who worked in 32 bit whose work won't be eclipsed by the number 64.
There are great 32 bit plugins that were and are innovative.
Using Reaper, such things never cross my mind.
I used a 32 bit plugin earlier this week, and it would takes ages
to replicate what it offered in 32 bit, at 64 bit, from NI, IK, fill in the blank,
not to mention the prices, if such a product even came into existance.
Songs are made one sound at a time in many cases, so the need
for 64 bits is more drama than substance. How many sounds
will someone actually record in a lifetime, in songs that got heard from
beginning to end, let alone heard twice? 3% of those purchased?
I'll use what I like, IK and NI included, but not because of 64.
The numbers mean nothing to the results, in my case.
But a film score expert has to compete in that film score
marketplace, and rightly have an opposite opinion,
and different needs than mine.
We are blessed to be inundated with such powerful tools
and delightful toys
