb. Because of the resynthesis and adaptive filtering engines, imo you can't compare Adaptiverb to other reverbs since it does way more than just reverb. You can get amazing sounds out of it even with the reverb turned off.
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- Banned
- 2524 posts since 4 Jul, 2019
I have both - they are different - I like them both as wellSparkySpark wrote: Sat Apr 25, 2020 11:31 pm Thanks so much! I take it then this is a bit similar to Blackhole (which I have and like a lot). What got me interested was the adaptation to the key, so that it would be superclean and entirely mud-free. But maybe that is marketing talk only? Will try the demo but there's not much time left...
if you are after a super clean reverb so you can embed instruments in a realistic space then Adaptiverb is not for you, other software does this better and cheaper eg Reverberate for a convolution reverb . If you are looking for a reverb based effect with a unique sound then it might be - spend some time demo-ing it
- KVRian
- 517 posts since 28 Dec, 2007 from The Netherlands
+1. Damn what a reverb! But with this latency, I'm outperpetual3 wrote: Sat Apr 25, 2020 3:54 pm No way is it grainy. The opposite.
But the latency kills it for me.
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- KVRAF
- 4720 posts since 26 Nov, 2015 from Way Downunder
It will increase the CPU even more though.
It's like Adaptiverb is made for CPU's not yet invented. I knew it, Zynaptiq are from the future aren't they
It's like Adaptiverb is made for CPU's not yet invented. I knew it, Zynaptiq are from the future aren't they
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- KVRAF
- Topic Starter
- 2270 posts since 30 Aug, 2004 from Lancaster, UK
Very true!MogwaiBoy wrote: Sun Apr 26, 2020 9:32 pm It will increase the CPU even more though.
It's like Adaptiverb is made for CPU's not yet invented. I knew it, Zynaptiq are from the future aren't they![]()
Thu Oct 01, 2020 1:15 pm Passing Bye wrote:
"look at SparkySpark's post 4 posts up, let that sink in for a moment"
Go MuLab!
"look at SparkySpark's post 4 posts up, let that sink in for a moment"
Go MuLab!
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- KVRian
- 1264 posts since 26 Feb, 2016
Adaptiverb is a reverb that sounds different from other reverbs.
Its fantastic for Ambient, Film/Soundtrack production.
A high quality plugin.
https://soundcloud.com/synth-presets-co ... adaptiverb
Its fantastic for Ambient, Film/Soundtrack production.
A high quality plugin.
https://soundcloud.com/synth-presets-co ... adaptiverb
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- KVRAF
- Topic Starter
- 2270 posts since 30 Aug, 2004 from Lancaster, UK
Thanks a lot for the explanation. Will have to try it tomorrow. "You can get amazing sounds out of it even with the reverb turned off." Reminds me of iZotope's Neutrino: was it ever on?Smapti wrote: Sun Apr 26, 2020 12:19 am It's not just marketing talk. There's an adaptive filter of some sort (Zynaptiq are vague about how it's done) at the end of the signal chain that compares the input to the filter output and removes (or enhances, if you so desire) frequency content from the output that isn't in the input. This part of the signal flow is independent of the reverb, so you can even turn off the reverb and use the adaptive filter purely as a sound-design tool. For example, you can freeze audio in the buffer and use it for the filter, or you can quantize the adaptive filter to any notes you choose, thus making Adaptiverb act like a vocoder.
The other big sound-design part of Adaptiverb is the resynthesizer, which is at the beginning of the signal chain (before the reverb) and can also run independently from the reverb. Because of the resynthesis and adaptive filtering engines, imo you can't compare Adaptiverb to other reverbs since it does way more than just reverb. You can get amazing sounds out of it even with the reverb turned off.
Thu Oct 01, 2020 1:15 pm Passing Bye wrote:
"look at SparkySpark's post 4 posts up, let that sink in for a moment"
Go MuLab!
"look at SparkySpark's post 4 posts up, let that sink in for a moment"
Go MuLab!
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- KVRAF
- Topic Starter
- 2270 posts since 30 Aug, 2004 from Lancaster, UK
Thanks fairlyclose! Reverberate sounds interesting because yes, I'd love a superclean reverb, like looking through extremely clear glass. "reverb based effect with a unique sound": well, there areen't that many reverb-based effects, so yes I sure will!fairlyclose wrote: Sun Apr 26, 2020 9:03 am I have both - they are different - I like them both as well
if you are after a super clean reverb so you can embed instruments in a realistic space then Adaptiverb is not for you, other software does this better and cheaper eg Reverberate for a convolution reverb . If you are looking for a reverb based effect with a unique sound then it might be - spend some time demo-ing it
Thu Oct 01, 2020 1:15 pm Passing Bye wrote:
"look at SparkySpark's post 4 posts up, let that sink in for a moment"
Go MuLab!
"look at SparkySpark's post 4 posts up, let that sink in for a moment"
Go MuLab!
