Reaper and Bitwig.

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I need something for doing mixing now. I'm thinking that Cubase Elements 10.5 should do it, at £85. I don't have any complaints about Steinberg Wavelab Elements. I don't want something for mixing which natively "colours" the sound much. Cubase Elements has upto 48 stereo tracks of audio, should be enough for me. What do you think? Is anything i've overlooked about Cubase Elements? I already have plugs to cover mixing duties. I just need volume, pan, a decent workflow, mute/solo buttons, and decent sound quality.

I tried to get the demo of Harrison Mixbus 6 earlier, but Windows Defender Smartscreen blocked it as potentially dangerous. I've emailed Harrison support. I read about Harrison Mixbus in a KVR thread about "best DAW for mixing".

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Spring Goose wrote: Sat Jun 13, 2020 1:12 pmI already have plugs to cover mixing duties. I just need volume, pan, a decent workflow, mute/solo buttons, and decent sound quality.
Just use Bitwig then...

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pdxindy wrote: Sat Jun 13, 2020 1:21 pm
Spring Goose wrote: Sat Jun 13, 2020 1:12 pmI already have plugs to cover mixing duties. I just need volume, pan, a decent workflow, mute/solo buttons, and decent sound quality.
Just use Bitwig then...
I noticed that Bitwig has a "coloured" sound. I like to bounce all my tracks to audio for mixing. I didn't want to get the "coloured" sound twice. Thanks for your reply.

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The only DAW that colors sound intentionally is Harrison Mixbus. Claiming that a DAW colors is a myth. If you base your decisions on such claims, get monster cables first for 10 times the price of a fully featured DAW...

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Tj Shredder wrote: Sat Jun 13, 2020 1:42 pm The only DAW that colors sound intentionally is Harrison Mixbus. Claiming that a DAW colors is a myth. If you base your decisions on such claims, get monster cables first for 10 times the price of a fully featured DAW...
What's "monster cables"?

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Tj Shredder wrote: Sat Jun 13, 2020 1:42 pm The only DAW that colors sound intentionally is Harrison Mixbus.
Funny i should mention that then!

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Spring Goose wrote: Sat Jun 13, 2020 2:30 pm
Tj Shredder wrote: Sat Jun 13, 2020 1:42 pm The only DAW that colors sound intentionally is Harrison Mixbus.
Funny i should mention that then!
They advertise it as such. They try to make it sound like an analog console. If you bypass all their channel strips it will not color either...
Btw. Monster cables and golden digital connections are a market for HiFi enthusiast with too much money but who are too greedy to afford proper education and scientific thinking...

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Tj Shredder wrote: Sat Jun 13, 2020 3:36 pm
Spring Goose wrote: Sat Jun 13, 2020 2:30 pm
Tj Shredder wrote: Sat Jun 13, 2020 1:42 pm The only DAW that colors sound intentionally is Harrison Mixbus.
Funny i should mention that then!
They advertise it as such. They try to make it sound like an analog console. If you bypass all their channel strips it will not color either...
Btw. Monster cables and golden digital connections are a market for HiFi enthusiast with too much money but who are too greedy to afford proper education and scientific thinking...
Reason is an emulation of an SSL desk, ain't it?

cheers for explaining monster cables

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Spring Goose wrote: Sat Jun 13, 2020 4:18 pm
Tj Shredder wrote: Sat Jun 13, 2020 3:36 pm
Spring Goose wrote: Sat Jun 13, 2020 2:30 pm
Tj Shredder wrote: Sat Jun 13, 2020 1:42 pm The only DAW that colors sound intentionally is Harrison Mixbus.
Funny i should mention that then!
They advertise it as such. They try to make it sound like an analog console. If you bypass all their channel strips it will not color either...
Btw. Monster cables and golden digital connections are a market for HiFi enthusiast with too much money but who are too greedy to afford proper education and scientific thinking...
Reason is an emulation of an SSL desk, ain't it?

cheers for explaining monster cables
only if you turn on the mixer EQ or comp/gate modules. the sound passing through reason's mixer itself is uncolored and clean, as has been borne out many many times in strict testing. Just like Bitwig. or any of the others.

also there is some benefit to using well made cables in purely analog signal paths (leaving aside the monster brand specifically, or whether the benefit outweighs the cost.) but digital is digital, if it works it's good.

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That's weird because i thought Bitwig has a different sound to Reason but i guess it was some psycho-effect of my brain tricking me!

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Pan Law ... ah never mind.
If you have to ask, you can't afford the answer

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I hope i wasn't imagining the Waves Kramer Tape at the end of Duran Duran - The Universe Alone.

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Spring Goose wrote: Sat Jun 13, 2020 11:03 pm That's weird because i thought Bitwig has a different sound to Reason but i guess it was some psycho-effect of my brain tricking me!
The music you do in Reason will sound different than the music you do in Bitwig. These are different tools which inspire you into different directions. Only if you’d layout a piece on paper, and then by using the exact same plugins, you would get similar results. Fortunately creative workflows are different. Personally Bitwig is the most inspiring DAW I came across, absolutely on par with Max/MSP...

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The only DAW I've ever spent significant time with is Reaper. But because of all the raving I see about Bitwig, I've been trying out the demo a little. I feel extremely limited in it. Perhaps it is that I just don't know how to do all the things I know how to do in Reaper. But it really seems like in Bitwig, I am constrained to just the essentials. Am I mistaken?

One feature in Bitwig I really like that I haven't seen elsewhere is the ability to do "micropitch expressions" to bend multiple notes in different directions in MPE-capable synths. To be able to bend the notes to exact notes with no fuss is awesome! I wish Reaper could do that. There are ways to get the same basic result, but they are a bit complicated and clunky. And that complication acts as a disincentive to even mess with it. I even have to consult my notes to remember the method I found to do it! I've asked for the ability to snap vertically in automation envelopes to a configurable grid, to allow easy bending up or down to exact notes, but I don't see any evidence that any devs pay any attention. I don't understand why such a feature is so hard to find in DAWs. It should be commonplace. The MPE micropitch expression feature in Bitwig accomplishes this in a different way that also allows one to bend multiple notes in different directions. Wonderful! In Reaper, as far as I know, I'd have to put multiple instances of my synth on different tracks to do that. And then I have to use some special tricks to get the bends to arrive at exact notes. Painful! But at least with that method, it can be done with any synth, not just the MPE-capable ones.

Does anyone know if any other DAW has a feature like this, allowing easy editing of MPE bends in the piano roll?

I also like the many modulation options in Bitwig. Very nice! Some of these I'd have to do in Reaper with a more resource-hungry plugin like Reaktor.

But overall, it feels so limiting!

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JO512 wrote: Sun Jun 14, 2020 2:42 pm But it really seems like in Bitwig, I am constrained to just the essentials. Am I mistaken?
No you are not mistaken, but what it does it does good, I find Bitwig's workflow very straightforward and intuitive, sure it's missing some bells&whistles that older DAW's have, it's young DAW, but it will mature nicely along the way, they are adding useful stuff all the time, I had no issues switching from Logic completely, there will be always something missing, but it's nothing major I couldn't put up for time being.

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