Nice to hear from you Andy.
Thanks Andy, hope you are keeping well and safe.
rsp
Sidechaining no...btw that promise is older then this thread.omiroad wrote: Fri Jun 07, 2019 8:32 amIt will still work anyway, but here is good news: https://cytomic.com/news/vst3-support-waykingryan wrote: Fri Jun 07, 2019 7:21 am f**k! Switched to Cubase and the one plugin isn't available in VST3.....
I think maybe people confused Cubase dropping 32-bit support with dropping VST2?
It's very similar to how VST2 sidechaining works in other DAWs. Steiny obviously could make VST2 sidechaining as easy in Cubase but they've been making their user's lives more difficult than they need to be for years now in order to try to force VST3 adoption.
100% with you. I just use plugins now that facilitate my workflow in my DAW of choice.Dip200 wrote: Sun Apr 26, 2020 12:48 pm I like the way vst3 sidechaining is done in Cubase. Would be great if The drop had this. .....
Selection of the secondary input to the plugin is possible in Cubase already, if the devs of Cubase coded it. Due to political reasons Steinberg will not do it. I asked them to provide me a technical reason they couldn't do it, and I offer help on the topic to them, I got silence. Ableton and other companies prefer to implement what is useful to their customers rather than pushing a new plugin standard.Dip200 wrote: Sun Apr 26, 2020 12:48 pm I like the way vst3 sidechaining is done in Cubase. Would be great if The drop had this. And a Notch Filter and other Cutoff slopes like 18 db per oct.
The Drive knobs are for fine tuning the non-linearies in the filter, so they are really a drive pad control and operate like this:TIMT wrote: Sun Apr 26, 2020 9:17 pm Love The Drop its one of my favourite plugins and use it for a lot of stuff that has nothing to do with filtering.one thing i was hoping though with you doing the whole circuit model distortion pedal thing with The Scream was if you could update the non-linear elements post filter in The Drop.the drive is cool when you want to clamp the resonance and how it interacts with the drive in the loop and gain staging, but as an actual distortion or saturation, unit its pretty horrible and shrinks anything you put through it if you go a bit beyond minor clipping.i've amassed quite a few outboard filters of various topologies and none of them do that even when padded with quite a bit of gain, so i have to assume they are just waveshapers or something to approximate the op-amp or transistor in the circuit?definitely not on the same level of The Scream it would seem.i read you was working on a synth(which i am really looking forward to)a "The Drop 2"with those minor changes would be most welcome though![]()
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