I didn't say I found it underwhelming but it seems a lot of people were expecting far more than they got and as a long time Presonus S1 customer (since version 2) I know what to expect in their updates versus the amount of hype they generate around it.chk071 wrote: ↑Tue Jul 07, 2020 7:31 pmNo offense, but that's the oddest thing I read so far about this update. You find it underwhelming, but bought it, but won't use it for a few weeks? Why did you even buy it then?apoclypse wrote: ↑Tue Jul 07, 2020 7:27 pm Anyway. While the update looks cool. I told you guys that Presonus is the worst when it comes to hype. They overhype and under deliver for the most part and that has been going on for a long time. I never get too excited for their updates. This update seems cool and I already bought it but like most of their updates I won't use it for a few weeks.
jamcat wrote: ↑Tue Jul 07, 2020 8:41 pm Super stoked that PreSonus didn't dumb Studio One down to please the Bitwig bedroom beatmakers.
So I don't have to quit using Studio One!
But I am disappointed that there is still no custom colours for parts and channels, which is the 3rd most requested feature. Seems like a pretty basic ground floor sort of feature to give people.
I just want to make all of my parts slightly different shades of blue.
I just can't get into the mauve, mustard, and burnt umber that the fixed colour palette has to offer.
If you’re looking for a complete package for making music and programming beats, check out the PreSonus ATOM SQ, a versatile tool that offers an intuitive performance layout with 32 velocity and pressure-sensitive pads that will suit keyboard players, step-sequencer aficionados, and button mashers alike. The ATOM SQ has one single aim for producers and composers: it helps you lay down beats, harmonies, and melodies without oppressive menu diving or endless configurations.
The ATOM SQ makes use of an ergonomic arrangement of pads that will look familiar to players and drum programmers equally. Eight rotary encoders can be configured with almost any software parameter in your host DAW, making controlling your software a breeze. An intuitive display screen changes to fit the context and provides valuable information, including CC assignments and more. Built in to the unit is a Constrain to Scale feature that eliminates the possibility of playing a bum note within a specific scale, thereby making composition easy, as well as fun.
All of this is bus powered by your computer, making the ATOM SQ eminently portable. This is an ideal controller for PreSonus Studio One. Indeed, it’s so suited for the task that PreSonus Studio One Artist is included. Ableton Live Lite is also supplied with the controller, so you can use it with that venerated program of programs! Two loop packs are also on hand, as is a custom-curated content library specifically tailored for the ATOM SQ.
What you say is true, but Digital Performer and Apple Logic were also after the Pro-Tools crowd and they have now integrated pattern based looping mode into the DAW which can be used to record your own loops and integrate them into the linear timeline.apoclypse wrote: ↑Tue Jul 07, 2020 7:22 pm
They have always been gunning for the ProTools type crowd. They are a company that sells audio hardware and that's their focus, always. I don't think they are interested in becoming the next Ableton or whatever. They are more interested in becoming the next ProTools or Cubase and now with the Show view they seem to be going after the MainStage crowd.
I did, but I've no idea what 'glissando' is, because one of the people requesting S1 to be dumbed down to Bitwig level. Also I really need to go to sleep already
Not any longer. The codes stopped working hours ago and Jrrshop web site’s been down for ages too.
© KVR Audio, Inc. 2000-2024
Submit: News, Plugins, Hosts & Apps | Advertise @ KVR | Developer Account | About KVR / Contact Us | Privacy Statement
